Rain Tree Crow | ||||
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Studio album by | ||||
Released | 8 April 1991 | |||
Recorded | September 1989 – April 1990 | |||
Studio |
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Genre | ||||
Length | 45:53 | |||
Label | Virgin | |||
Producer | Rain Tree Crow | |||
Japan chronology | ||||
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David Sylvian chronology | ||||
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Singles from Rain Tree Crow | ||||
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Rain Tree Crow is the sole album released by English band Rain Tree Crow,a reunion project by the members of the new wave band Japan. Recorded in 1989 and 1990 and released in April 1991,it was the first time that members David Sylvian,Mick Karn,Steve Jansen and Richard Barbieri had collaborated as a four-piece since 1982. The album peaked at number 24 on the UK Albums Chart. [1]
The name Rain Tree Crow was chosen to mark a break from Japan's past,with the intention of creating a new long-term project. As the music turned out to be less commercial than originally envisaged,all members of the band aside from Sylvian became amenable to the idea of retaining the Japan moniker,in order to gain maximum exposure. [2] Virgin Records pressured the musicians to let them market the album under the name Japan;however,Sylvian was adamant that this would not take place. Sylvian's opinion prevailed and the album was released as by Rain Tree Crow.
It was decided early on that the project would involve only group compositions,as opposed to the group's earlier modus operandi where songs were largely based on Sylvian's ideas.
According to Karn,"the whole concept and direction of that album was that it was going to be very pop-oriented",wanting "to surprise people by doing the unexpected—by coming back into a market which we'd left behind a very long time ago. So,we decided that we would have a new name—Rain Tree Crow. The more obscure the name,the better. We believed that it would be a long-term project and that the name Rain Tree Crow would become more important than the name Japan". [3]
There had initially been talk about doing a second or third album,and possibly touring,but ultimately,personalities clashed toward the end of the project,with Sylvian citing differences of opinion,money and the re-emergence of "old tensions and frustrations". [4]
The two main studios used for recording were Miraval in the South of France,chosen particularly for its ambient live rooms and Condulmer near Venice. Four to five weeks recording at each location produced the bulk of the material. The principal notion behind the project was to leave the tape rolling and see what transpired in the extempore sessions. This concept of impromptu performances represented a sharp contrast to the ways in which the group had originally worked. It was the last time all four group members collaborated,but it laid the groundwork for other related projects. In particular,Jansen Barbieri Karn,also known as JBK,emerged afterwards.
In an interview in 2009,Sylvian said:
"Although much of the finished work incorporates seeds of the original improvisations from which it grew, there was a lot of re-recording and polishing of the material. I don’t remember there being too much of a struggle regarding the different directions the material took although I do remember I’d frequently be forced to justify my decisions whereby one piece or approach might be deemed out of context and another not. ‘Blackwater’ might be the exception here. I think I fought harder for that track than any other. Not because it was of the greatest interest but it was a strong piece that worked well in the body of the remainder of the album".
— Interview by Markus Deisenberger on 22 November 2009 [4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
NME | 2/10 [6] |
Trouser Press | positive [7] |
"Blackwater" was released as the album's only single and reached number 62 in the UK Singles Chart in March 1991. The album reached number 24 in the UK Albums Chart. [8]
The album was remastered and reissued on CD in 2003. The B-side track from the "Blackwater" single, "I Drink To Forget", was included on this reissue, but omitted on the later vinyl reissue of March 2019.
All tracks are written by Rain Tree Crow.
