The Sweet Escape

Last updated
The Sweet Escape
Gwen Stefani - The Sweet Escape (album).png
Studio album by
Gwen Stefani
ReleasedDecember 1, 2006 (2006-12-01)
Recorded2005–2006
Studio
Genre
Length46:56
Label Interscope
Producer
Gwen Stefani chronology
Love. Angel. Music. Baby.
(2004)		The Sweet Escape
(2006)		 This Is What the Truth Feels Like
(2016)
Singles from The Sweet Escape
  1. "Wind It Up"
    Released: October 30, 2006
  2. "The Sweet Escape"
    Released: December 19, 2006
  3. "4 in the Morning"
    Released: May 8, 2007
  4. "Now That You Got It"
    Released: August 26, 2007
  5. "Early Winter"
    Released: January 18, 2008

The Sweet Escape is the second solo studio album by American singer Gwen Stefani, released on December 1, 2006, by Interscope Records. Having originally intended to return to No Doubt after her debut solo album, Love. Angel. Music. Baby. (2004), Stefani decided to record a second album as a way to release some of the material left over from the Love. Angel. Music. Baby. writing sessions. The album musically resembles its predecessor while exploring more modern pop sounds. It was released to generally mixed reviews from contemporary music critics, receiving criticism for its strong similarities to Love. Angel. Music. Baby.

Contents

It was preceded by the lead single "Wind It Up", which charted moderately across the world, and produced the follow-up single "The Sweet Escape", which proved to be more successful worldwide. The Sweet Escape reached the top five in the United States, Canada, and Australia and peaked inside the top 20 in the United Kingdom. The album's supporting tour, The Sweet Escape Tour, kicked off in April 2007, covering North America, Colombia, Australia, Asia, and Europe.

Conception

Background

Following the release of her debut album Love. Angel. Music. Baby., Stefani announced that she had intended to return to No Doubt and record a sixth studio album with the band. [1] After the commercial success of L.A.M.B., she decided to release several leftover tracks from the album as an EP or as extra tracks on a DVD. [2] However, Pharrell Williams, with whom she had collaborated to write "Hollaback Girl", convinced Stefani to create "a L.A.M.B. part two", [2] and the two recorded several songs during sessions in Miami in July 2005. [3]

The two produced "Wind It Up", "Orange County Girl", "U Started It", "Yummy", "Breakin' Up", and "Candyland" during these sessions, and the songs were used for a fashion show premiering the 2006 collection of Stefani's fashion line L.A.M.B. [4] She included performances of "Wind It Up" and "Orange County Girl" when she embarked on the Harajuku Lovers Tour in October 2005. [5] Stefani put the project on hold in December 2005 when she discovered that she was pregnant, [6] before returning to the studio in August 2006. [7] The album's working title was Candyland, sharing its name with an unreleased track that has only been looped via her fashion show soundtrack. The title was changed to The Sweet Escape, the title of the second track.

Album cover

The album cover was taken by photographer Jill Greenberg. The image was part of a series of promotional images taken by Greenberg, inspired by her previous End Times exhibition. To create End Times, Greenberg gave lollipops to toddlers but took them back after several moments, provoking emotional outbursts. Greenberg used the images as a representation of American politics and society. [8] Greenberg was accused of child abuse for the photo shoots; Stefani, however, commented, "I didn't think 'child abuse'—I just thought, 'That's beautiful.' Every kid cries [...] Other people reacted like, 'Oh my God. That's so disturbing,' or 'That's so sad.' I guess that's what art's all about. It's supposed to make you think." [9]

Stefani's appearance on the album cover is inspired by that of Elvira Hancock, a cocaine addict portrayed by Michelle Pfeiffer in the 1983 film Scarface . Stefani first gained inspiration for the style while shooting the music video for "Cool" in Lake Como, Italy. During the shoot, Stefani saw her No Doubt bandmate Tony Kanal and his girlfriend, who had on a "long, peach, polyester [late-1970s style] dress". It was this dress that got Stefani thinking "about Michelle Pfeiffer and how amazingly styled she was [in Scarface]", which in turn drew inspiration for the cover. [10] The pair of oversized sunglasses on the album cover is intended to represent her "guarded exterior", and the other images symbolize her various emotions. [11]

