Brutal Youth | ||||
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Studio album by | ||||
Released | 8 March 1994 | |||
Recorded | 7 December 1992 – 7 February 1994 | |||
Studio | Olympic Studios, London, England | |||
Genre | ||||
Length | 56:55 | |||
Label | Warner Bros. | |||
Producer | Mitchell Froom and Elvis Costello | |||
Elvis Costello chronology | ||||
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Singles from Brutal Youth | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Blender | [2] |
Chicago Tribune | [3] |
Encyclopedia of Popular Music | [4] |
Entertainment Weekly | B− [5] |
Los Angeles Times | [6] |
NME | 9/10 [7] |
Q | [8] |
Rolling Stone | [9] |
Uncut | [10] |
Vox | 8/10 [11] |
Brutal Youth is an album by English musician Elvis Costello, released in 1994. [12] [13] It contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). Brutal Youth was the third, and most recent of Costello's albums, to peak at number two in the UK Albums Chart, following on from Armed Forces (1979) and Get Happy!! (1980). [14]
About half the album features a band consisting of Costello (guitar), Steve Nieve (keyboards) and Pete Thomas (drums) with Nick Lowe (not a member of the Attractions) on bass. Costello himself plays bass on two tracks (2 and 8), and the complete Attractions line-up (Nieve, Pete Thomas and Bruce Thomas on bass) appears with Costello on tracks 3, 4, 6, 9 and 10.
Costello began writing the material for Brutal Youth after writing a set of pop punk songs for Wendy James' 1993 album Now Ain't the Time for Your Tears . Under the working title Idiophone (named for an instrument "made of naturally sonorous material"), [15] Costello began recording these songs at Pathway Studios with former Attractions drummer Pete Thomas; he explained in a 1994 interview, "To be honest with you, I have to admit that I had decided to do this record all by myself. But then I had to face this reality: I'll never be a drummer. So I called Pete." [16] Ultimately, Costello found the minimalist sound at Pathway, where he recorded My Aim Is True , to be limiting, moving recording to Olympic Studios.
Upon arriving at Olympic, Costello recruited another ex-Attraction, keyboardist Steve Nieve, as well as former producer Nick Lowe on bass guitar. Though this arrangement, informally nicknamed "the Distractions", [17] performed on a significant portion of the album, Lowe bowed out on tracks that he felt required a more melodic and complex style of playing than he could provide. [15] At the urging of producer Mitchell Froom, who had been a fan of the Attractions, Costello recruited the final missing Attraction, Bruce Thomas, who had worked on other records with Froom at the time. Thomas and Costello had the most fraught relationship of all the former bandmates, making Costello initially hesitant to make the call:
The extension of using Mitchell was that he'd been working with Bruce Thomas, and it smoothed the process of getting back with him. I probably wouldn't have made that call if it had been down to me. But once we met up at a party at Pete Thomas's, we got along fine, and it seemed a natural thing to use him.
Nick has this great pretence that he can't play anything with more than five chords in it. I wouldn't say he's lazy about things, it's just that he prefers songs where he can get a groove figure that goes through all the chord changes. Bruce loves the challenge of trying to thread the same sort of line through a more complex set of changes. That's the difference in their approach. Some songs suited Nick, some Bruce, and in between I ended up playing bass on "Kinder Murder," and the bridge of "Just About Glad," just because the amateur approach seemed to be appropriate. [18]
Although only five songs on the album feature the full Attractions line-up, Brutal Youth was marketed as an Attractions reunion album, Costello sought to dispel notions that the album was a retro pastiche and that the reunion was a bid for commercial relevance. He commented, "It was a lazy way out — I think everybody at the company recognises that now. We were going through the beginnings of the recent upheaval, the corporate insanity at Warners, which affected everything at the company. It gave the troops of the company much less leeway to be creative. Therefore they grabbed hold of the one thing they saw as a saleable feature, which was, hey, the band is back, and they're rockin'! It's a bit of a simplification." [18]
Trouser Press wrote: "Throughout, deft instrumental touches, superb singing and the easy confidence of a still-competitive athlete returning to the scene of his greatest triumph make this another effortless win." [19] In The Village Voice 's annual Pazz & Jop critics poll for the year's best albums, Brutal Youth finished at #31. [20]
It was among the six Costello albums featured in the book 1001 Albums You Must Hear Before You Die .
