"Blue Chair" | |
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Song by Elvis Costello and the Attractions | |
from the album Blood & Chocolate | |
Released | 15 September 1986 |
Recorded | March–May 1986 |
Genre | New wave |
Length | 3:42 |
Label | Demon |
Songwriter(s) | Elvis Costello |
Producer(s) |
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"Blue Chair" | ||||
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Single by Elvis Costello | ||||
B-side | "American Without Tears No. 2 (Twilight Version)" | |||
Released | January 1987 | |||
Recorded | August–September 1985; January 1987 | |||
Length | 3:39 | |||
Label | Demon | |||
Producer(s) |
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Elvis Costello singles chronology | ||||
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"Blue Chair" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song first appeared on Costello's 1986 album, Blood & Chocolate . First intended for Costello's previous album King of America , the song was scrapped during that session and reworked with the Attractions around Steve Nieve's piano part.
After the song appeared as an album track on Blood and Chocolate, Costello reworked the earlier King of America track and released it as a solo single in 1987. The single reached number 94 in Britain. Since its release, the song has been lauded by critics.
"Blue Chair" was first written by Costello for his 1986 album King of America . Costello attempted to record a version of the song with his longstanding backing band, the Attractions, but deemed this version "lacklustre" and scrapped it. [1] Costello then attempted it with the Confederates, a collection of studio musicians with whom he recorded most of King of America. [2] Per Costello, this version remained in the tentative running order for King of America for a long time, but was scrapped late into the album's assembly because "it seemed brash and too eager to please without really doing so." [3] Costello commented in a 1986 interview:
If I was only interested in hits, we'd hove put out "Blue Chair". We had a version of that that sounded to most people like a Top 10 American hit, but I left it off the album because I just didn't think we'd got it right. It lacked a bit of soul, somehow. So I'd rather wait, to get it right. [4]
During the sessions for Costello's next album, Blood & Chocolate , he revived the song. Having reunited with the Attractions for the album, Costello and the band rearranged the song around Steve Nieve's piano part. [5] [6] Costello noted that this "fully realized" [1] new arrangement was inspired by Prince's songs "Manic Monday" and "Raspberry Beret." [7] [8]
"Blue Chair" was first released on Blood & Chocolate in September 1986. Though this version was not released as a single, Costello returned again to the track after the two singles from Blood & Chocolate, "Tokyo Storm Warning" and "I Want You", underachieved commercially. Costello explained,
After the unsurprising commercial failures of both the six minute-plus Blood and Chocolate singles, I decided to look again at the "Blue Chair" backing track scrapped during the King of America sessions. Turning up Mitchell Froom's organ and T-Bone Wolk's overdubbed Telecaster part we filled out some of the space above T-Bone and Mickey Curry's bass and drums. I then re-cut the lead vocal and added a vocal arrangement that took a very distant cue from Sly's "Everyday People". [7]
This new recording of "Blue Chair" was released as a single in January 1987. The single did not reverse Costello's commercial fortunes, only reaching number 94 on the UK charts. This version would appear on the rarities album Out of Our Idiot later that same year, as well as on later expanded editions of Blood & Chocolate. [9] [10]
"Blue Chair" has received critical acclaim since its release. Barry Gutman of the East Coast Rocker described the song as "poppy" in an 1986 article, noting that the song was reminiscent of Costello's 1979 album Armed Forces . [11] Retrospectively, David Gorman of Trunkworthy praised the song as one he could "listen to a dozen times in a row," singling out the single rerecording as his preferred version, asserting that it features "the best singing the man has ever done." [2] Diffuser.fm cited the song as an example of "pretty melodic stuff" on Blood & Chocolate, [12] while Stereogum named it one of the "sneering gems" on the album. [13]
Chart (1987) | Peak position |
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UK Singles (OCC) [14] | 94 |
Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. Per Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America with producer T-Bone Burnett and different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.
King of America is the tenth studio album by the English singer-songwriter Elvis Costello, released on 21 February 1986. Co-produced by Costello and T Bone Burnett, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in Los Angeles, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included Ray Brown, Earl Palmer and former members of Elvis Presley's TCB Band. Costello's regular backing band, the Attractions, were intended to appear on half of the album before poor sessions led to them appearing on only one track, "Suit of Lights".
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
The Very Best of Elvis Costello and The Attractions 1977–86 is a compilation album by Elvis Costello and the Attractions, released in 1994.
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
"Leave My Kitten Alone" is a song written by Little Willie John, Titus Turner, and James McDougal, first recorded by Little Willie John and released in 1959 as a single through King Records. It is an R&B song that follows a 24-bar blues format.
"Clubland" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Written in 1980, the song was performed live in festivals before the album's release. The lyrics, inspired by the band's most recent tour, describe life in nightclubs, while the music includes inspiration from The Police.
"You Little Fool" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. The lyrics detail a teenage girl's romantic encounter with an older man.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
"Brilliant Mistake" is a song written and performed by new wave musician Elvis Costello that was first released on his 1986 album King of America. Written about Costello's experiences in America, the song features introspective lyrics and a performance from the Confederates, who performed on the track after his usual backing band the Attractions could not perform to Costello's liking.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello, recorded by Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.
"Suit of Lights" is a song written and performed by new wave musician Elvis Costello that was first released on his 1986 album King of America. Written about Costello's memories of his father, the song includes introspective lyrics about the "dubious embrace of celebrity" while also featuring the sole performance of the Attractions on the album, who were largely supplanted by the studio professionals of the Confederates on the rest of King of America.
"Next Time Round" is a song written by new wave musician Elvis Costello and recorded by Elvis Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after an earlier attempt to record the song for his previous album King of America was scrapped.
"Jack of All Parades" is a song by English singer-songwriter Elvis Costello, which was released on his tenth studio album King of America (1986). The song was written by Costello, credited under his real name Declan MacManus, and produced by T Bone Burnett, Costello and Larry Kalman Hirsch. As a musician, Costello is credited on the track as "The Little Hands of Concrete". It is a love song, inspired by his new relationship with Cait O'Riordan of the Pogues, and is unusual in Costello's catalogue for being a positive love song.
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