Composition

Stefani performing "Wind It Up" during the Sweet Escape Tour GwenStefaniJonesBeach.jpg
Stefani performing "Wind It Up" during the Sweet Escape Tour

The Sweet Escape is a primarily dance-pop, electropop, and rap album, [12] [13] featuring themes of romantic situations and details of her career and personal life, while sonically the album features "sparsely rhythmic tracks where she chants as much as she sings" and "pop songs that aim for choruses." [14] The album opens with "Wind It Up", which features fanfares and samples from The Sound of Music 's "The Lonely Goatherd", having "material-minded lyrics touting her fashion line and her shape." [15] The second and title track, "The Sweet Escape", is a dance and doo-wop song, [15] [16] [17] which features Akon providing a "wee-oh!" hook, [15] with lyrics about a "feisty sort of apology." [16] "Orange County Girl" is an autobiographical rap song, [15] where Stefani shows how she is "grateful for her success while recalling the simpler days of her youth." [18] The album's first ballad, "Early Winter", has influences of 1980s soft rock and lyrics about the need for fidelity and transparency in romantic relationship. [18] "Now That You Got It" features military snare drums, loping hip-hop beat and a staccato piano sample. [14] [17] Its lyrics has Stefani "act[ing] as if she's doing a lover a favor and challenges him to come through." [18]

The sixth track "4 in the Morning" is a 1980s-inspired synth-pop ballad [19] that lyrically deals with a relationship on the edge, [20] while "Yummy" is a dance song, with a tribal rhythm, [21] cameo by Pharrell Williams and lyrics that finds Stefani declaring that "making babies leaves her eager to feel sexy again." [18] "Fluorescent" features Angelo Moore on saxophone, [22] and was compared to the works of Madonna and Prince, [15] while "Breakin' Up" has influences of hip hop [21] and electronica [13] and it is "a breakup song built on a dying cell phone metaphor." [15] The tenth track, "Don't Get It Twisted", talks about an unexpected pregnancy, [14] in a song influenced by reggaeton. [17] [21] "U Started It" was noted for having "lilting melody, silken harmonies, and pizzicato strings", [15] while the final track, "Wonderful Life", was named a Depeche Mode-style synth ballad about how much she misses her first love and how the person had a profound impact on her. [23] [18]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 58/100 [24]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [15]
Entertainment Weekly B− [25]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [13]
NME 4/10 [26]
The Observer Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [27]
Pitchfork 6.5/10 [17]
PopMatters 4/10 [16]
Q Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [28]
Rolling Stone Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [23]
Slant Magazine Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [29]

The Sweet Escape received mixed reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 58, based on 24 reviews. [24] Stephen Thomas Erlewine of AllMusic wrote, "From the stilted production to the fashion fetish, all the way down to her decision to rap on far too much of the album, all the dance-pop here seems like a pose." [15] Alex Miller of NME was more emphatic, dubbing it "this year's bargain-bin fodder", and stated that "the majority of this record serves only to bury what made Gwen Stefani unique in the first place." [26] At Entertainment Weekly , Sia Michel noted that the album "has a surprisingly moody, lightly autobiographical feel" but that "Stefani isn't convincing as a dissatisfied diva". [25] Pitchfork 's Mark Pytlik described the album's oddities as a career risk for Stefani, where most of the "gonzo pop songs yield some degree of payout" but that Stefani's tight scheduling during production of the album leaves the result "somewhere between the vanguard and the insipid." [17] Paul Flynn of The Observer characterized the album as less interesting than Fergie's The Dutchess and Nelly Furtado's Loose . [27] Robert Christgau cited the song "Yummy" as a "choice cut" ( Scissors icon black.svg ). [30]

