"Almost Blue" | |
---|---|
Song by Elvis Costello and the Attractions | |
from the album Imperial Bedroom | |
Released | 2 July 1982 |
Recorded | 1982 |
Studio | AIR (London, UK) |
Genre | Traditional pop |
Length | 2:50 |
Label | F-Beat |
Songwriter(s) | Elvis Costello |
Producer(s) | Geoff Emerick |
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
Unanimously approved by music critics, "Almost Blue" was noted for being a highlight on Imperial Bedroom; Emerick's production on the track was also singled out by reviewers, who acclaimed his "aftermath" approach towards its composition. The song was covered by several performers, notably Chet Baker in 1987, Gwen Stefani in 1998, and by Costello's wife Diana Krall for her seventh studio album, The Girl in the Other Room (2004).
After listening to Chet Baker's version of the 1931 Ray Henderson/Lew Brown song "The Thrill Is Gone" from the 1954 Pacific Jazz record Chet Baker Sings, Costello became inspired to create similar-sounding music. He noted that the recording's "eeriness" and "haunted" qualities persuaded him to create his own take on it. [1] In a 2015 memoir Costello wrote that Baker's version of the Richie Beirach song Leaving "had provoked my song 'Almost Blue' as much as Chet's recording of the Brown and Henderson song 'The Thrill is Gone.' " [2] Costello wrote the ballad that shared the same name as his previous 1981 studio album, and wrote and recorded it with a "British pop" perspective. [1]
Produced by Geoff Emerick, [3] "Almost Blue" is a traditional pop song, [4] that is written in A minor and is set in time signature of common time with a tender beat consisting of 60 beats per minute. [5] According to the sheet music published at Musicnotes.com by Alfred Publishing, Costello's vocals range from A3 to C5, leading an instrumentation of a piano and guitar. [6] Stylus Magazine 's Colin Beckett described its sound as reminiscent to the works of Johnny Hartman and Baker. [7] Lyrically, Costello expresses a "dead past" or "dead relationship" by comparing it to its present state. [8]
"Almost Blue" was well received by music critics. Beckett, writing for Stylus Magazine, called it the "biggest step" that the singer took on Imperial Bedroom. He continued: "It's one of the strongest songs on the album. It has a haunting quality that had never been present in Costello's work." [7] Imperial Bedroom was deemed one of the 100 best albums of the 1980s and one of the top 500 albums of all time by Rolling Stone . [9] Douglas Wolk of Blender described it as one of the songs that every listener should "download". [10] Timothy and Elizabeth Bracy from Stereogum highlighted Emerick's contributions to the track in their article ranking Costello's albums "from worst to best". [11] James E. Perone, in his book The Words and Music of Elvis Costello, cited "Almost Blue" along with two other songs from Imperial Bedroom as a "demonstrat[ion of] Costello's increasingly successful integration of balladry into his palette of vocal techniques". [12]
"Almost Blue" has been performed and sung live on several occasions. In July 2004, Costello sang it at the North Sea Jazz Festival alongside 13 of his other solo works. The live edition would later be added to the accompanying live album, titled My Flame Burns Blue (2006). [13] On side two of The Best of Elvis Costello and the Attractions (1985), "Almost Blue" appears in its original format, as displayed on Imperial Bedroom. [14] The recording has also been a number of films since its initial release. Jennifer Jason Leigh performed the song in the 1995 independent film Georgia at a fictitious nightclub. Her take on the track included drums and bass performed by John C. Reilly and Tony Marsico, respectively, and featured a saxophone and harmonica interlude as performed by Jimmy Z. [15] Director Alex Infascelli's 2000 film of the same name, based upon Carlo Lucarelli's 1997 novel, were both inspired by the lyrics of "Almost Blue". [16]
American trumpeter Chet Baker recorded the tune in 1987 for the documentary Let's Get Lost (1989) and it was released on the soundtrack album. He also covered it in concert on June 14, 1987, in Tokyo, creating an extended version totaling seven minutes and fifty-three seconds. After his death in 1988, it was released on his posthumous album Chet Baker in Tokyo (1988). [17] At a 1998 benefit concert for the Walden Woods Project in Concord, Massachusetts, ska musician Gwen Stefani sang it alongside a jazz orchestra. It was later included on the accompanying promotional CD for AT&T customers, titled Stormy Weather (1998). [18] Other renditions were made by Kate Dimbleby and Jimmy Scott for their 1998 albums, Good Vibrations and Holding Back the Years, respectively. [19] [20] The Reputation featured it on their eponymous debut album in 2002, [21] followed with covers performed by Everything but the Girl and Alison Moyet in 2003 and 2004, respectively. [22] [23]
"Almost Blue" | |
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Song by Diana Krall | |
from the album The Girl in the Other Room | |
Released | 31 March 2004 |
Recorded | 2003–2004 |
Studio | |
Length | 4:04 |
Label | Verve |
Songwriter(s) | Elvis Costello |
Producer(s) |
|
Costello's wife, Canadian singer Diana Krall, recorded a cover of "Almost Blue" for her seventh studio album, The Girl in the Other Room (2004). Both Krall and Tommy LiPuma produced the track, which is over a minute longer than Costello's original rendition. An accompanying music video to Krall's version was created and released in 2004, and eventually uploaded onto her official Vevo account on October 6, 2009. [24] The visual was selected by the singer to appear on her greatest hits album, The Very Best of Diana Krall , in 2007. [25] In her review of the video's inclusion on the aforementioned album, Shackleton mentioned the "wintry outdoor scenes from Diana's native Vancouver Island" as a highlight. [26]
