Ellen Fullman is an American composer, instrument builder, and performer. She was born in Memphis, Tennessee, and is currently based in the San Francisco Bay Area. She is known for her 70-foot (21-meter) Long String instrument, tuned in just intonation and played with rosin-coated fingers.
Eleanor Hovda was a composer and dancer from the United States of America. She was born in Duluth, Minnesota and died in Springdale, Arkansas.
Annie Gosfield is a New-York-based composer who works on the boundaries between notated and improvised music, electronic and acoustic sounds, refined timbres and noise. She composes for others and performs with her own group, taking her music to festivals, factories, clubs, art spaces and concert halls. Much of her work combines acoustic instruments with electronic sounds, incorporating unusual sources such as satellite sounds, machine sounds, detuned or out-of-tune samples and industrial noises. Her work often contains improvisation and frequently uses extended techniques and/or altered musical instruments. She won a 2012 Berlin Prize.
Guy Klucevsek is an American-born accordionist and composer. Klucevsek is one of relatively few accordion players active in new music, jazz and free improvisation.
The Deep Listening Band (DLB) was founded in 1988 by Pauline Oliveros, Stuart Dempster and Panaiotis. David Gamper replaced Panaiotis in 1990.
Michael Kevin Daugherty is a multiple Grammy Award-winning American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired Metropolis Symphony for Orchestra (1988–93), Dead Elvis for Solo Bassoon and Chamber Ensemble (1993), Jackie O (1997), Niagara Falls for Symphonic Band (1997), UFO for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), Bells for Stokowski from Philadelphia Stories for Orchestra (2001) and for Symphonic Band (2002), Fire and Blood for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, Time Machine for Three Conductors and Orchestra (2003), Ghost Ranch for Orchestra (2005), Deus ex Machina for Piano and Orchestra (2007), Labyrinth of Love for Soprano and Chamber Winds (2012), American Gothic for Orchestra (2013), and Tales of Hemingway for Cello and Orchestra (2015). Daugherty has been described by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear."
Susie Ibarra is a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology.
Jin Hi Kim is a composer and performer of komungo and electric komungo, and a Korean music specialist.
Catherine B. Brazelton is a New York-based American composer, bandleader, improviser, singer/songwriter, and instrumentalist. She has released albums and fronted bands across varied genres, including contemporary classical, electronic music, pop, art rock, punk, and avant-garde jazz. She was awarded the 2012 Carl von Ossietsky Composition Prize for Storm, a choral setting of Psalm 104 featuring Brazelton's own retranslation. Her opera Art of Memory was awarded the 2015 Grant for Female Composers from Opera America.
Lukas Ligeti is an Austrian composer and percussionist. His work incorporates elements of jazz, contemporary classical and various world musics, especially African traditional and popular music styles.
Ethel is a New York based string quartet that was co-founded in 1998 by Ralph Farris, viola; Dorothy Lawson, cello; Todd Reynolds, violin; and Mary Rowell, violin. Unlike most string quartets, Ethel plays with amplification and integrates improvisation into its performances. The group's current membership includes violinists Kip Jones and Corin Lee.
Pamela Z is an American composer, performer, and media artist best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through the software program Max on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.
Maggi Payne is an American composer, flutist, video artist, recording engineer/editor, and historical remastering engineer who creates electroacoustic, instrumental, vocal works, and works involving visuals.
Elliott Shelling Schwartz was an American composer. A graduate of Columbia University, he was Beckwith Professor Emeritus of music at Bowdoin College joining the faculty in 1964. In 2006, the Library of Congress acquired his papers to make them part of their permanent collection.
Judy Dunaway is a conceptual sound artist, avant-garde composer, free improvisor and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over thirty works for balloons as sound conduits and has also made this her main instrument for improvisation.
Cristian Amigo is an American composer, improviser, guitarist, sound designer, and ethnomusicologist. His compositional and performing output includes blues and soul, music for the theater, chamber and orchestral music, opera, avant-jazz and rock music, and art/pop song. He has also recorded solo albums on the innova, Deep Ecology and BA labels. Amigo earned a Ph.D. in ethnomusicology from UCLA where he focused on the music of Chile, Peru, and Argentina, as well as anthropological theory, critical studies, and intercultural aesthetics. While in graduate school, he was second guitarist to the Peruvian Afro-Criollo guitarist Carlos Hayre, with whom he played in concerts and festivals including the World Festival of Sacred Music. He is currently composer-in-residence at INTAR Theater in New York City and Music/Design/Production Faculty @ CalArts School of Theater Department of Experience Design and Production in Valencia, California.
Mark Applebaum is an American composer and full professor of music composition and theory at Stanford University.
Andrea Clearfield is an American composer of contemporary classical music. Regularly commissioned and performed by ensembles in the United States and abroad, her works include music for orchestra, chorus, soloists, chamber ensembles, dance, opera, film, and multimedia collaborations.
Rucyl is a new media and sound artist, singer, musician, and producer. Her interests involve experimentation and process as performance, time-based analog effects systems, and using sound to represent concepts that are non-tactile. Her earlier experimental works incorporated vocal improvisation and computer generated algorithmic music in tandem with generated visual projections, using Max MSP and VJ software. Rucyl improvises during her live performances using MIDI controllers, loopers, diy software and hardware, and effects processors.
Joseph Franklin is a composer, an artist-administrator, and writer. Known as the co-founder and long-time executive-artistic director of the Relache Ensemble, Inc., he has produced concerts and concert series’, international tours, residency programs, recordings, radio programs, and media events. He has composed musical works for mixed instrumental/vocal ensembles, film, video, theater, and dance and is the author of Settling Scores: A Life in the Margins of American Music, published by Sunstone Press. Joseph is the founder and president of Metadesign Associates, a consulting and project development entity.
