Welcome to the Working Week

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"Welcome to the Working Week"
Single by Elvis Costello
from the album My Aim Is True
A-side "Alison"
Released21 May 1977
Recorded1977
Length1:22
Label Stiff (UK)
Columbia (US)
Songwriter(s) Elvis Costello
Producer(s) Nick Lowe
Elvis Costello singles chronology
"Less Than Zero"
(1977)
"Alison" / "Welcome to the Working Week"
(1977)
"(The Angels Wanna Wear My) Red Shoes"
(1977)

"Welcome to the Working Week" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True . A sardonic comment on the working life aimed at a more privileged woman, the song features a brief runtime and unpolished production. Released as the B-side to "Alison", the song has since attracted critical acclaim from music writers.

Contents

Background

According to Costello, "Welcome to the Working Week" was one of several songs for My Aim Is True that was written during a span of "two or three weeks" in the summer of 1977. [1] Like the rest of the songs on the album, it was recorded by Costello with the American country rock band Clover. Costello reflected on the members of Clover, "Perhaps they were not quite so sure what was going on in songs like 'Welcome to the Working Week,' ... but they were recorded before we could worry much about it." [2]

In a 1994 interview, Costello noted the song as a more bitter take on life in London than his 1994 song "London's Brilliant Parade", commenting, "'London's Brilliant Parade' is a little bit more ambivalent in its feelings towards London, than, say, 'Welcome to the Working Week,' which is very unforgiving. Maybe, as you get older, you see the two sides of it." [3]

Author James Perone writes that, in the song's lyrics, Costello "seems to be addressing a young woman—possibly a socialite—who is outside of his working-class world." [4] The song's infamous opening lyric "Now that your picture's in the paper being rhythmically admired" was later described as "snide" by Billboard . [5] Musically, the song is notably brief at 1:22 and features "decidedly low-tech production" from Nick Lowe. [4]

Release

In addition to appearing as the opening track on Costello's 1977 album My Aim Is True , "Welcome to the Working Week" was released as the B-side to "Alison", the second single from the album, that same year. The single failed to chart.

The original demo for "Welcome to the Working Week" has been appeared on subsequent Costello releases, including the deluxe edition of My Aim Is True and the 2007 compilation album Rock and Roll Music. [6] For the latter release, AllMusic writer Stephen Thomas Erlewine described the demo's inclusion as "collector bait". [7] A live version appears on the album Live at the El Mocambo .

Critical reception

"Welcome to the Working Week" has seen critical acclaim since its release and has been praised as a great opening song for the My Aim Is True album. Upon its release in 1977, Greil Marcus described it as one of the album's "edgy rockers" and noted it as being "much more accessible" to American listeners than the UK-centric "Less than Zero". [8] High Fidelity wrote, "'Welcome to the Working Week, which opens the album, may carry a scathing contempt for middle-class verities, but it rocks like crazy and even manages to kid Costello's own imminent celebrity." [9]

Retrospective writers have also singled out the song. AllMusic praised it as a "compact pop gem" [10] while Pitchfork stated, "The brief kick in the balls of the opening track, 'Welcome to the Working Week,' is perhaps the album's perfect mission statement." [11] Billboard ranked it as the third best song on the album, calling it "smart-aleck pub-rock with crunchy guitars, clapping drums and Girl Group-style doo-doos and wah-wahs to accompany Costello's barbs about the ol' 9 to 5." [5]

Related Research Articles

<span class="mw-page-title-main">Elvis Costello</span> English singer-songwriter (born 1954)

Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. Per Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979) sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.

<i>This Years Model</i> 1978 studio album by Elvis Costello

This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.

<i>My Aim Is True</i> 1977 studio album by Elvis Costello

My Aim Is True is the debut studio album by the English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was the California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.

<i>Imperial Bedroom</i> 1982 studio album by Elvis Costello and the Attractions

Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.

<i>Armed Forces</i> (album) 1979 studio album by Elvis Costello and the Attractions

Armed Forces is the third studio album by the English singer-songwriter Elvis Costello, released on 5 January 1979 in the United Kingdom through Radar Records. It was his second album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —and the first to officially credit them on the cover. The album was recorded in six weeks from August to September 1978 in London under the working title Emotional Fascism. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions saw Costello exert more control over production compared to This Year's Model, while Nieve contributed more to song arrangements.

<i>Get Happy!!</i> (Elvis Costello album) 1980 studio album by Elvis Costello and the Attractions

Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.

<i>Punch the Clock</i> 1983 studio album by Elvis Costello and the Attractions

Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.

<i>Trust</i> (Elvis Costello album) 1981 studio album by Elvis Costello and the Attractions

Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. His fifth consecutively produced album by Nick Lowe, who was assisted by engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze vocalist Glenn Tilbrook and the Rumour guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".

<i>King of America</i> 1986 studio album by the Costello Show featuring the Attractions and the Confederates

King of America is the tenth studio album by the English singer-songwriter Elvis Costello, released on 21 February 1986. Co-produced by Costello and T Bone Burnett, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in Los Angeles, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included Ray Brown, Earl Palmer and former members of Elvis Presley's TCB Band. Costello's regular backing band, the Attractions, were intended to appear on half of the album before poor sessions led to them appearing on only one track, "Suit of Lights".

