Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. Produced by Nick Lowe, with assistance by the engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze's vocalist Glenn Tilbrook and the Rumour's guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".
When I Was Cruel is the 19th studio album by English singer-songwriter Elvis Costello, released in the US by Island Records on 23 April 2002. Although formally credited as solo Costello album, this was the first album to feature his new band, the Imposters featuring Steve Nieve on keyboards, Davey Faragher on bass guitar and Pete Thomas on drums. Their only difference from his previous band, the Attractions, was Faragher replacing Bruce Thomas, with whom Costello had feuded.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
Painted from Memory is a collaboration album by Elvis Costello and Burt Bacharach, released on 29 September 1998 through Mercury Records, a division of Universal Music Group.
The Very Best of Elvis Costello is a compilation album by English musician Elvis Costello, first released on 21 September 1999 through Polygram Records. The album spanned his recorded work from 1977 through 1998. It was re-released less than two years later on Rhino Records as the first entry in their comprehensive Costello reissue series.
All This Useless Beauty is the seventeenth studio album by the English singer-songwriter Elvis Costello, released in 1996 by Warner Bros. Records. It is his tenth and final album with his long-standing backing band the Attractions, and the last album he delivered under his contract to the Warner Bros. label, his contract expiring with a further compilation album, Extreme Honey. It peaked at number 28 on the UK album chart, and at number 53 on the Billboard 200.
The Very Best of Elvis Costello and The Attractions 1977–86 is a compilation album by Elvis Costello and the Attractions, released in 1994.
The discography of the English singer-songwriter Elvis Costello includes 33 studio albums, 6 live albums, 17 compilation albums, 6 tribute albums, 2 extended plays, 62 singles and 4 box sets. This page distinguishes between United States and United Kingdom release dates and record labels. Of note are the reissue series, Costello's back catalogue having undergone reissue three times by three different companies.
The River in Reverse is a collaboration album by Elvis Costello and Allen Toussaint, released in 2006. It received a Grammy nomination for Best Pop Vocal Album.
Girls Girls Girls is a 1989 compilation album collecting various previously released songs by British singer/songwriter Elvis Costello from 1977–86. Costello chose and ordered the tracks on the album himself, and accompanied them with extensive liner notes. The title of the album is sometimes rendered as Girls! Girls! Girls! orGirls +£÷ Girls =$& Girls.
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
Vince Mendoza is an American composer, music arranger and conductor. He debuted as a solo artist in 1989, and is known for his work conducting the Metropole Orkest and WDR Big Band Köln, as well as arranging music for musicians such as John Scofield, Joni Mitchell, Michael Brecker and Björk. Over the course of his career, he has won seven Grammy Awards and one Latin Grammy Award and has been nominated for a total of 38 between the two awards.
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.
"Clubland" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Written in 1980, the song was performed live in festivals before the album's release. The lyrics, inspired by the band's most recent tour, describe life in nightclubs, while the music includes inspiration from The Police.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
The Monk: Live at Bimhuis is a live tribute album of Miho Hazama and Metropole Orkest Big Band playing Thelonious Monk which was released in February 2018.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
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