Much of the song's production is similar to its original counterpart; it was written by Costello, while Krall and Tommy LiPuma handled the track's production. [27] However, this version is in F major at a tempo of 56 beats per minute. [28] According to the recording's official sheet music, her vocals range from E3 to F4, with a "very slow and gentle" expression. [29]
Krall's version of "Almost Blue" divided critics. On a positive note, Thom Jurek of AllMusic enjoyed its blues roots and called the cover "striking". [30] Agreeing, BBC Music 's Kathryn Shackleton appreciated Krall's "sultry and raw" vocals, [26] which Creative Loafing 's Hal Horowitz called "beautifully muted". [31] However, Noel Murray of The A.V. Club questioned its overall composure for not "do[ing] much". [32] Despite appreciating Costello's version in a previous review, Wolk from Slate disapproved of her edition and evident genre change, preferring her "pre-rock ballad standards" to her current material. [33]
Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
The Girl in the Other Room is the seventh studio album by Canadian singer Diana Krall, released on March 31, 2004, by Verve Records. In addition to cover versions, it is Krall's first album to include original material, which she co-wrote with her husband Elvis Costello.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
Only Trust Your Heart is the second studio album by Canadian singer and pianist Diana Krall, released on February 14, 1995, by GRP Records.
All for You: A Dedication to the Nat King Cole Trio is the third studio album by Canadian singer Diana Krall, released on March 12, 1996, by Impulse! Records and GRP Records. The album pays tribute to the Nat King Cole Trio.
"Alison" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True on Stiff Records. Costello claimed the song was written as an ode to a woman he saw working at a supermarket, though he has remained vague on the meaning. Though Costello's single never charted, it has become one of his most famous songs.
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
Canadian singer Diana Krall has released 15 studio albums, one live album, one compilation album, one extended play, four singles, 16 promotional singles, three video albums, and seven music videos. Throughout her career, Krall has won numerous awards and has sold 16 million albums, establishing herself as one of the best-selling artists of her time.
"High Fidelity" is a song written and performed by new wave musician Elvis Costello on his 1980 album, Get Happy!! Written about an adulterous couple where one member still hopes for reconciliation, "High Fidelity" reflected the personal struggles that Costello had been suffering at the time as a result of increased fame and controversy. Musically, the song was influenced by Motown and was initially performed in a slower style inspired by David Bowie's Station to Station.
"You Little Fool" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. The lyrics detail a teenage girl's romantic encounter with an older man.
"The Only Flame in Town" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1984 album, Goodbye Cruel World. Originally written in the style of a classic torch song, "The Only Flame in Town" was reworked by producers Clive Langer and Alan Winstanley in a more pop-friendly style. This final version features Daryl Hall of Hall & Oates on backing vocals.
"Blue Chair" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song first appeared on Costello's 1986 album, Blood & Chocolate. First intended for Costello's previous album King of America, the song was scrapped during that session and reworked with the Attractions around Steve Nieve's piano part.
"I Hope You're Happy Now" is a song written by new wave musician Elvis Costello, recorded by Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after several failed attempts to record the song for earlier releases.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
"The Thrill Is Gone" is a popular song composed by Ray Henderson with lyrics by Lew Brown which was first sung by Everett Marshall in the Broadway revue George White's Scandals in 1931.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.
"Beyond Belief" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1982 album, Imperial Bedroom. With vague, hazy lyrics, "Beyond Belief" features an active drum line from a hungover Pete Thomas as well as a frantic vocal line Costello composed after the backing track was completed.
"Suit of Lights" is a song written and performed by new wave musician Elvis Costello that was first released on his 1986 album King of America. Written about Costello's memories of his father, the song includes introspective lyrics about the "dubious embrace of celebrity" while also featuring the sole performance of the Attractions on the album, who were largely supplanted by the studio professionals of the Confederates on the rest of King of America.
"Next Time Round" is a song written by new wave musician Elvis Costello and recorded by Elvis Costello and the Attractions. The track was released on his 1986 album Blood & Chocolate after an earlier attempt to record the song for his previous album King of America was scrapped.
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