"New Lace Sleeves" | |
---|---|
Song by Elvis Costello and the Attractions | |
from the album Trust | |
Released | 23 January 1981 |
Recorded | October–November 1980 |
Genre | New wave |
Label | |
Songwriter(s) | Elvis Costello |
Producer(s) | Nick Lowe, Roger Béchirian |
"New Lace Sleeves" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1981 album Trust . The first version of the song was written by Costello in 1974 and featured post-war themed lyrics that were largely scrapped in the final recording. In the final version of the song, Costello included lyrics about seduction and power. Musically, the song was performed at a slower tempo and features a band performance praised by Costello. Pete Thomas notably performed a drum beat inspired by songs from Devo and Stevie Wonder.
"New Lace Sleeves" was released on Trust as an album track and did not get released as a single. Since its release, the song has appeared on numerous compilations and has been praised by critics as a highlight from Trust. The track has also made multiple appearances in Costello's live performances.
The first version of "New Lace Sleeves" was written by Costello in 1974. [1] This early draft was entitled "From Kansas to Berlin" and was "a big, grand song about postwar life" according to Costello. [2] Costello saved the song's lyrics in notebooks for years before returning to them on his 1981 album Trust . The only surviving lyric from the original draft was "When are they going to stop all of these victory processions?" [2]
According to Costello, "the carnal comedy in ['New Lace Sleeves'], all the embarrassment of the morning after" was not present in the original draft of the song. [1] As he explained in his autobiography Unfaithful Music & Disappearing Ink , "If the tone of the first draft had been a little pious and even moralistic, I wasn't feeling nearly so high-minded by 1980". [3] Costello also cited what he characterised as the British press's love of scandal and said, "It also was about class and control. People used to say Margaret Thatcher held her Cabinet with some sort of sexual magnetism. Power is seductive". [1] [2]
"New Lace Sleeves" was described by Costello as "almost like dub reggae". Costello also emphasized the importance of the song's slower speed, saying, "Some of the best things the Attractions did, like this one, were at slower tempos. It's a myth that it's all about speed and power. ... We had to be exhausted to play like that. We had to drain ourselves of the impulse to play fast". [1] Additionally, Costello highlighted how "the fact that the music was slinky suited the words".
Costello described "New Lace Sleeves" as "what I think of as [the Attractions'] most original ensemble performance" and "one of the greatest Attractions performances". [4] [5] The song notably features a drum pattern by Pete Thomas that was inspired by Devo's cover of "(I Can't Get No) Satisfaction" and Stevie Wonder's "Superstition". Thomas recalled, "[Producer] Nick Lowe was standing by the drums while we were trying things out and said, 'What about something like 'Satisfaction″—that Devo thing. And I probably did something, and Nick said, 'Do the snare there, the hi-hat there...' and then I had to make sense of it. It’s 'Satisfaction' by Devo into 'Superstition', and it doesn't sound anything like either". [6]
Bassist Bruce Thomas said, "I don’t think I’ve ever used a pick except for effect – such as on the song "New Lace Sleeves". On the riff of that tune, I wanted a percussive tone." [7]
"New Lace Sleeves" was released on Costello's fifth album, Trust , in 1981. The song was not released as a single. Since its initial release, "New Lace Sleeves" has appeared on multiple compilation albums, including Girls Girls Girls , The Very Best of Elvis Costello , and The Best of Elvis Costello: The First 10 Years .
