Elliott Sharp | |
---|---|
Background information | |
Born | Cleveland, Ohio, U.S. | March 1, 1951
Genres | Contemporary classical, experimental, free improvisation, jazz, avant-garde |
Occupation(s) | Composer, musician, producer |
Instrument(s) | Guitar, tenor saxophone, bass clarinet |
Years active | 1980s–present |
Labels | SST, Tzadik, Clean Feed, Intuition, Homestead, Atavistic, Intakt, Extreme, Knitting Factory, zOaR |
Website | elliottsharp |
Elliott Sharp (born March 1, 1951) is an American contemporary classical composer, multi-instrumentalist, performer, author, and visual artist. [1] [2] [3]
A central figure in the avant-garde and experimental music scene in New York City since the late 1970s, [4] [5] Sharp has released over eighty-five recordings ranging from contemporary classical, avant-garde, free improvisation, jazz, experimental, and orchestral music to noise, no wave, and electronic music. He pioneered the use of personal computers in live performance with his Virtual Stance project of the 1980s. [6] He has used algorithms and fibonacci numbers in experimental composition since the 1970s, and has cited literature as an inspiration for his music and often favors improvisation. [7] [8] He is an inveterate performer, playing mainly guitar, saxophone and bass clarinet. Sharp has led many ensembles over the years, including the blues-oriented Terraplane, Orchestra Carbon, and SysOrk, a group dedicated to the realization of algorithmic and graphic scores. [9] [10]
Sharp was classically trained in piano from an early age, taking up clarinet and guitar as a teen. He attended Cornell University from 1969 to 1971, studying anthropology, music, and electronics. He completed his B.A. degree at Bard College in 1973, where he studied composition with Benjamin Boretz and Elie Yarden; jazz composition, improvisation, and ethnomusicology with trombonist Roswell Rudd; and physics and electronics with Burton Brody. In 1977 he received an M.A. from the University at Buffalo, where he studied composition with Morton Feldman and Lejaren Hiller, and ethnomusicology with Charles Keil. [11]
From the late 1970s, Sharp established himself internationally. His compositions have been performed by the JACK Quartet, Kronos Quartet, Ensemble Musikfabrik, the hr-Sinfonieorchester, the Ensemble Modern, Continuum, the Orchestra of the SEM Ensemble, the FLUX Quartet, Zeitkratzer, the Soldier String Quartet, and Grammy-winning violinist Hilary Hahn. His work has been featured at festivals worldwide, including Other Minds in San Francisco 2021, the 2018 RuhrTriennale, Huddersfield 2018, MaerzMuzik Berlin 2014, Tomorrow Festival Shenzhen 2012, New Music Stockholm festival 2008, Donaueschingen Festival 2007, Hessischer Rundfunk Klangbiennale 2007, Venice Biennale 2003 & 2006, and Darmstädter Ferienkurse fur Neue Musik 2003.
He has collaborated regularly with many people, including Christian Marclay, Nels Cline, Bobby Previte, Z'EV, Joey Baron, David Torn, Eric Mingus , Zeena Parkins, Vernon Reid, and Frances-Marie Uitti, as well as qawaali singer Nusrat Fateh Ali Khan, blues legend Hubert Sumlin, actor/writer Eric Bogosian, jazz greats Jack DeJohnette and Sonny Sharrock, pop singer Debbie Harry, and Bachir Attar, leader of the Master Musicians of Jajouka. He was curator of the monumental sound-art exhibition ‘’Volume: Bed of Sound’’ for MoMA PS1, which featured the works of 54 artists including Vito Acconci, Tod Dockstader, John Duncan, Walter Murch, Muhal Richard Abrams, Laurie Anderson, Chris & Cosey, Survival Research Laboratories, Ryuichi Sakamoto, Sonic Youth, and Butch Morris. [12]
He produces records for a wide variety of artists, and has curated several State of the Union CDs, compilations of one-minute tracks by experimental musicians. He releases music under his own label, zOaR music, as well as punk label SST and downtown music labels such as Knitting Factory records and John Zorn’s Tzadik label. Sharp describes himself as a lifelong "science geek", [13] having modified and created musical instruments since his teen years, and frequently borrowing terms from science and technology for his compositions.
Sharp received the 2015 Berlin Prize in Musical Composition, spending six months as a Fellow-in-Residence at the American Academy in Berlin. [14] He was awarded a 2014 Guggenheim Fellowship, was a 2009 Master Artist-in-Residence at the Atlantic Center for the Arts, a New York Foundation for the Arts Fellow in music in 2010 and 2019, and received a 2003 Foundation for Contemporary Arts Grants to Artists Award. [15] He has composed scores for feature films and documentaries, [16] created music and sound-design for The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. Guitar Player magazine’s 30th anniversary issue included Sharp among their list of “The Dirty Thirty – Pioneers and Trailblazers”.
