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Emanem Records | |
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Founded | 1974 |
Founder | Martin Davidson Madelaine Davidson |
Genre | Free improvisation |
Country of origin | UK |
Location | London, England |
Official website | www |
Emanem Records is a record company and independent record label founded in London, England in 1974 by Martin Davidson and Madelaine Davidson to record free improvisation.
Its headquarters moved to New York City (1975–76), New Jersey (1979, recordings released as Quark Records), Massachusetts (1979, recordings released as QED Records), and Sydney (1986–88), releasing about 25 records before returning to London in the 1990s and issuing compact discs. [1] Since 2013 it has been based in Spain. The slogan of the label is "Unadulterated New Music For People Who Like New Music Unadulterated".
It has become a prolific source of both new recordings and archival recordings, notably its extensive documentation of the work of John Stevens and the Spontaneous Music Ensemble.
In the 2000s, Emanem joined Evan Parker's Psi and Eddie Prévost's Matchless label to present Freedom of the City, an annual improvised-music festival in London. Though its size and scope vary from year to year depending on funding, it continued as an annual event for several years, with many of the recorded performances issued on either Emanem or Matchless.
Derek Bailey was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company.
The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians, convened in 1965 by the now late South London-based jazz drummer/trumpeter John Stevens and alto and soprano saxophonist Trevor Watts. SME performances and recordings could range from Stevens–Watts duos to gatherings of more than a dozen players.
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John William Stevens was an English drummer, and a founding member of the Spontaneous Music Ensemble.
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
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Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Paul William Rutherford was an English free improvising trombonist.
John Butcher is an English tenor and soprano saxophone player.
Trevor Charles Watts is an English jazz and free-improvising alto and soprano saxophonist.
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John Russell was an acoustic guitarist who worked in free improvisation beginning in the 1970s. He promoted concerts and appeared on more than 50 recordings.
The Seven Dials Jazz Club opened its doors in 1980 as a venue for live music in Covent Garden, London. It hosted a range of artists and styles of jazz and began to attract a regular audience. Starting in 1983, a series of saxophone festivals was held on the premises each year.
Veryan Weston is a British pianist active in free improvisation, jazz, and rock music. He has worked with Lol Coxhill, Eddie Prévost, Trevor Watts, Caroline Kraabel and Phil Minton.
Iskra 1903 is the debut album by the group of the same name, featuring trombonist Paul Rutherford, guitarist Derek Bailey and bassist Barry Guy which was recorded at the Institute of Contemporary Arts in 1970 and in a studio in 1972 and first released as a double album on the Incus label then as a triple CD box set entitled Chapter One 1970-1972 on Emanem in 2000 with additional material.
Hannah Marshall is a British experimental and free improvising musician and composer.