"Yesterday Man" | ||||
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Single by Chris Andrews | ||||
B-side | "Too Bad You Don't Want Me" | |||
Released | September 1965 | |||
Genre | ||||
Length | 2'20" | |||
Label | Decca F11536 | |||
Songwriter(s) | Chris Andrews | |||
Producer(s) | Ken Woodman | |||
Chris Andrews singles chronology | ||||
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Performance video | ||||
"Yesterday Man" on Beat Club on YouTube |
"Yesterday Man" is a song written by Chris Andrews and was his first single as a solo singer, released in September 1965. It climbed to No. 3 in the UK Singles Chart, [1] and No. 1 in Ireland, New Zealand, Germany and Austria. [2] In England it sold 20,000 copies in its first day. [3] After a visit to England in September 1965, Jerry Wexler made a deal for Atco Records to release the single in the United States. [4] In the US, it reached No. 94 in 1966. The Cash Box trade paper reported in its 5 February 1966 issue that it had passed 300,000 sales in Germany alone, and later over 800,000 as a final tally in that country (28 May 1966).
In a contemporary review of the song, the Evening Sentinel wrote how: "Why write hits for Adam and Sandie all the time? says Andrews and sounds quite good on his own", further deeming it to be "Blue-beatish and good." [5] In 2014, Spin included the song in their list of "25 Major Moments in White Reggae History"; in the accompanying write-up, writer Chris Martins deemed it "the birth of White Reggae" and highlighted how the song "made [Andrews'] heart pitter and patter to an island riddim". [6] Mario Villanueva of The Greenville News included the song in a list of twelve exemplary "cod-reggae" songs. [7]
Reggae Mint of UDiscover Music wrote that the "ska-styled solo hit" was a musical predecessor to the Beatles' song "Ob-La-Di, Ob-La-Da" (1968). [8] Andrews' brass-heavy hit was also a partial inspiration for the oom-pah arrangement written by Johnny Marr for the Smiths' song "Frankly Mr. Shankly" (1986). [9]
A German-language version was also recorded. [10] Named "Alles tu Ich Fuer Dich", it was released on the label Deutsche Vogue. [3]
In 1974, the song was covered by Robert Wyatt (with production by Nick Mason) as the follow-up to his hit with Neil Diamond's "I'm a Believer" (released on Virgin Records). [11] However, it was never officially released, due to Virgin head Richard Branson deeming the version "a bit too gloomy". [12] In 1992, Wyatt recalled: "I did 'Yesterday Man', a major-key, upbeat, jolly pseudo-reggae thing. I bent all the chords out of shape and did the whole thing kind of sideways. And I was so happy with that. They said, 'We're not putting this out. It's too lugubrious.' I thought, 'That must be good,' but I got a dictionary, and it's not." [13] [14]
According to Wyatt in an interview with Uncut , "We never pretended to be reggae but it was obviously influenced by that feel, which was very much the heartbeat of London around that time." [15] Richard Cook of Mojo deemed the Wyatt version to be "heartbreakingly desolate and a complete antithesis to Chris Andrew's original". [16] Charles Shaar Murray of NME wrote: "Where Andrews' original was aggressively petulant, Wyatt's is wistfully surreal", noting that the musician performs the song "on assorted bits of percussion (including a bass-drum whomped by hand) and what sounds like a harmonium, but plays around the beat while the main rhythmic push comes from Windo and Feza." [17]
Chart (1965–66) | Peak position |
---|---|
Australia | 12 |
Austria | 1 |
Canada RPM Top Singles [18] | 1 |
Ireland (IRMA) [19] | 1 |
Germany | 1 |
New Zealand | 1 |
South Africa (Springbok) [20] | 1 |
UK (OCC) [1] | 3 |
US Billboard Hot 100 [21] | 94 |
US Cash Box Top 100 [22] | 85 |
The United Kingdom held a national preselection to choose the song that would go to the Eurovision Song Contest 1965. It was held on 29 January 1965 and presented by David Jacobs.
Robert Wyatt is a retired English musician. A founding member of the influential Canterbury scene bands Soft Machine and Matching Mole, he was initially a kit drummer and singer before becoming paraplegic following an accidental fall from a window in 1973, which led him to abandon band work, explore other instruments, and begin a 40-year solo career.
Ernest Ranglin is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels, including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. He has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. Ranglin is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.
Rexton Rawlston Fernando Gordon OD, better known by his stage name Shabba Ranks, is a Jamaican dancehall musician. In the late 1980s and early 1990s, he was one of the most popular Jamaican musicians in the world. Throughout his prominence in his home country as a dancehall artist, he gained popularity in North America with his studio album Just Reality in 1990. He released other studio albums, including As Raw as Ever and X-tra Naked, which both won a Grammy Award as Best Reggae Album in 1992 and 1993, respectively. He is notoriously popular for "Mr. Loverman" and "Ting-A-Ling", which were globally acclaimed and deemed his signature songs.