The album received criticism for its similarities to Love. Angel. Music. Baby. Sal Cinquemani of Slant Magazine opined that "[h]istory will likely view The Sweet Escape as a retread of Stefani's well-received solo debut, but it shares that album's general inconsistency and, thus, its peaks and valleys". [29] Rob Sheffield of Rolling Stone agreed, viewing it as "her hasty return" to music lacking the energy of L.A.M.B. and in which "she sounds exhausted." [23] The New York Times ' Jon Pareles commented that Stefani "rebooks some of the same producers and repeats some of the old tricks with less flair", adding that "superficiality is more fun when it doesn't get so whiny." [14] Caroline Sullivan disagreed in her review for The Guardian , in which she stated that although some of the songs date back to the 2003 writing sessions for L.A.M.B., "generally The Sweet Escape feels minty-fresh." [13] Quentin B. Huff of PopMatters , however, referred to The Sweet Escape as L.A.M.B.: Reloaded and described The Sweet Escape and L.A.M.B. as "the same album, just add more rap, a glossy Next-Top-Model -ish photo for the cover, and a few more recent-sounding influences." [16]

Commercial performance

The Sweet Escape debuted at number three on the Billboard 200, selling 243,000 copies in its first week. [31] It sold another 149,000 copies during its second week, falling to number 14. [32] The album was certified platinum by the Recording Industry Association of America (RIAA) on June 25, 2007, [33] and had sold 1,733,000 copies in the United States by February 2016. [34] The Canadian Recording Industry Association (CRIA) certified The Sweet Escape platinum eight days prior to the album's release, and double platinum on March 5, 2007. [35]

In the United Kingdom, The Sweet Escape debuted at number 26 on the UK Albums Chart with first-week sales of 33,632 copies. [36] Three months later, on March 4, 2007, the album reached a new peak position of number 14. [37] It was certified Platinum by the British Phonographic Industry (BPI) on July 22, 2013 [38] and, as of March 2016, has sold 365,143 copies in the UK. [39] The album was moderately successful across Europe, peaking in the top 10 in Norway and Switzerland; the top 20 in Austria, Finland, Germany, Hungary, Ireland, and Sweden; and the top 40 in Belgium, Denmark, France and the Netherlands. [40] [41] [42] The Sweet Escape reached number two for two consecutive weeks on the ARIA Albums Chart in Australia, [43] and was certified double platinum by the Australian Recording Industry Association (ARIA). [44]

The Sweet Escape Tour

Stefani and Akon performing title track "The Sweet Escape" during The Sweet Escape Tour GwenStefaniAndAkon.jpg
Stefani and Akon performing title track "The Sweet Escape" during The Sweet Escape Tour

The Sweet Escape Tour was Stefani's follow-up to the Harajuku Lovers Tour. It went worldwide as compared to her previous tour which was constricted only to North America and had more than double the number of shows. It was Stefani's last solo effort as she rejoined her band No Doubt after the tour ended. [45] The main feature were usage of various props such as a prison for Stefani's opening act, a six-piece band and a large multimedia screen in the backdrop showing videos and animations. [46]

The tour had its own set of controversies. A group of students making up for The National Union of Malaysian Muslim Students banned Stefani's concert that was slated to take place on August 21, 2007, at Putra Indoor Stadium in Kuala Lumpur. The union's vice president, Abdul Muntaqim, said, "Her performance and her attire are not suitable for our culture. It promotes a certain degree of obscenity and will encourage youth to emulate the western lifestyle. The concert should be stopped." The organizer of the event, Maxis Communications, later responded, "Stefani has confirmed that her concert will not feature any revealing costumes. She will abide by the Malaysian authorities' guidelines to ensure that her show will not be offensive to local sensitivities." [47] In April 2007, Akon, one of the tour's opening acts, drew criticism for engaging in on-stage dirty dancing with a 14-year-old girl at a club in Port of Spain, Trinidad and Tobago, as part of a fake contest. [48] [49] As a result, Verizon Wireless terminated its sponsorship of the tour. [50]

Stefani donated $166,000 from her October 30, 2007, concert in San Diego to the San Diego Foundation, in benefit of the victims of the October 2007 California wildfires. [51] On her June 22 and June 23 concerts in Irvine, California, Stefani was joined onstage by her No Doubt bandmates. They performed the band's songs "Just a Girl", "Spiderwebs", "Sunday Morning", "Hella Good", and their cover of Talk Talk's "It's My Life". [52]