In March 2011, Sharp's 60th birthday was celebrated with a weekend of all-star concert events entitled "E#@60", hosted by Brooklyn's ISSUE Project Room. [17] In March 2021, his 70th birthday was celebrated with a series of concert events entitled “E#@70”, presented by Brooklyn’s Roulette. [18]
Sharp lives in lower Manhattan with media artist Janene Higgins and their two children. [19]
Lee Mark Ranaldo is an American guitarist, singer and songwriter, best known as a co-founder of the rock band Sonic Youth. In 2004, Rolling Stone ranked Ranaldo at number 33 on its "Greatest Guitarists of All Time" list. In May 2012, Spin published a staff-selected top 100 guitarist list, ranking Ranaldo and his Sonic Youth bandmate Thurston Moore together at number 1.
Miya Masaoka is an American composer, musician, and sound artist active in the field of contemporary classical music and experimental music. Her work encompasses contemporary classical composition, improvisation, electroacoustic music, inter-disciplinary sound art, sound installation, traditional Japanese instruments, and performance art. She is based in New York City.
Christian Marclay is a visual artist and composer. He holds both American and Swiss nationality.
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as a founding member of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues and Freedom in Fragments. Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.
Steve Swallow is an American jazz bassist and composer, known for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar.
William Hooker is an American drummer and composer.
Nicolas Collins is a composer of mostly electronic music, a sound artist and writer. He received his BA and MA from Wesleyan University, and his PhD from the University of East Anglia. Upon graduating from Wesleyan, he was a Watson Fellow.
Zeena Parkins is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp". Parkins performs on standard harps, several custom electric harps, piano, and accordion. She is a 2019 Guggenheim Fellow and professor in the Music Department at Mills College.
Wayne Horvitz is an American composer, keyboardist and record producer. He came to prominence in the Downtown scene of 1980s and '90s New York City, where he met his future wife, the singer, songwriter and pianist Robin Holcomb. He is noted for working with John Zorn's Naked City among others. Horvitz has since relocated to the Seattle, Washington area where he has several ongoing groups and has worked as an adjunct professor of composition at Cornish College of the Arts.
Bobby Previte is a drummer, composer, and bandleader. He earned a degree in economics from the University at Buffalo, where he also studied percussion. He moved to New York City in 1979 and began professional relationships with John Zorn, Wayne Horvitz, and Elliott Sharp.
Charlie Hunter is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off." Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars.
Karlheinz Essl is an Austrian composer, performer, sound artist, improviser, and composition teacher.
Spillane is an album by American composer and saxophonist/multi-instrumentalist John Zorn, composed of three "file-card pieces", as well as a work for voice, string quartet and turntables.
Melvin Gibbs is an American bass guitarist who has appeared on close to 200 albums in diverse genres of music. Among others, Gibbs is known for working in jazz with drummer Ronald Shannon Jackson and guitarist Sonny Sharrock, and in rock music with Rollins Band and Arto Lindsay.
The Bribe: variations and extensions on Spillane is the ninth studio album by American composer and saxophonist/multi-instrumentalist John Zorn, consisting of music created for three half-hour radio plays produced by Mabou Mines theater company in 1986. It utilizes compositional techniques, source material, and personnel that are similar to Zorn's Spillane.
Cobra is a double album featuring a live and studio performance of John Zorn's improvisational game piece, Cobra recorded in 1985 and 1986 and released on the Hathut label in 1987. Subsequent recordings of the piece were released on Knitting Factory, Avant and Zorn's own label Tzadik Records, ) in 2002.
David Sulzer is an American neuroscientist and musician. He is a professor at Columbia University Medical Center in the departments of psychiatry, neurology, and pharmacology. Sulzer's laboratory investigates the interaction between the synapses of the cerebral cortex and the basal ganglia, including the dopamine system, in habit formation, planning, decision making, and diseases of the system. His lab has developed the first means to optically measure neurotransmission, and has introduced new hypotheses of neurodegeneration in Parkinson's disease, and changes in synapses that produce autism and habit learning.
Richard David Carrick is an American composer, pianist and conductor. He was a Guggenheim Fellow in Music Composition for 2015–16 while living in Kigali, Rwanda. His compositions are influenced by diverse sources including traditional Korean Gugak music, the flow concept of Mihaly Csikszentmihalyi, Gnawa Music of Morocco, Jazz, experimental music, concepts of infinity, the works of Italo Calvino and Ludwig Wittgenstein, and his work as improviser.
The Soldier String Quartet was a string quartet, founded in 1984 by composer and violinist Dave Soldier, that specialized in performing a fusion of classical and popular music. The quartet proved a training ground for many subsequent experimental classical groups and performers, including violinists Regina Carter and Todd Reynolds, and performed at venues ranging from the classic punk rock club CBGBs to Carnegie Hall and the Lincoln Center.
Graffiti Composition is an album by Christian Marclay. It began as a street installation in 1996 before being converted into a score and recorded. The album was released by Dog W/A Bone on August 17, 2010.