Kenneth George Boothe OD is a Jamaican vocalist known for his distinctive vibrato and timbre. Boothe achieved an international reputation as one of Jamaica's finest vocalists through a series of crossover hits that appealed to both reggae fans and mainstream audiences.
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery.
Von Wayne Charles, better known by his stage name Wayne Wonder, is a Jamaican reggae artist. While his early recordings were dancehall and reggae, he later moved towards hip hop and rap. His most popular single is the 2003 hit "No Letting Go".
Boris Gardiner is a Jamaican singer, songwriter and bass guitarist. He was a member of several groups during the 1960s before recording as a solo artist and having hit singles with "Elizabethan Reggae", "I Wanna Wake Up with You" and "You're Everything to Me". One of his most notable credits is bass on the influential reggae song "Real Rock".
People from the Caribbean have made significant contributions to British Black music for many generations.
Sandie is the debut studio album by the British pop singer Sandie Shaw. Released in February 1965 on the Pye label, it was her only original album to enter the UK Albums Chart and peaked at Number 3. In the few months prior to the album's release, Shaw had scored two major hits with the Bacharach/David-penned "(There's) Always Something There to Remind Me" and Chris Andrews's "Girl Don't Come"; although neither track was included on this album.
The Golden Hits of Sandie Shaw is a compilation album by the British singer Sandie Shaw. Released in April 1966 by Pye Records on their budget Golden Guinea label, it contains all of the "A" sides and "B" sides of all her UK chart singles from 1964 to the end of 1965, which was technically all of her singles apart from her first which had failed to make an impression on the chart. The Golden Hits compilation did not enter the UK Albums Chart. This album has never been released on CD.
Hello Angel is the seventh and final studio album by British singer Sandie Shaw, released in 1988.
Christopher Frederick Andrews is an English-German singer-songwriter and producer, whose musical career started in the late 1950s. His biggest hits as a solo artist include "To Whom It Concerns", "Yesterday Man", and "Pretty Belinda". He had thirteen number one songs between five countries between 1965 and 1970.
"Yester-Me, Yester-You, Yesterday" is a 1969 soul song written by Ron Miller and Bryan Wells, released by American Motown singer-songwriter-musician Stevie Wonder on the album My Cherie Amour (1969). The song continued Wonder's success on the pop charts. It reached number 7 on the pop singles chart and become Wonder's ninth Top 10 single of the 1960s. The single fared even better on the UK singles chart where it reached number 2 in November 1969, and at that time, it was Wonder's biggest UK hit.
"Girl Don't Come" is a song, written by Chris Andrews that was a No. 3 UK hit in the UK Singles Chart for Sandie Shaw in 1964–65.
"Long Live Love" is a Chris Andrews composition which, in 1965, gained Sandie Shaw the second of her three UK number one hit singles.
"Who Am I (Sim Simma)", or simply "Who Am I", is a reggae single released by dancehall artist Beenie Man in 1998. It is the second track on his album Many Moods of Moses released in 1997.
"It's Not Unusual" is a song written by Les Reed and Gordon Mills, first recorded by a then-unknown Tom Jones, after it had first been offered to Sandie Shaw. He intended it as a demo for her, but when she heard it she was so impressed with his delivery that she recommended he sing it instead.
The Paramounts were an English beat group based in Southend-on-Sea, Essex. They had one hit single with their cover version of "Poison Ivy", which reached No. 35 on the UK Singles Chart in 1964, but are primarily known as the forerunner to Procol Harum.
Sandra Ann Goodrich, known by her stage name Sandie Shaw, is a retired English pop singer. One of the most successful British female singers of the 1960s, she had three UK number one singles with "(There's) Always Something There to Remind Me" (1964), "Long Live Love" (1965) and "Puppet on a String" (1967). With the latter, she became the first British entry to win the Eurovision Song Contest. She returned to the UK Top 40, for the first time in 15 years, with her 1984 cover of the Smiths song "Hand in Glove". Shaw retired from the music industry in 2013.
Behold, the birth of White Reggae. This young, kempt Caucasian was writing songs for the likes of future Moz fave Sandie Shaw and American upstarts the Mamas & the Papas when he composed this number that made his English heart pitter and patter to an island riddim. "Yesterday Man" hit No. 3 in the U.K., despite the confusion written on the faces of all those pale folks above, and their general lack of groove.
...in terms of musical style, "Oh-Bla-Di, Oh-Bla-Da" was similar to "Yesterday Man," the 1965 ska-styled solo hit by Chris Andrews, the musical brains behind Sandie Shaw's career.