Wessex Sound Studios was a recording studio located at 106a [1] Highbury New Park, London, England. Many renowned popular music artists recorded there, including King Crimson, Queen, Sex Pistols, the Clash, Pete Townshend and the Pretenders. The property was sold to a residential development company in 2003.
Around 1950, Ron Thompson started the Wessex Recording Service and mobile recording unit at his home in Wiltshire, naming it after its location which was historically the kingdom of Wessex. A short time later, Thompson and his family moved to Bournemouth, where he ran a hi-fi shop above a recording studio that recorded local groups and musicians, as well as a sound service for 16mm industrial films. By 1959, Thompson was joined by his son Mike. The studio became successful and was moved to a larger location in downtown Bournemouth, with a second location eventually opened at 30 Old Compton Street in the West End of London, recording such notable artists as John Barry and Max Bygraves. By the mid-1960s the company was in need of a larger studio and Thompson wrote to church commissioners in hopes that there was a church hall they wanted to sell. [2]
The building that would become Wessex Studios, located at 106a Highbury New Park in North London, was built in 1881 as the church hall of St Augustine's Church. [3] Like other buildings of the Victorian era, it featured Gothic design. [4] From 1946 to 1949 it was the home of the Rank Organisation's Company of Youth - more popularly known as the Rank Charm School - where future stars of British films, such as Diana Dors, Christopher Lee, Barbara Murray and Pete Murray, were tutored and paid about £10/week. Rank had a film studio in the former Highbury Athenaeum building up the road at 96a Highbury Park where supporting features (B-movies) were made; the film studio also closed in 1949.
In 1966, Ron Thompson and his partners went into partnership with Wessex studio client and songwriter Les Reed, who purchased the Highbury Park building and closed the Bournemouth studio. The brothers Mike and Robin Thompson converted the church hall into a recording studio and outfitted it with an 8-track Neve mixing console, the third console built by Thompson's longtime friend Rupert Neve. [5] The studio, however did not immediatley offer 8-track recording facilities, before Trident Studio in Soho, which was the first operational 8-track studio in London. Mike Batt recalls recording his first single at Wessex in 1968 on 4-track, then subsequently in the early seventies many other albums including all four of the Wombles' albums, using state-of-the-art 24-track. [6]
King Crimson recorded their first three studio albums at Wessex's newest location, including In the Court of the Crimson King . The Moody Blues recorded their 1969 album, To Our Children's Children's Children , at Wessex, for which Robin Thompson received a Grammy Award nomination. [5] In 1970, a new custom 24-channel Neve console was installed and widely advertised as "London's first 24-track desk". [2] In 1974, Queen recorded portions of Sheer Heart Attack at Wessex.
In 1975, the Chrysalis Group purchased both Wessex Studios and George Martin's AIR Studios; Martin became a director of the company and producer/engineer Bill Price became the managing director of Wessex. [7] The facility underwent a major renovation with new 32-channel Cadac mixing desks. In October of 1976, the Sex Pistols recorded their debut single "Anarchy in the U.K." at Wessex, [8] returning the following year to record the band's only studio album, Never Mind the Bollocks, Here's the Sex Pistols . At the same time, Queen was also at Wessex, recording material for News of the World . As a result, the two groups had several interactions, including the famous meeting between Freddie Mercury and Sid Vicious. Vicious, upon stumbling into the studio where Queen was working, asked "Have you succeeded in bringing ballet to the masses yet?" in response to a comment the singer had made in an interview with NME , to which Mercury called him "Simon Ferocious" (a reference to Vicious' real name) and replied "We're doing our best, dear." [9] [10] Johnny Rotten also expressed a desire to meet with Mercury. According to Wessex engineer Bill Price, Rotten crawled on all fours across Queen's studio to Mercury, who was playing piano, and said "Hello Freddie" before leaving. [11] Brian May also recalled bumping into Rotten in the corridors and having several conversations about music. [12]
Other notable albums recorded at Wessex in this era include the Pretenders' first and second studio albums, the Clash's 1979 album London Calling and Generation X's Valley of the Dolls . Other bands recording at Wessex during this timeframe included the Damned, Public Image Ltd and Talk Talk.
In 1993, Chrysalis sold Wessex to Nigel Frida, who made it part of his Matrix Studio group, re-naming it Matrix-Wessex. In 2003, the studio closed and the building was sold to the Neptune Group, which converted it into a residential development known as "The Recording Studio", comprising eight apartments and a townhouse. [2]
The Sex Pistols are an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they became one of the most culturally influential acts in popular music. The band initiated the punk movement in the United Kingdom and inspired many later punk, post-punk and alternative rock musicians, while their clothing and hairstyles were a significant influence on the early punk image.
Highbury is an area in North London and located in the London Borough of Islington. Highbury was owned by Ranulf, brother of Ilger, and included all the areas north and east of Canonbury and Holloway Roads.
Never Mind the Bollocks, Here's the Sex Pistols is the only studio album by English punk rock band the Sex Pistols, released on 28 October 1977 through Virgin Records in the UK and on 11 November 1977 through Warner Bros. Records in the US. As a result of the Sex Pistols' volatile internal relationships, the band's lineup saw changes during the recording of the album. Original bass guitarist Glen Matlock left the band early in the recording process, and while he is credited as a co-writer on all but two of the tracks, he only played bass and sang backing vocals on one track, "Anarchy in the U.K." Recording sessions continued with a new bass player, Sid Vicious, who is credited on two of the songs written by the band after he joined. While Vicious's bass playing appeared on two tracks, his lack of skill on the instrument meant that many of the tracks were recorded with guitarist Steve Jones playing bass instead. Drummer Paul Cook, Jones and singer Johnny Rotten appear on every track. The various recording sessions were led alternately by Chris Thomas or Bill Price, and sometimes both together, but as the songs on the final albums often combined mixes from different sessions, or were poorly documented who was present in the recording booth at the time, each song is jointly credited to both producers.