Track listing

The Sweet Escape track listing
No.TitleWriter(s)Producer(s)Length
1."Wind It Up"
3:09
2."The Sweet Escape" (featuring Akon)
  • Thiam
  • Tuinfort [c]
4:06
3."Orange County Girl"
  • Stefani
  • Williams
The Neptunes3:23
4."Early Winter"
4:44
5."Now That You Got It"
2:59
6."4 in the Morning"
  • Kanal
  • Greg Collins [d]
  • Stent [a]
4:51
7."Yummy" (featuring Pharrell)
  • Stefani
  • Williams
The Neptunes4:57
8."Fluorescent"
  • Stefani
  • Kanal
  • Kanal
  • Stent [a]
4:18
9."Breakin' Up"
  • Stefani
  • Williams
The Neptunes3:46
10."Don't Get It Twisted"
  • Stefani
  • Kanal
3:36
11."U Started It"
  • Stefani
  • Williams
  • The Neptunes
  • Stent [a]
3:08
12."Wonderful Life"
  • Hooper
  • Stent [a]
3:58
Total length:46:56
International edition bonus track [53]
No.TitleWriter(s)Producer(s)Length
13."Wind It Up" ( Harajuku Lovers Live version)
  • Stefani
  • Williams
Guy Charbonneau3:24
Total length:50:20
Australian and UK edition bonus video [54] [55]
No.TitleWriter(s)Producer(s)Length
14."Orange County Girl" (Harajuku Lovers Live version)
  • Stefani
  • Williams
Charbonneau5:06
Total length:55:26
Japanese edition bonus video [56]
No.TitleWriter(s)Producer(s)Length
15."Wind It Up" (Harajuku Lovers Live version)
  • Stefani
  • Williams
Charbonneau3:24
Total length:58:50
US iTunes Store edition bonus tracks [57]
No.TitleWriter(s)Producer(s)Length
13."Wind It Up" (Original Neptunes Mix)
  • Stefani
  • Williams
  • The Neptunes
  • Stent [a]
3:08
14."Wind It Up" (live) (video)
  • Stefani
  • Williams
Charbonneau3:24
Total length:53:28
Target edition bonus DVD [58]
No.TitleLength
1."Sessions@AOL Interview" (The Making of L.A.M.B.) 
2."Behind-the-Scenes Footage" (The L.A.M.B. Tour) 
3."Wind It Up" (live performance) 
4."The Making of 'Wind It Up'" 
5."The Making of The Sweet Escape" 

Notes [59]

Personnel

Credits adapted from the liner notes of The Sweet Escape. [59]

Musicians

  • Gwen Stefani – vocals
  • Talent Bootcamp Kids – additional vocals (track 1)
  • Pete Davis – additional mix programming (tracks 1, 4–6, 8, 10–12); additional keyboards (tracks 1, 4–6, 8, 10–12)
  • Akon – vocals, programming, keyboards (track 2)
  • Giorgio Tuinfort – programming, keyboards (track 2)
  • Tony Love – guitar (track 2)
  • Aidan Love – programming (track 4)
  • Tim Rice-Oxley – piano, keyboards (track 4)
  • Mark Ralph – guitar (track 4)
  • Greg Collins – bass guitar (track 4); guitar (track 6)
  • Loren Dawson – keyboards (track 5)
  • Sean Garrett – backing vocals (track 5)
  • Neil Kanal – programming (tracks 6, 8, 10); keyboards (track 10)
  • Tony Kanal – programming, keyboards (tracks 6, 8, 10)
  • Gabrial McNair – keyboards (tracks 6, 8); trombone, baritone (track 10)
  • Matt Beck – guitar (track 6)
  • Pharrell – vocals (track 7)
  • Kingston James McGregor Rossdale – baby sounds (track 7)
  • Angelo Moore – saxophone (track 8)
  • Alex Dromgoole – guitar (tracks 8, 10); bass guitar (track 10)
  • David Emery – guitar (track 8)
  • Stephen Bradley – trumpet, baritone (track 10)
  • Scheila Gonzalez – saxophone, flute, clarinet (track 10)
  • Anthony LoGerfo – percussion (track 10)
  • Ewan Pearson – programming (track 12)
  • Martin Gore – guitar (track 12)
  • Richard Hawley – guitar (track 12)

