"Yesterday Man" is a song written by Chris Andrews and was his first single as a solo singer, released on 17 September 1965.[1][2] It climbed to No. 3 in the UK Singles Chart,[3] and No. 1 in Ireland,[4], Germany,[5] and Austria.[6] In England it sold 20,000 copies in its first day.[7] After a visit to England in September 1965, Jerry Wexler made a deal for Atco Records to release the single in the United States.[8] In the US, it reached No. 94 in 1966.[9] The Cash Box trade paper reported in its 5 February 1966 issue that it had passed 300,000 sales in Germany alone, and later over 800,000 as a final tally in that country (28 May 1966). Additionally, Andrews was awarded a silver disc for 250,000 sales of the single in the UK.[10]
In a contemporary review of the song, the Evening Sentinel wrote how: "Why write hits for Adam and Sandie all the time? says Andrews and sounds quite good on his own", further deeming it to be "Blue-beatish and good."[11] In 2014, Spin included the song in their list of "25 Major Moments in White Reggae History"; in the accompanying write-up, writer Chris Martins deemed it "the birth of White Reggae" and highlighted how the song "made [Andrews'] heart pitter and patter to an island riddim".[12] Mario Villanueva of The Greenville News included the song in a list of twelve exemplary "cod-reggae" songs.[13]
A German-language version was also recorded.[16] Named "Alles tuʼ ich für dich", it was released on the label Deutsche Vogue.[7]
Robert Wyatt version
In 1974, the song was covered by Robert Wyatt (with production by Nick Mason) as the follow-up to his hit with Neil Diamond's "I'm a Believer" (released on Virgin Records).[17] However, it was never officially released, due to Virgin head Richard Branson deeming the version "a bit too gloomy".[18] In 1992, Wyatt recalled: "I did 'Yesterday Man', a major-key, upbeat, jolly pseudo-reggae thing. I bent all the chords out of shape and did the whole thing kind of sideways. And I was so happy with that. They said, 'We're not putting this out. It's too lugubrious.' I thought, 'That must be good,' but I got a dictionary, and it's not."[19][20]
According to Wyatt in an interview with Uncut, "We never pretended to be reggae but it was obviously influenced by that feel, which was very much the heartbeat of London around that time."[21]Richard Cook of Mojo deemed the Wyatt version to be "heartbreakingly desolate and a complete antithesis to Chris Andrew's original".[22]Charles Shaar Murray of NME wrote: "Where Andrews' original was aggressively petulant, Wyatt's is wistfully surreal", noting that the musician performs the song "on assorted bits of percussion (including a bass-drum whomped by hand) and what sounds like a harmonium, but plays around the beat while the main rhythmic push comes from Windo and Feza."[23]
12Anon. (1 January 1966). "Hot 100"(PDF). Billboard. p.16. Archived(PDF) from the original on 25 October 2025. Retrieved 8 January 2026– via WorldRadioHistory.
↑Farmer, Bob (2 October 1965). "The Groove". Evening Sentinel: 4. Retrieved 6 December 2022.
↑Martins, Chris (19 December 2014). "Rude Awakening: 25 Major Moments in White Reggae History". Spin. p.2. Archived from the original on 27 January 2020. Retrieved 1 December 2022. Behold, the birth of White Reggae. This young, kempt Caucasian was writing songs for the likes of future Moz fave Sandie Shaw and American upstarts the Mamas & the Papas when he composed this number that made his English heart pitter and patter to an island riddim. "Yesterday Man" hit No. 3 in the U.K., despite the confusion written on the faces of all those pale folks above, and their general lack of groove.
↑Villanueva, Mario (17 April 2007). "Mix of the Week". The Greenville News: 75. Retrieved 6 December 2022.
↑Mint, Reggae (July 2022). "One Love: How Reggae Music Inspired The World". uDiscoverMusic. Retrieved 1 December 2022. ...in terms of musical style, "Oh-Bla-Di, Oh-Bla-Da" was similar to "Yesterday Man," the 1965 ska-styled solo hit by Chris Andrews, the musical brains behind Sandie Shaw's career.
↑Rogan, Johnny (2012). "The Queen Is Dead". Morrissey & Marr: The Severed Alliance. London: Omnibus Press. ISBN9780857127822. Retrieved 8 December 2022.
↑Hutchins, Chris (30 October 1965). "Music Capitals of the World". Billboard. Vol.77, no.44. p.24. Retrieved 6 December 2022.
↑Anon. (31 January 1966). "R. P. M. Play Sheet"(PDF). RPM. p.5. Archived(PDF) from the original on 8 January 2025. Retrieved 8 January 2026– via WorldRadioHistory.
↑Anon. (15 January 1966). "Denmark's Best Sellers"(PDF). Cash Box. p.51. Archived(PDF) from the original on 29 November 2025. Retrieved 8 January 2026– via WorldRadioHistory.
↑Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish). Helsinki: Tammi. ISBN978-951-31-2503-5.
↑Anon. (29 January 1966). "Hits Of The World"(PDF). Billboard. p.32. Archived(PDF) from the original on 20 December 2024. Retrieved 8 January 2026– via WorldRadioHistory.
↑Hallberg, Eric (1993). Eric Hallberg presenterar Kvällstoppen i P3[Eric Hallberg Presents Kvällstoppen on P3] (in Swedish) (1sted.). Sweden: Drift. p.78. ISBN9-789-16-302-14-04. OCLC186244613.
↑Hallberg, Eric; Henningsson, Ulf (2012). Tio i Topp - med de utslagna "på försök" 1961–74[Tio I Topp With The Eliminated On Try 1961–1974] (in Swedish) (2nded.). Sweden: Premium. p.446. ISBN978-91-89136-89-2. OCLC939611828.
↑Anon. (15 January 1966). "Hits Of The World"(PDF). Billboard. p.24. Archived(PDF) from the original on 20 December 2024. Retrieved 8 January 2026– via WorldRadioHistory.
↑Anon. (22 January 1966). "Cash Box Top 100"(PDF). Cash Box. p.4. Archived(PDF) from the original on 24 December 2025. Retrieved 8 January 2026– via WorldRadioHistory.
↑Anon. (22 January 1966). "100 Top Pops"(PDF). Record World. p.17. Archived(PDF) from the original on 15 November 2025. Retrieved 8 January 2026– via WorldRadioHistory.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.