<span class="mw-page-title-main">The Attractions</span> UK musical group

The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.

<span class="mw-page-title-main">Oliver's Army</span> 1979 single by Elvis Costello

"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.

<i>A Period of Transition</i> 1977 studio album by Van Morrison

A Period of Transition is the ninth studio album by Northern Irish singer-songwriter Van Morrison, released in 1977. It was his first album in two-and-a-half years. At the time of its release it was received with some disappointment by critics and fans: "Most were hoping for a work of primeval vocal aggression that would challenge the emerging élite of Morrison pretenders, whose ranks included Bruce Springsteen, Bob Seger, Phil Lynott, Graham Parker and Elvis Costello." However, the album is still notable for several major compositions, including "Heavy Connection", "Flamingos Fly", "The Eternal Kansas City" and "Cold Wind in August".

<span class="mw-page-title-main">The Crystal Ship</span> 1967 single by the Doors

"The Crystal Ship" is a song by American rock band the Doors, from their 1967 debut album The Doors, and the B-side of the number-one hit single "Light My Fire". It was composed as a love song to Jim Morrison's first serious girlfriend, Mary Werbelow, shortly after their relationship ended.

<i>Goodbye Cruel World</i> (Elvis Costello album) 1984 studio album by Elvis Costello and the Attractions

Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.

<span class="mw-page-title-main">Alison (song)</span> 1977 song performed by Elvis Costello

"Alison" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True on Stiff Records. Costello claimed the song was written as an ode to a woman he saw working at a supermarket, though he has remained vague on the meaning. Though Costello's single never charted, it has become one of his most famous songs.

<span class="mw-page-title-main">Less than Zero (Elvis Costello song)</span> Debut single by Elvis Costello

"Less than Zero" is the debut single by Elvis Costello, released in 1977 on Stiff Records. It is the eighth track on Costello's debut album, My Aim Is True. Written about British fascist Oswald Mosley, the song features what AllMusic described as a "slow, slinky [and] sinister" melody.

Clover was an American country rock band formed in Mill Valley, California and active from 1967 to 1978. Clover are best known as the backing band for Elvis Costello's 1977 debut album My Aim Is True, and for its members going on to greater success with Huey Lewis and the News, the Doobie Brothers, and Lucinda Williams.

<span class="mw-page-title-main">(The Angels Wanna Wear My) Red Shoes</span> 1977 single by Elvis Costello

"(The Angels Wanna Wear My) Red Shoes" is a song written and recorded by Elvis Costello for his 1977 debut album My Aim Is True. Written by Costello on a train ride to Liverpool in 1976, the song features lyrics, according to Costello, about "romantic disappointment". The song features Byrds-inspired music with an intro contributed by John McFee of Costello's then-backing band Clover.

<span class="mw-page-title-main">Brilliant Mistake</span> 1986 song by Elvis Costello

"Brilliant Mistake" is a song written and performed by new wave musician Elvis Costello that was first released on his 1986 album King of America. Written about Costello's experiences in America, the song features introspective lyrics and a performance from the Confederates, who performed on the track after his usual backing band the Attractions could not perform to Costello's liking.

"Senior Service" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions for their 1979 album Armed Forces. Featuring a danceable arrangement inspired by David Bowie, the song includes punning lyrics referencing the cigarette brand of the same name and decrying the effects of the elderly on the British welfare system.

References

  1. Marcus, Greil (2 September 1982). "Elvis Costello Explains Himself". Rolling Stone.
  2. Costello, Elvis (2001). My Aim Is True (CD booklet). Elvis Costello. US: Rhino Entertainment. R2 74285.
  3. Howell, Peter (2 June 1994). "Costello explains his latest Attractions". Toronto Star.
  4. 1 2 Perone, James E. (17 October 2012). The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations [4 volumes]: A Guide to Pop Music's Most Provocative, Influential, and Important Creations. ABC-CLIO. ISBN   978-0-313-37907-9.
  5. 1 2 Goodman, William. "Elvis Costello's "My Aim Is True" Turns 40: Ranking All the Tracks". Billboard. Retrieved 7 December 2022.
  6. Graff, Gary (18 April 2007). "Costello aims to revisit last years' models". The Hollywood Reporter. Retrieved 7 December 2022.
  7. Erlewine, Stephen Thomas. "Elvis Costello - Rock and Roll Music Album Reviews, Songs & More". AllMusic. Retrieved 7 December 2022.
  8. Marcus, Greil (1 December 1977). "My Aim Is True". Rolling Stone. Retrieved 7 December 2022.
  9. Sutherland, Sam (December 1977). "Elvis Costello: New wave rock classicist". High Fidelity: 138.
  10. Maginnis, Tom. "Welcome to the Working Week by Elvis Costello - Track Info". AllMusic. Retrieved 7 December 2022.
  11. "Elvis Costello: My Aim Is True". Pitchfork. Retrieved 7 December 2022.