"Yesterday Man" | ||||
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Single by Chris Andrews | ||||
B-side | "Too Bad You Don't Want Me" | |||
Released | 17 September 1965 | |||
Genre | ||||
Length | 2'20" | |||
Label | Decca F11536 | |||
Songwriter(s) | Chris Andrews | |||
Producer(s) | Ken Woodman | |||
Chris Andrews singles chronology | ||||
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Performance video | ||||
"Yesterday Man" on Beat Club on YouTube |
"Yesterday Man" is a song written by Chris Andrews and was his first single as a solo singer, released on 17 September 1965. [1] [2] It climbed to No. 3 in the UK Singles Chart, [3] and No. 1 in Ireland, New Zealand, Germany and Austria. [4] In England it sold 20,000 copies in its first day. [5] After a visit to England in September 1965, Jerry Wexler made a deal for Atco Records to release the single in the United States. [6] In the US, it reached No. 94 in 1966. The Cash Box trade paper reported in its 5 February 1966 issue that it had passed 300,000 sales in Germany alone, and later over 800,000 as a final tally in that country (28 May 1966). Additionally, Andrews was awarded a silver disc for 250,000 sales of the single in the UK. [7]
In a contemporary review of the song, the Evening Sentinel wrote how: "Why write hits for Adam and Sandie all the time? says Andrews and sounds quite good on his own", further deeming it to be "Blue-beatish and good." [8] In 2014, Spin included the song in their list of "25 Major Moments in White Reggae History"; in the accompanying write-up, writer Chris Martins deemed it "the birth of White Reggae" and highlighted how the song "made [Andrews'] heart pitter and patter to an island riddim". [9] Mario Villanueva of The Greenville News included the song in a list of twelve exemplary "cod-reggae" songs. [10]
Reggae Mint of UDiscover Music wrote that the "ska-styled solo hit" was a musical predecessor to the Beatles' song "Ob-La-Di, Ob-La-Da" (1968). [11] Andrews' brass-heavy hit was also a partial inspiration for the oom-pah arrangement written by Johnny Marr for the Smiths' song "Frankly Mr. Shankly" (1986). [12]
A German-language version was also recorded. [13] Named "Alles tu Ich Fuer Dich", it was released on the label Deutsche Vogue. [5]
In 1974, the song was covered by Robert Wyatt (with production by Nick Mason) as the follow-up to his hit with Neil Diamond's "I'm a Believer" (released on Virgin Records). [14] However, it was never officially released, due to Virgin head Richard Branson deeming the version "a bit too gloomy". [15] In 1992, Wyatt recalled: "I did 'Yesterday Man', a major-key, upbeat, jolly pseudo-reggae thing. I bent all the chords out of shape and did the whole thing kind of sideways. And I was so happy with that. They said, 'We're not putting this out. It's too lugubrious.' I thought, 'That must be good,' but I got a dictionary, and it's not." [16] [17]
According to Wyatt in an interview with Uncut , "We never pretended to be reggae but it was obviously influenced by that feel, which was very much the heartbeat of London around that time." [18] Richard Cook of Mojo deemed the Wyatt version to be "heartbreakingly desolate and a complete antithesis to Chris Andrew's original". [19] Charles Shaar Murray of NME wrote: "Where Andrews' original was aggressively petulant, Wyatt's is wistfully surreal", noting that the musician performs the song "on assorted bits of percussion (including a bass-drum whomped by hand) and what sounds like a harmonium, but plays around the beat while the main rhythmic push comes from Windo and Feza." [20]
Chart (1965–66) | Peak position |
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Australia | 12 |
Austria | 1 |
Canada RPM Top Singles [21] | 1 |
Ireland (IRMA) [22] | 1 |
Germany | 1 |
New Zealand | 1 |
South Africa (Springbok) [23] | 1 |
UK (OCC) [3] | 3 |
US Billboard Hot 100 [24] | 94 |
US Cash Box Top 100 [25] | 85 |
Behold, the birth of White Reggae. This young, kempt Caucasian was writing songs for the likes of future Moz fave Sandie Shaw and American upstarts the Mamas & the Papas when he composed this number that made his English heart pitter and patter to an island riddim. "Yesterday Man" hit No. 3 in the U.K., despite the confusion written on the faces of all those pale folks above, and their general lack of groove.
...in terms of musical style, "Oh-Bla-Di, Oh-Bla-Da" was similar to "Yesterday Man," the 1965 ska-styled solo hit by Chris Andrews, the musical brains behind Sandie Shaw's career.