In Backward Times | ||||
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Live album by | ||||
Released | 2017 | |||
Recorded | November 22, 1979; August 27, 1988; October 26, 2004; May 7, 2007 | |||
Venue | Teatro Auteo, Milano; Duke of Wellington, London; Petit Théâtre Mercelis, Brussels; Red Rose, London | |||
Genre | Free jazz | |||
Length | 1:15:42 | |||
Label | Emanem 5045 | |||
Paul Rutherford chronology | ||||
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In Backward Times is a live album by trombonist Paul Rutherford. Drawn from archival tapes, it was recorded in 1979, 1988, 2004, and 2007, in Milano, London, and Brussels, and was released in 2017 by Emanem Records. On track 1, Rutherford is accompanied by live electronics, while track 2 is a duet with bassist Paul Rogers. Track 3 is a solo performance, and track 4 is a trio setting featuring cellist Marcio Mattos and pianist Veryan Weston. [1] [2] The final track was recorded roughly three months before Rutherford's death, and documents his last public performance. [2] [3]
Review scores | |
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Source | Rating |
All About Jazz | [4] |
In a review for All About Jazz , John Eyles called the album "extraordinary" and "a rich and varied portrait of [Rutherford] that is powerful evidence of his pre-eminence." He wrote: "Solo, with or without electronics, he managed to construct dialogues with himself that invariably draw the listener in. In groups with others, be they duos or trios, he never seemed to hog the limelight but was a generous collaborator; nonetheless, time and again, it is the humanity of his playing that captures listeners' attention." [3]
Marc Medwin of Dusted Magazine stated: "Rutherford's work presents a sonic unity in the face of staggering diversity and invention. Each tone, half-tone and other namelessly unique gestures obviously spring from the same wellspring of creativity while avoiding the crutches of constantly recurrent pattern needed by lesser improvisers to avoid a fall on the proverbial face. New confirmation of Rutherford's still underappreciated genius is always welcome, and it can be shown in no better light than on this new chronologically diverse but musically unified disc." [5]
Writer Raul Da Gama commented: "what Mr Rutherford celebrates in grand, breathtaking manner forms a sort of central theme of human liberty... [he] seems to be rejoicing in the empirical fact that it is by means of music that the individual breaks free of every shackle... This disc... is a timely reminder of his musical legacy; a worthy tribute to one of the great musical masters of our time." [6]
Regarding the solo track, Point of Departure's Michael Rosenstein remarked: "There is nothing in the least bit reductive in his strategies. Instead, there is more patience in the way he lets the arc of the solo unfold. He also makes particularly effective use of the juxtaposition of the extremes of register of the horn, leaping effortlessly from the lowest growls to the highest, clarion peals." [7]
Writing for The New York City Jazz Record , Clifford Allen praised Emanem founder Martin Davidson for extracting the music from the label's "treasure trove of archival recordings," and called the trio track "a joyous coda to a life truly lived," consisting of "eliding flicks, pointillist chunks... and... harried harmonic gestures." [8]
In an article for JazzWord, Ken Waxman stated that the album "provides a notable cross section of [Rutherford's] innovative skills through an almost 40-year time frame." [9]
Chris Callaghan of the Morning Star described the album as "revelatory," and commented: "Many of Rutherford's qualities are there in the music of In Backward Times... His outrageous wit, the griot's stories in the solo improvising tracks, his revolutionary horn sound, his respect and comradeship with brilliant co-musicians... and the sheer collectivism and democratic principles that mark the music he made with others are all there." [10]
Derek Bailey was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
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Trevor Charles Watts is an English jazz and free-improvising alto and soprano saxophonist.
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Veryan Weston is a British pianist active in free improvisation, jazz, and rock music. He has worked with Lol Coxhill, Eddie Prévost, Trevor Watts, Caroline Kraabel and Phil Minton.
Haste is the eponymous debut album by the free improvisation trio consisting of British pianist Veryan Weston, German saxophonist Ingrid Laubrock and British cellist Hannah Marshall. It was recorded live in 2011 during the XV Festival Internacional de Improvisacion Hurta Cordel in Barcelona and released on the British Emanem label.
