No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Free improvisation or free music is improvised music without any general rules, instead following the intuition of its performers. The term can refer to both a technique—employed by any musician in any genre—and as a recognizable genre of experimental music in its own right.
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Elliott Sharp is an American contemporary classical composer, multi-instrumentalist, performer, author, and visual artist.
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s.
David Weinstein is an American musician and composer. He has been cited as avant garde and postmodern by The New York Times. He has performed his compositions in musical groups such as Impossible Music, and in collaboration with visual artists.
The Stone is a not-for-profit experimental music performance space located in the Greenwich Village neighborhood in New York City. It was founded in April 2005 by John Zorn, who serves as the artistic director. It was named for the late Irving Stone, an "inveterate concertgoer" in the New York City music community.
The Knitting Factory is a nightclub in New York City that features eclectic music and entertainment. After opening in 1987, various other locations were opened in the United States.
Death Ambient is an American experimental and ambient music trio comprising Kato Hideki, Ikue Mori, and Fred Frith (guitar). The group was formed by Kato and Mori in 1995 and recorded three albums: Death Ambient (1995) Synaesthesia (1999), Drunken Forest (2007) with guest Jim Pugliese (percussion).
Shelley Hirsch is an American vocalist, performance artist, composer, improviser, and writer. She won a DAAD Residency Grant in Berlin 1992, a Prix Futura award in 1993, and multiple awards from Creative Capital, the Foundation for Contemporary Arts, the New York State Council for the Arts, four from NYFA and six from Harvestworks Digital Media Arts Center. She was a recipient of the Guggenheim Fellowship in Music Composition in 2017.
Judy Dunaway is a conceptual sound artist, avant-garde composer, free improvisor and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over thirty works for balloons as sound conduits and has also made this her main instrument for improvisation.
Sylvie Courvoisier is a composer, pianist, and improviser.
Tonic was a music venue located in New York City founded by Melissa Caruso Scott and John Scott. First opened in 1998, it described itself as supporting "avant garde, creative and experimental music" and known for its commitment to musical integrity. Tonic was a former kosher winery and after opening quickly became a focal point of the downtown avant-garde scene. The small and unassuming building provided a sense of intimacy by setting the performers within arms length of the audience. Tonic also doubled as a place for a variety of musicians to record live.
Kevin Norton is an American percussionist and composer active in the New York City jazz and contemporary music scenes. He has performed and recorded with a diverse group of musicians, including Anthony Braxton, Paul Dunmall, Milt Hinton, Fred Frith, David Krakauer, Joëlle Léandre, Frode Gjerstad, Wilber Morris, James Emery, Bern Nix, and many others. In 1999, he founded Barking Hoop Recordings, a record label dedicated to releasing new and original music. Kevin Norton has also spent summers at camp Encore/Coda in Maine teaching music theory classes and private percussion classes. The label has released 11 CDs to date, which feature Norton's own groups as well as artists such as Anthony Braxton, Kevin O'Neil, Billy Stein, and the String Trio of New York.
Loft jazz was a cultural phenomenon that occurred in New York City during the mid-1970s. Gary Giddins described it as follows: "[A] new coterie of avant-garde musicians took much of the jazz world by surprise... [T]hey interpreted the idea of freedom as the capacity to choose between all the realms of jazz, mixing and matching them not only with each other, but with old and new pop, R&B and rock, classical music and world music... [S]eemingly overnight new venues - in many instances, apartments or lofts - opened shop to present their wares." According to Michael Heller, "lofts were not an organization, nor a movement, nor an ideology, nor a genre, nor a neighborhood, nor a lineage of individuals. They were, instead, a meeting point, a locus for interaction." Heller stated that "loft practices came to be defined by a number of key characteristics, including (1) low admission charges or suggested donations, (2) casual atmospheres that blurred the distinction between performer and audience, (3) ownership / administration by musicians, and (4) mixed-use spaces that combined both private living areas and public presentation space." Regarding the music played in these venues, Michael J. Agovino wrote: "This was community music. Part of the point was that, free of the strictures of clubs, the music could be anything, go anywhere, go on for as long as it wanted." David Such stated that "the cutting contests, personality cults, and vices that characterized the jazz scene of the 1940s and 1950s were mostly missing." The scene was reviewed and documented by Giddins, Peter Occhiogrosso of the SoHo Weekly News, Leroi Jones, Robert Palmer, and Stanley Crouch.
Cobra is a double album featuring a live and studio performance of John Zorn's improvisational game piece, Cobra recorded in 1985 and 1986 and released on the Hathut label in 1987. Subsequent recordings of the piece were released on Knitting Factory, Avant and Zorn's own label Tzadik Records, ) in 2002.
The Bay Area Improv Scene is a commonly used name for a loose association of musicians and composers centered in the San Francisco Bay Area who create a style of music that evolved largely from avant-garde jazz and modern classical music, with influences from other areas such as electronic art music, free improvisation, and musique concrète. Other names of this scene tend to use phrases such as "Creative Music" to try to incorporate a wider focus than just the improvisational approach.
ISSUE Project Room is a music venue in Brooklyn, New York, founded in 2003 by Suzanne Fiol. ISSUE Project room owns a theatre in 110 Livingston Street in Downtown Brooklyn. The venue supports a wide variety of contemporary performance, specializing in presenting experimental and avant-garde music.
The Tin Palace was a jazz nightclub on the Bowery in New York's East Village founded by Misha Saradoff and Charlie Burck that opened in 1973 and operated there throughout much of the 1970s.
Ava Mendoza is an American guitarist, vocalist, and composer.
