Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined the following year by Richard Barbieri (keyboards) and Rob Dean. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate art rock, electronic music and foreign influences.
Richard "Richie" Hawtin is a British-Canadian electronic musician and DJ. He became involved with Detroit techno's second wave in the early 1990s, and has been a leading exponent of minimal techno since the mid-1990s. He became known for his recordings under the Plastikman and F.U.S.E. aliases. Under the latter, he released his debut album Dimension Intrusion (1993) as part of Warp's Artificial Intelligence series.
David Sylvian is an English musician, singer and songwriter who came to prominence in the late 1970s as frontman and principal songwriter of the band Japan. The band's androgynous look and increasingly electronic sound made them an important influence on the UK's early-1980s new wave scene.
async is the nineteenth solo studio album of Japanese musician Ryuichi Sakamoto and his first one in eight years since Out of Noise (2009). It is also his first full-length solo record since recovering from throat cancer in 2015. Consisting of a combination of bizarre interpretations of familiar musical instruments, unusual textures both acoustic and electronically made, samples of recordings of people such as David Sylvian and Paul Bowles doing readings, and everyday sounds borrowed from field recordings of city streets, async has underlying themes of the worries of the end of life and the interaction of differing viewpoints in humanity.
Gone to Earth is the third solo studio album by English singer-songwriter David Sylvian, released on 1 September 1986 on Virgin Records. A double album, Gone to Earth is the follow-up to his debut record, Brilliant Trees, and peaked at No. 24 in the UK Albums Chart.
David Toop is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the London College of Communication. He was a regular contributor to British music magazine The Wire and the British magazine The Face. He was a member of British new wave band The Flying Lizards.
Rain Tree Crow is the sole album released by English band Rain Tree Crow, a reunion project by the members of the new wave band Japan. Recorded in 1989 and 1990 and released in April 1991, it was the first time that members David Sylvian, Mick Karn, Steve Jansen and Richard Barbieri had collaborated as a four-piece since 1982. The album peaked at number 24 on the UK Albums Chart.
Alchemy: An Index of Possibilities is the second solo studio album by David Sylvian, first released in December 1985 on cassette only as a limited edition. Alchemy is an intermediary album, released between his first solo album Brilliant Trees and his next solo album Gone to Earth, made up of two entirely separate projects recorded 1984 and 1985.
Blemish is the sixth studio album by British singer-songwriter David Sylvian, released in May 2003 on Sylvian's Samadhisound label.
Russell Mills is a British artist. He has produced record covers and book covers for Brian Eno, the Cocteau Twins, Michael Nyman, David Sylvian, Peter Gabriel, and Nine Inch Nails.
Dead Bees on a Cake is the fifth studio album by British singer-songwriter David Sylvian, released in March 1999 on Virgin Records. It was his first solo album in 12 years since Secrets of the Beehive. The album peaked at no. 31 in the UK Albums Chart at release and contained his last UK Top 40 single to date in "I Surrender".
Damage is a live recording by David Sylvian and Robert Fripp. It was recorded on the "Road to Graceland" tour at London's Royal Albert Hall, December 1993.
Camphor is a David Sylvian compilation album released in 2002 as a companion to Everything and Nothing. The focus is on his instrumental work.
Approaching Silence is a compilation album of ambient music by David Sylvian collecting the tracks from the 1991 limited release Ember Glance: The Permanence of Memory installation soundtrack CD as well as the soundtrack cassette from the installation "Redemption". The exhibition ran from 30 August 1994 to 18 September, at the P3 Gallery in Tokyo.
Stephan Mathieu is a German mastering engineer and former musician. He currently lives in Bonn, Germany where he runs Schwebung Mastering, an independent studio for audio mastering and restoration.
Extracts from Music for White Cube, London 1997 is the fifteenth solo studio album from British musician Brian Eno, released in 1997.
Brian Eno, also mononymously known as Eno, is an English musician, songwriter, record producer and visual artist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
When Loud Weather Buffeted Naoshima is a limited edition CD by English musician David Sylvian that was commissioned as an installation piece by the Naoshima Fukutake Art Museum Foundation on the island of Naoshima, Japan, as part of the "NAOSHIMA STANDARD 2" exhibition which ran from October 2006 to April 2007. The album consists of one long ambient instrumental track. Writing in The Guardian, John L. Walters described it as "possibly the most avant-garde product made by a pop musician since Metal Machine Music".
"Life in Tokyo" is a song by the British band Japan. A collaboration with disco producer Giorgio Moroder, who also co-wrote the song with David Sylvian, it marked a change of direction from the band's previous sound. Originally released as a single in 1979, it was reissued twice before it finally became a hit on the UK Singles Chart in 1982.