Technical

  • The Neptunes – production (tracks 1, 3, 7, 9, 11)
  • Brian Garten – recording (tracks 1, 3, 7, 9)
  • Ron Fair – orchestra production (track 1)
  • Hart Gunther – engineering assistance (tracks 1, 3, 9)
  • Mark "Spike" Stent – additional production (tracks 1, 4, 6, 8, 10–12); mixing (tracks 1, 2, 4–6, 8–12)
  • Alex Dromgoole – engineering assistance (tracks 1, 2, 4–6, 8–12)
  • David Emery – engineering assistance (tracks 1, 2, 4–6, 8–12)
  • Akon – production (track 2)
  • Giorgio Tuinfort – co-production (track 2)
  • Mark "Exit" Goodchild – recording (track 2)
  • Bojan Dugic – recording (track 2)
  • Keith Gretlein – recording (track 2)
  • Kevin Mills – recording (tracks 2, 5); engineering assistance (track 12)
  • Yvan Bing – engineering assistance (track 2)
  • Rich Travali – mixing (track 3)
  • Nellee Hooper – production (tracks 4, 12)
  • Greg Collins – recording (tracks 4, 6, 8, 10, 12); additional vocal production (tracks 6, 10); additional vocals recording (track 11)
  • Ian Rossiter – engineering assistance (tracks 4, 12)
  • Swizz Beatz – production (track 5)
  • Sean Garrett – co-production (track 5)
  • Angel Aponte – additional recording (track 5)
  • Glenn Pittman – engineering assistance (track 5)
  • Steve Tolle – engineering assistance (track 5)
  • Tony Kanal – production (tracks 6, 8, 10)
  • Neil Kanal – recording (tracks 6, 8, 10)
  • Colin Mitchell – recording (tracks 6, 8, 10)
  • Andrew Alekel – recording (tracks 6, 8, 10)
  • Dror Mohar – engineering assistance (tracks 6, 8, 10)
  • Andrew Coleman – recording (tracks 7, 11)
  • Ryan Kennedy – engineering assistance (track 7)
  • Phil Tan – mixing (track 7)
  • Julian Chan – recording (track 8)
  • Jonathan Merritt – recording (track 8)
  • Jason Finkel – engineering assistance (track 11)
  • Simon Gogerly – recording (track 12)
  • Brian "Big Bass" Gardner – mastering at Bernie Grundman Mastering (Hollywood, California)

Artwork

Charts

Certifications

Certifications for The Sweet Escape
RegionCertification Certified units/sales
Australia (ARIA) [44] 2× Platinum140,000^
Canada (Music Canada) [35] 2× Platinum200,000^
Denmark (IFPI Danmark) [103] Gold20,000^
Germany (BVMI) [104] Gold100,000^
Hungary (MAHASZ) [105] Gold3,000^
Japan (RIAJ) [106] Gold100,000^
New Zealand (RMNZ) [107] Platinum15,000^
Norway (IFPI Norway) [108] Gold20,000*
Poland (ZPAV) [109] Gold10,000*
Russia (NFPF) [110] 2× Platinum40,000*
Switzerland (IFPI Switzerland) [111] Platinum30,000^
United Kingdom (BPI) [38] Platinum365,143 [39]
United States (RIAA) [33] 2× Platinum1,733,000 [34]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

Release history for The Sweet Escape
RegionDateLabelRef.
AustraliaDecember 1, 2006 Universal [55]
Germany [112]
Netherlands [113]
FranceDecember 4, 2006 [114]
United Kingdom Polydor [54]
United StatesDecember 5, 2006 Interscope [115]
SwedenDecember 6, 2006Universal [116]
ItalyDecember 7, 2006 [117]
JapanJanuary 31, 2007 [118]

Notes

  1. ↑ Tracks 1, 3, 7 and 9
  2. ↑ Tracks 1 and 7
  3. ↑ Track 1
  4. ↑ Tracks 2 and 11
  5. ↑ Track 2
  6. ↑ Tracks 2, 5 and 12
  7. ↑ Tracks 4 and 12
  8. ↑ Track 5
  9. ↑ Tracks 6, 8 and 10
  10. ↑ Tracks 6 and 10
  11. ↑ Tracks 6, 8, 10 and 11
  12. ↑ Track 8
  13. ↑ Track 9
  14. ↑ Track 10

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American singer Gwen Stefani has released five studio albums, two extended plays, 37 singles, six promotional singles, one video album, and 28 music videos. She has sold more than nine million albums as a solo artist. Stefani is also the lead singer of the rock band No Doubt, with which she has released several albums.

