The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. As the organization undergoes a multi-year renovation it is currently sited at a satellite loft space in the West Village located at 163B Bank Street, where exhibitions and performances are regularly held. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
Boerum Hill is a small neighborhood in the northwestern portion of the New York City borough of Brooklyn, bounded by Schermerhorn Street to the north and Fourth Avenue to the east. The western border is variously given as either Smith or Court Streets, and Warren or Wyckoff Streets as the southern edge.
The Smell is an all-ages, alcohol and drug-free, punk rock and experimental music venue in Downtown Los Angeles, California. The Smell, notable for its DIY ethic, is home to many of the area's avant-garde performers and artists. The venue is maintained by Jim Smith, one of the four original organizers of the club, and a number of volunteers.
The Stone is a not-for-profit experimental music performance space located in the Greenwich Village neighborhood in New York City. It was founded in April 2005 by John Zorn, who serves as the artistic director. It was named for the late Irving Stone, an "inveterate concertgoer" in the New York City music community.
The Knitting Factory is a nightclub in New York City that features eclectic music and entertainment. After opening in 1987, various other locations were opened in the United States.
Michael Thomas Holman is a New York-based artist, writer, filmmaker and musician. He is also an early 1980s downtown scene subculturalist and creator of the Hip Hop music program Graffiti Rock. Holman is a founding member, along with Jean-Michel Basquiat, of the experimental band Gray.
110 Livingston Street is a Beaux Arts-style building located in Downtown Brooklyn, New York City, New York, United States.
The Brooklyn Paramount Theater is a former movie palace at 1 University Plaza at the intersection of Flatbush and DeKalb Avenues in downtown Brooklyn, New York. Opened in 1928, the building has been owned by Long Island University (LIU) since 1954. Converted for use by LIU as classroom space and a gymnasium, the building retains much of the theater's original decorative detail. Until recently the venue operated as a 1200-seat multi-purpose arena, formerly home to the Brooklyn Kings basketball team. As of 2017 it was in the planning stages of a renovation to reopen the theater as a performing arts venue in 2019.
Tonic was a music venue located in New York City founded by Melissa Caruso Scott and John Scott. First opened in 1998, it described itself as supporting "avant garde, creative and experimental music" and known for its commitment to musical integrity. Tonic was a former kosher winery and after opening quickly became a focal point of the downtown avant-garde scene. The small and unassuming building provided a sense of intimacy by setting the performers within arms length of the audience. Tonic also doubled as a place for a variety of musicians to record live.
More Fire! Productions was a women's theatre collective active in New York City from 1980 to 1988. It was founded by Robin Epstein and Dorothy Cantwell and based in the East Village section of Lower Manhattan, New York City. More Fire! Productions created and produced eight full-length plays between 1980 and 1988, becoming known as "one of the city's leading women's theatre groups" for its contributions to the downtown, experimental theatre, and women's and lesbian theatre scenes of the 1980s. Epstein and Cantwell co-wrote, produced, and performed in the company's first three plays: As the Burger Broils (1980), The Exorcism of Cheryl (1981), and Junk Love (1981), which had numerous runs and became a neighborhood cult classic, "the longest running show on Avenue A." Epstein then wrote and produced The Godmother (1983). Novelist and writer Sarah Schulman joined the company in 1983 and collaborated on the writing and performing of three later plays: Art Failures (1983), Whining and Dining (1984), and Epstein on the Beach (1985). The final play, Beyond Bedlam (1987), was written and produced by Epstein, who was the only person involved in all More Fire! plays.
The Bay Area Improv Scene is a commonly used name for a loose association of musicians and composers centered in the San Francisco Bay Area who create a style of music that evolved largely from avant-garde jazz and modern classical music, with influences from other areas such as Electronic art music, Free improvisation, and Musique concrète. Other names of this scene tend to use phrases such as "Creative Music" to try to incorporate a wider focus than just the improvisational approach.
Suzanne Fiol, "an impresario of avant-garde culture in New York", founded the performance space ISSUE Project Room in 2003 and oversaw its growth from the fringes of the New York new music scene into what The Village Voice, The Brooklyn Borough President, and Fiol herself predicted would become the "Carnegie Hall for the avant-garde" when it opened its Downtown Brooklyn location in 2011. Fiol's goal in life "was to create a dynamic environment for music, performance, readings, and the development of new work, and she succeeded; the organization has become a reference for experimental art in New York City….(S)he devoted her life to the promotion of experimental culture."
Northern Spy Records is a record label in Brooklyn, New York that specializes in avant-garde music, noise rock, and experimental jazz. The label was founded by Tom Abbs and Adam Downey in 2010 after working for ESP-Disk.
BRIC, formerly known as BRIC Arts Media or Brooklyn Information & Culture, is a non-profit arts organization based in Brooklyn, New York founded in 1979 as the "Fund for the Borough of Brooklyn". A presenter of free cultural programming in Brooklyn, it incubates and showcases work by artists and media-makers with programs reaching hundreds of thousands of people each year.
The Brooklyn Cultural District is a $100 million development project that focuses on the arts, public spaces and affordable housing in Fort Greene, Brooklyn, New York. The project reflected the joint efforts of New York City's Economic Development Corporation, the Department of Cultural Affairs, the Department of Housing Preservation and Development, the Department of City Planning, and the Downtown Brooklyn Partnership to continue to develop the Brooklyn neighborhood area. Joining the area's longtime institutional stakeholders are new homes for Mark Morris Dance Group, Theatre for a New Audience (TFANA), UrbanGlass and BRIC Arts and the BAM's Fisher Building.
Grantwood is an unincorporated community straddling the boroughs of Cliffside Park and Ridgefield, just south of Fort Lee, in eastern Bergen County, New Jersey, United States.
Roulette Intermedium is a performing arts and new music venue located in Brooklyn, New York City. Founded in 1978, it has been located in the neighborhoods of Tribeca and SoHo in Manhattan, and now resides in a renovated theater in downtown Brooklyn. Roulette is a nonprofit organization focusing on fostering experimental dance, new music, and performance.
Knockdown Center is a cultural space, performance venue, and art center, located in the Maspeth neighborhood of Queens, New York City. The Center includes many architecturally notable features: 20,000 square-foot main hall, a backyard nicknamed The Ruins, a large gallery, and several other adjacent halls of varying sizes.