News of the World is the sixth studio album by the British rock band Queen, released on 28 October 1977 by EMI Records in the United Kingdom and by Elektra Records in the United States. News of the World was the band's second album to be recorded at Sarm and Wessex Sound Studios in London, and engineered by Mike Stone, and was co-produced by the band and Stone.
"No One Is Innocent" was the fifth single by the British punk rock band the Sex Pistols. It was released on 30 June 1978. The Pistols had split up early in 1978, losing bassist Sid Vicious and original lead vocalist Johnny Rotten. "No One Is Innocent" was recorded by remaining members Paul Cook and Steve Jones, with vocals performed by Ronnie Biggs, a British criminal notorious for his part in the Great Train Robbery of 1963. At the time of "No One Is Innocent" Biggs was living in Brazil, still wanted by the British authorities, but immune from extradition. The song was credited to Jones and Biggs.
The Hit Factory is a recording studio in New York City owned and operated by Troy Germano. Since 1969, The Hit Factory recording studios have existed in six different locations in New York City as well as facilities in London and Miami. Today the studios are located at 676 Broadway in the Noho neighborhood of New York City.
Christopher P. Thomas is an English record producer who has worked extensively with the Beatles, Pink Floyd, Procol Harum, Roxy Music, Badfinger, Elton John, Paul McCartney, Pete Townshend, Pulp and the Pretenders. He has also produced breakthrough albums for the Sex Pistols, the Climax Blues Band and INXS.
The Sham Pistols were a short-lived punk rock supergroup composed of guitarist Steve Jones and drummer Paul Cook of the Sex Pistols, with vocalist Jimmy Pursey and bass player Dave Tregunna of Sham 69. Although now referred to as The Sham Pistols, no name had been decided upon at the time. There was a possibility that they may have been called the Sex Pistols.
Spunk is a bootleg demo album by the English punk rock band the Sex Pistols. It was originally released in the United Kingdom during September or October 1977.
Dave Goodman was a record producer and musician, perhaps best known as the live sound engineer for Sex Pistols, and the producer of three of their studio demo sessions.
Associated Independent Recording (AIR) is an independent recording company founded in London in 1965 by record producers George Martin, John Burgess, Ron Richards, and Peter Sullivan. In 1970 the company established its own professional audio recording facilities, AIR Studios.
Sex Pistols is a box set anthology of the career of the punk band The Sex Pistols with singer Johnny Rotten. It was released on 3 June 2002. The set comprises three themed CDs and an 80-page booklet.
Bill Price was an English record producer and audio engineer who worked with the Clash, the Sex Pistols, Guns N' Roses, Sparks, the Jesus and Mary Chain, Nymphs, the Waterboys, Mott the Hoople and Simon Townshend. He was chief engineer on the first three solo studio albums by Pete Townshend: Empty Glass (1980), All the Best Cowboys Have Chinese Eyes (1982) and White City: A Novel (1985).
Capitol Studios is a recording studio located at the landmark Capitol Records Tower in Hollywood, California, United States. The studios, which opened in 1956, were initially the primary recording studios for the American record label Capitol Records. While they are still regularly used by Capitol recording artists, the facilities began to be made available to artists outside the label during the late 1960s to the early 1970s. The studios are owned by Universal Music Group, the parent company of Capitol Music Group.
The Great Rock 'n' Roll Swindle is the soundtrack album of the film of the same name by the Sex Pistols.
D.O.A.: A Right of Passage is a 1980 rockumentary film directed by Lech Kowalski about the origin of punk rock. The rockumentary takes interview and concert footage of some of punk rock's earliest bands of the late 1970s scene. It features live performances by the Sex Pistols, The Dead Boys, Generation X, The Rich Kids, X-Ray Spex, and Sham 69, with additional music from The Clash, Iggy Pop, and Augustus Pablo.
RAK Studios is a recording studio complex, with residential facilities, used by Rak Records, and located near Regent's Park in central London, England. It was founded in 1976 by English record producer Mickie Most.
Fantasy Studios was a music recording studio in Berkeley, California, United States, at the Zaentz Media Center, known for its recording of award-winning albums including Journey's Escape and Green Day's Dookie. Built as a private recording studio for artists on the Fantasy Records label in 1971, it was opened to the public in 1980 for recording, mixing and mastering. It was permanently closed on September 15, 2018.
Quad Studios Nashville was a four-studio recording facility established as Quadrafonic Sound Studio in 1971 on Music Row in Nashville, Tennessee, US. The studio was the location of numerous notable recording sessions, including Neil Young's Harvest, Jimmy Buffett's "Margaritaville", Joan Baez' "The Night They Drove Old Dixie Down", and Dobie Gray's "Drift Away". The studio's location has been the home of Sienna Recording Studios since 2014.
"E.M.I." is a song on the Sex Pistols' 1977 debut, and sole album, Never Mind the Bollocks, Here’s the Sex Pistols. It was written after the group's contract with record label EMI had been terminated on 6 January 1977 after only three months, following the publicity storm caused by their appearance on the Today programme in December 1976. The song, often called a diss track, mocks the label for wanting to cash in on the growing punk phenomenon and sign the band, only to drop them when the group's antics damaged the label's reputation. The song was first recorded the same month at Gooseberry Studios, in Glen Matlock's last recording session with the band before his departure, but the version that appears on the album was a re-recording made two months later at Wessex Studios. It was first played live at Notre Dame Hall, London, on 21 March 1977.