<span class="mw-page-title-main">The Sweet Escape (song)</span> 2006 single by Gwen Stefani featuring Akon

"The Sweet Escape" is a song by American singer Gwen Stefani from her 2006 second solo studio album of the same name. It was written by Stefani, Aliaune "Akon" Thiam and Giorgio Tuinfort, and produced by the latter two. Akon, who is also a featured artist, developed the song's beat before collaborating with Stefani. He designed it based on her previous work with No Doubt, and Stefani later commented that it put her "on the yellow brick road to the No Doubt record I might do". "The Sweet Escape" is an apology for a fight between two lovers and describes a dream of a pleasant life for them. As the album's title track, its title was chosen to help market Stefani's music and fashion lines.

<i>Harajuku Lovers Live</i> 2006 video by Gwen Stefani

Harajuku Lovers Live is the first live long-form video by American recording artist Gwen Stefani. It was released on DVD on December 4, 2006, by Interscope Records. The DVD was directed by Sophie Muller and produced by Oil Factory Productions. It is a recording of one of Stefani's concerts during her Harajuku Lovers Tour 2005 in late 2005 to promote her first album, Love. Angel. Music. Baby., released in November 2004. The performance was recorded in November 2005, in Anaheim, California. The concert features performances of all twelve songs from Love. Angel. Music. Baby. and two new songs from her second studio album, The Sweet Escape, as well as interviews with the musicians and dancers and a documentary of tour preparation.

<span class="mw-page-title-main">4 in the Morning</span> 2007 single by Gwen Stefani

"4 in the Morning" is a song by American singer Gwen Stefani from her second studio album, The Sweet Escape (2006). It was written by Stefani and co-written and produced by Tony Kanal, with additional production by Mark "Spike" Stent. Interscope Records serviced the song to US contemporary hit radio on May 8, 2007, as the album's third single; elsewhere it was released in June 2007. Described as one of her favorite songs on the album, Stefani began writing the song while pregnant and finished with Kanal, drawing inspiration from Roberta Flack and Billy Idol records.

<span class="mw-page-title-main">Now That You Got It</span> 2007 single by Gwen Stefani

"Now That You Got It" is a song by American singer and songwriter Gwen Stefani from her second solo studio album, The Sweet Escape (2006). Stefani co-wrote the song with its producers Sean Garrett and Swizz Beatz. "Now That You Got It" is a reggae song featuring hip hop beats, staccato piano sample and military snare drums. Lyrically, the song places Gwen asking her lover to give all that she wants. A remix featuring Damian Marley was produced for the song's release as the album's fourth single on August 26, 2007, by Interscope Records.

<i>Push and Shove</i> (album) 2012 studio album by No Doubt

Push and Shove is the sixth studio album by American rock band No Doubt. It was released on September 21, 2012, by Interscope Records. The album serves as a comeback album for the band, as their last album, Rock Steady, was released 11 years prior. A deluxe edition of Push and Shove features acoustic versions and remixes of several tracks, as well as "Stand and Deliver", a song No Doubt had covered in 2009.

<i>Motion</i> (Calvin Harris album) 2014 studio album by Calvin Harris

Motion is the fourth studio album by Scottish DJ and record producer Calvin Harris, released on 31 October 2014 by Fly Eye and Columbia Records. The album includes collaborations with Ellie Goulding, Gwen Stefani, John Newman, Tinashe, Big Sean, Alesso, R3hab, Ummet Ozcan, Firebeatz, Hurts, Haim and All About She.

<i>This Is What the Truth Feels Like</i> 2016 studio album by Gwen Stefani

This Is What the Truth Feels Like is the third studio album by American singer Gwen Stefani. It was released on March 18, 2016, by Interscope Records. Initially, the album was scheduled to be released in December 2014 with Stefani working with a handful of high-profile producers, and Benny Blanco serving as executive producer. However, after the underperformance of her 2014 singles and the writer's block Stefani suffered, she did not feel comfortable curating an album and scrapped the whole record in favor of starting again. The album's release was scheduled after Stefani hinted at it on her Twitter account.

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