Iskra 1903 is the debut album by the group of the same name, featuring trombonist Paul Rutherford, guitarist Derek Bailey and bassist Barry Guy which was recorded at the Institute of Contemporary Arts in 1970 and in a studio in 1972 and first released as a double album on the Incus label then as a triple CD box set entitled Chapter One 1970-1972 on Emanem in 2000 with additional material.
Paul Rogers is an English bassist.
Hannah Marshall is a British experimental and free improvising musician and composer.
Gheim is an album by trombonist Paul Rutherford and his trio, featuring bassist Paul Rogers and drummer Nigel Morris. The first two tracks were recorded live at the Bracknell Jazz Festival on July 2, 1983, and were originally released by the Ogun label in 1986 on a cassette titled Bracknell '83. In 2004, Emanem Records reissued the live tracks, along with three tracks that were recorded in a London studio on December 12, 1983, on a CD titled Gheim. The disc, with all five tracks, was reissued by Emanem in 2014.
Chicago 2002 is a live album by trombonist Paul Rutherford. It was recorded on April 26 and 27, 2002, at The Empty Bottle in Chicago, and was released later that year by Emanem Records. The album features an extended Rutherford solo followed by three tracks on which he is joined by saxophonists Lol Coxhill and Mats Gustafsson, trombonist Jeb Bishop, cellist Fred Lonberg-Holm, bassist Kent Kessler, and percussionist Kjell Nordeson.
The Conscience is a live album by trombonist Paul Rutherford and drummer Sabu Toyozumi. It was recorded on October 11, 1999, at Café Jumbo in Tokoname, Aichi, Japan, and was released in 2017 by NoBusiness Records as part of their Chap Chap series, created in collaboration with the Japanese label of the same name.
Neuph: Compositions for Euphonium and Trombone is a solo album by trombonist and euphonium player Paul Rutherford. In its original version, released on LP by the Sweet Folk and Country label in 1978, it consisted of seven tracks that were recorded on January 30 and 31, 1978, at Mid Wales Sound Studios in Castle Caereinion, Wales, UK. In 2005, it was reissued on CD by Emanem Records with two additional tracks that were recorded live in April and June 1980 in Rome and Pisa, Italy. Most of the tracks involve overdubbing, and one track features a duet with a dog named Judy.
Slur is an album by the Phil Minton Quartet, featuring vocalist Minton, saxophonist John Butcher, pianist Veryan Weston, and percussionist Roger Turner. It was recorded on January 11, 2006, at Phoenix Studios, Iver Heath, Buckinghamshire, UK, and was released in 2007 by Emanem Records.
Tetralogy is a two-CD live album by trombonist Paul Rutherford. Drawn from archival tapes, it was recorded in 1978, 1981, and 1982, in London and Pisa, and was released in 2009 by Emanem Records. The album presents Rutherford in a variety of contexts: two solos, one with electronics, and one without; a brass quartet that features trombonist George E. Lewis, French hornist Martin Mayes, and tubist Melvyn Poore; and a trio with bassist Paul Rogers and drummer Nigel Morris.
Rogues is a live album by trombonist Paul Rutherford and bassist Paul Rogers. Featuring two duets plus a solo for each musician, it was recorded on November 11, 1988, at the Cannonball, a pub in Birmingham, England, and was released in 1996 by Emanem Records.
A Birthday Tribute: 75 years is a live album by percussionist Tony Oxley released in celebration of his seventy-fifth birthday. The album begins with two quartet tracks recorded during 1993, on which Oxley is joined by guitarist Derek Bailey, keyboardist Pat Thomas, and electronic musician Matt Wand. The remaining three tracks were recorded during 1977, and feature Oxley in a duo with trombonist Paul Rutherford, a trio with violinist Philipp Wachsmann and guitarist Ian Brighton, and a solo percussion work with electronics. The album was released in 2013 by Incus Records.