"New Lace Sleeves" has received critical acclaim and has been named by some critics as one of the highlights of Trust. Rob Sheffield of Rolling Stone noted the song as well as "Watch Your Step" as "the album's undisputed twin highlights", while the Rolling Stone Album Guide described "New Lace Sleeves" as a "great song" where Costello "finally comes clean about his woman problems". [5] [8] Stephen Thomas Erlewine of AllMusic called the track a "highlight" of Trust and Blender praised Costello's "peerless acid tongue" on the song. [9] [10] Jim Beviglia of American Songwriter ranked "New Lace Sleeves" as the eighth best Elvis Costello song ever, calling the song the "towering peak" of Trust and "a magnificent song on which he was clearly more inspired than impaired". [11]
"New Lace Sleeves" often appears in Costello's live setlist as one of his deeper cuts. [12] Costello performed the song on Tomorrow with Tom Snyder in 1981, along with "Watch Your Step". [5] A live performance from a 1981 show at the Tower Theater in Philadelphia has been uploaded by Paste Magazine . [13]
Almost Blue is the sixth studio album by the English singer-songwriter Elvis Costello, and his fifth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was recorded in May 1981 in Nashville, Tennessee, and released in October the same year. A departure from Costello's previous works, it is a covers album composed entirely of country music songs, including works written by Hank Williams and George Jones. The project originated with Costello's desire to record a collection of covers after his two previous studio albums commercially underperformed following Armed Forces (1979).
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
Imperial Bedroom is the seventh studio album by the English singer-songwriter Elvis Costello, and his sixth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 2 July 1982 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Recording took place at AIR Studios in London from late 1981 to early 1982 with production handled by Geoff Emerick. Placing an emphasis on studio experimentation, the album saw the group use unusual instruments, including harpsichord, accordion and strings arranged by Nieve. Songs were rewritten constantly while Costello tinkered with the recordings, adding numerous overdubs.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 5 August 1983 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, the album was Costello's attempt at making a commercial record following years of dwindling commercial success. It was recorded at London's AIR Studios in early 1983 and features contributions from the TKO Horns and Afrodiziak.
Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. His fifth consecutively produced album by Nick Lowe, who was assisted by engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze vocalist Glenn Tilbrook and the Rumour guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve, Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
"Radio Radio" is a song written by Elvis Costello and performed by Elvis Costello and the Attractions. The song originated as a Bruce Springsteen-inspired song called "Radio Soul" that Costello had written in 1974. In 1977, Costello reworked the song to feature a more aggressive arrangement and more direct, sarcastic lyrics that criticized the commercialism of English radio. Costello and the Attractions recorded the song around the time of his second album, This Year's Model.
The Best of Elvis Costello and the Attractions is a 1985 compilation album by English musician Elvis Costello and his backing band the Attractions, the first of what would be many career-spanning compilation albums of previously released material for Costello.
"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.
"New Amsterdam" is a song written and performed by new wave musician Elvis Costello on his 1980 album, Get Happy!! Written about the New World and New York, the recording of the song that appears on Get Happy!! was a demo that Costello had recorded in Pimlico.
"Clubland" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Written in 1980, the song was performed live in festivals before the album's release. The lyrics, inspired by the band's most recent tour, describe life in nightclubs, while the music includes inspiration from The Police.
"From a Whisper to a Scream" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. With lyrics referencing drinking, the song notably features a guest vocal from Squeeze frontman and songwriter Glenn Tilbrook as well as a guitar part from ex-Rumour guitarist Martin Belmont.
"Brilliant Mistake" is a song written and performed by new wave musician Elvis Costello that was first released on his 1986 album King of America. Written about Costello's experiences in America, the song features introspective lyrics and a performance from the Confederates, who performed on the track after his usual backing band the Attractions could not perform to Costello's liking.
"This Year's Girl" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1978 album This Year's Model. Inspired by the Rolling Stones song "Stupid Girl", the song's lyrics criticizing fashion saw some critics allege misogyny, a theme which Costello strongly denied was present in the song in subsequent interviews.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
"Riot Act" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1980 album Get Happy!!. Costello wrote the song as a response to the controversy that had surrounded him in his professional and personal life, particularly relating to his incident in Columbus, Ohio. Recorded originally as a stripped-down acoustic demo, the song was fleshed out in the studio with the Attractions.
"Beyond Belief" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1982 album, Imperial Bedroom. With vague, hazy lyrics, "Beyond Belief" features an active drum line from a hungover Pete Thomas as well as a frantic vocal line Costello composed after the backing track was completed.
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