All songs by Declan MacManus unless otherwise indicated.
with:
Chart (1994) | Peak position |
---|---|
UK Albums (OCC) [21] | 2 |
US Billboard 200 [22] | 34 |
Singles and EP
Year | Song | Chart | Position |
---|---|---|---|
1994 | "13 Steps Lead Down" | Billboard Modern Rock Tracks | 6 |
1994 | "13 Steps Lead Down" | UK Singles Chart [14] | 59 |
1994 | "Sulky Girl" | UK Singles Chart [14] | 22 |
1994 | "London's Brilliant Parade (EP)" | UK Singles Chart [14] | 48 |
Elvis Costello appeared on "People's Choice", a 1994 episode of The Larry Sanders Show , playing himself and promoting Brutal Youth; he and the Attractions play a live version of "13 Steps Lead Down." [23] [24]
Almost Blue is the sixth studio album by the English singer-songwriter Elvis Costello, and his fifth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was recorded in May 1981 in Nashville, Tennessee, and released in October the same year. A departure from Costello's previous works, it is a covers album composed entirely of country music songs, including works written by Hank Williams and George Jones. The project originated with Costello's desire to record a collection of covers after his two previous studio albums commercially underperformed following Armed Forces (1979).
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Armed Forces is the third studio album by the English singer-songwriter Elvis Costello, released on 5 January 1979 in the United Kingdom through Radar Records. It was his second album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —and the first to officially credit them on the cover. The album was recorded in six weeks from August to September 1978 in London under the working title Emotional Fascism. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions saw Costello exert more control over production compared to This Year's Model, while Nieve contributed more to song arrangements.
Spike is the 12th studio album by English singer-songwriter Elvis Costello, released in 1989 by Warner Bros. Records. It was his first album for the label and first release since My Aim Is True without the Attractions. It peaked at No. 5 on the UK Albums Chart and also reached the Billboard 200 at No. 32, thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. Produced by Nick Lowe, with assistance by the engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze's vocalist Glenn Tilbrook and the Rumour's guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America (1986) with producer T-Bone Burnett had largely featured different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
Steve Nieve is an English musician and composer. In a career spanning more than 40 years, Nieve has been a member of Elvis Costello's backing bands the Attractions and the Imposters, as well as Madness. He has also experienced success as a prolific session musician, featured on a wide array of other artists' recordings.
Peter Michael Thomas is an English rock drummer best known for his collaboration with singer Elvis Costello, both as a member of his band the Attractions and with Costello as a solo artist. Besides his lengthy career as a studio musician and touring drummer, he has been a member of the band Squeeze during the 1990s and a member of the supergroup Works Progress Administration during the early 2000s.
Bruce Thomas is an English bass guitarist, best known as bassist for the Attractions; the band formed in 1977 to back Elvis Costello in concert and on record.
Labour of Lust is an album by British singer-songwriter Nick Lowe. Produced by Lowe, it was released in 1979 by Radar Records in the UK and Columbia Records in the US. It was recorded and released at the same time as Dave Edmunds' Repeat When Necessary and features the same Rockpile personnel. It led off with "Cruel to Be Kind," Lowe's only major US hit.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
"(What's So Funny 'Bout) Peace, Love, and Understanding" is a 1974 song written by English singer/songwriter Nick Lowe. Initially released by Lowe with his band Brinsley Schwarz on their 1974 album The New Favourites of... Brinsley Schwarz, the song was released as a single and did not chart.
Live at the El Mocambo is a 1993 live album by Elvis Costello and the Attractions. Recorded on March 6, 1978, from a live radio broadcast by CHUM-FM in Toronto. A tape of the broadcast was obtained by the Canadian division of CBS records and released as an exclusive Canadian promotional album in the same year. As the show's fame began to grow, it became heavily bootlegged.
Taking Liberties is a compilation album by English singer-songwriter Elvis Costello, consisting of tracks not previously released on his albums as released in the United States. It is largely made up of B-sides, but features three previously unreleased recordings. It was released only in the US and Canada; its track listing is very similar to that of the UK release Ten Bloody Marys & Ten How's Your Fathers. The differences are that on the latter, the tracks "Night Rally", "Sunday's Best" and "(I Don't Want to Go to) Chelsea" are replaced by "Watching the Detectives", "Radio, Radio" and "(What's So Funny 'Bout) Peace, Love, and Understanding".
"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.
Live Stiffs Live is a live album released in 1978 by Stiff Records. It compiles concert performances by several of the record label's artists recorded during the "Live Stiffs Tour", which ran from 3 October to 5 November 1977.
"New Lace Sleeves" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1981 album Trust. The first version of the song was written by Costello in 1974 and featured post-war themed lyrics that were largely scrapped in the final recording. In the final version of the song, Costello included lyrics about seduction and power. Musically, the song was performed at a slower tempo and features a band performance praised by Costello. Pete Thomas notably performed a drum beat inspired by songs from Devo and Stevie Wonder.
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