No. | Title | Length |
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1. | "Big Wheels in Shanty Town" | 7:08 |
2. | "Every Colour You Are" | 4:46 |
3. | "Rain Tree Crow" | 2:04 |
4. | "Red Earth (As Summertime Ends)" | 3:38 |
5. | "Pocket Full of Change" | 6:08 |
6. | "Boat's for Burning" | 0:45 |
7. | "New Moon at Red Deer Wallow" | 5:12 |
8. | "Blackwater" | 4:19 |
9. | "A Reassuringly Dull Sunday" | 1:22 |
10. | "Blackcrow Hits Shoe Shine City" | 5:14 |
11. | "Scratchings on the Bible Belt" | 2:46 |
12. | "Cries and Whispers" | 2:31 |
Total length: | 45:53 |
No. | Title | Length |
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13. | "I Drink to Forget" | 1:46 |
Total length: | 47:39 |
Rain Tree Crow
Additional musicians
Technical
Chart (1991) | Peak position |
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Canada Top Albums/CDs ( RPM ) [9] | 72 |
Japanese Albums (Oricon) [10] | 49 |
Dutch Albums (Album Top 100) [11] | 61 |
Swedish Albums (Sverigetopplistan) [12] | 33 |
UK Albums (OCC) [1] | 24 |
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined by Richard Barbieri (keyboards) and Rob Dean the following year. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences.
Andonis Michaelides, better known as Mick Karn, was an English-Cypriot musician and songwriter who rose to fame as the bassist for the art rock/new wave band Japan. His distinctive fretless bass guitar sound and melodic playing style were a trademark of the band's sound.
Steve Jansen is an English musician, composer and record producer.
Richard Barbieri is an English musician, composer and sound designer. Originally a member of new wave band Japan, more recently he is known as the keyboard player in the progressive rock band Porcupine Tree, which he joined in 1993. Aside from the founder Steven Wilson, he is the longest tenured member of Porcupine Tree.
JBK or Jansen Barbieri Karn, is the name by which former Japan and Rain Tree Crow band members Steve Jansen, Richard Barbieri and Mick Karn have recorded several albums of music, all released by their own Medium Productions label, between 1993 and 2001.
Brilliant Trees is the debut solo studio album by the English musician David Sylvian, released on 25 June 1984 by Virgin Records. The album peaked at number 4 on the UK Albums Chart and has been certified Gold by the British Phonographic Industry (BPI) for sales in excess of 100,000 copies.
Tin Drum is the fifth and final studio album by English band Japan, released in November 1981 by Virgin Records. It peaked at No. 12 on the UK charts, and featured the top 5 single "Ghosts". It has received acclaim as the band's best and most original work.
Adolescent Sex is the debut album by the English band Japan, released in March 1978 by record label Hansa. To avoid controversy over the title, the album was renamed simply as Japan in some countries.
Oil on Canvas is a live album by the English band Japan, released in June 1983 by Virgin Records. It was released six months after the band had broken up, and became their highest charting album in the UK, peaking at number 5. It has been certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.
Everything and Nothing is a compilation album by David Sylvian. Released in October 2000, the album contains previously released and unreleased, re-recorded, and alternate versions of tracks from Sylvian's twenty years with Virgin Records. The record peaked at no.57 in the UK albums chart.
Damage is a live recording by David Sylvian and Robert Fripp. It was recorded on the "Road to Graceland" tour at London's Royal Albert Hall, December 1993.
Assemblage is a compilation album by the British band Japan, released in September 1981 by Hansa Records.
"Nightporter" is a song by English new wave band Japan. The song originally featured on the band's fourth album Gentlemen Take Polaroids in 1980. However, it was then remixed by Steve Nye and released as a single in November 1982. The single peaked at number 29 on the UK Singles Chart.
Titles is the debut solo studio album by the English new wave artist Mick Karn, released in 1982. The album peaked at No. 74 on the UK Album Chart.
Visions of China is a song by English new wave band Japan, released in October 1981 as the second single from their 1981 album Tin Drum, which was released on 13 November. The single reached number 32 on the UK Singles Chart.
The Art of Parties is a song by the British band Japan.
"Cantonese Boy" is a song by English new wave band Japan, released in May 1982 as the fourth and final single from their 1981 album Tin Drum. The single peaked at number 24 on the UK Singles Chart. The song refers to the enlistment of a Cantonese boy to the Chinese Red Army.
"European Son" is a song by the British band Japan.
"Canton" is an instrumental song by English new wave band Japan. It was originally released on the album Tin Drum in 1981, and was then released as the only single from the live album Oil on Canvas in May 1983. It peaked at number 42 on the UK Singles Chart.
Dreams of Reason Produce Monsters is the second solo studio album by Mick Karn, released in February 1987. It peaked at number 89 on the UK Albums Chart.