Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined the following year by Richard Barbieri (keyboards) and Rob Dean. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate art rock, electronic music and foreign influences.
David Sylvian is an English musician, singer and songwriter who came to prominence in the late 1970s as frontman and principal songwriter of the band Japan. The band's androgynous look and increasingly electronic sound made them an important influence on the UK's early-1980s new wave scene.
Secrets of the Beehive is the fourth studio album by English singer-songwriter David Sylvian. The album was released on 19 October 1987 in Europe and the United States. The album peaked at No. 37 in the UK album chart. The album was released in Japan on 21 November 1987.
Brilliant Trees is the debut solo studio album by the English musician David Sylvian, released on 25 June 1984 by Virgin Records. The album peaked at number 4 on the UK Albums Chart and has been certified Gold by the British Phonographic Industry (BPI) for sales in excess of 100,000 copies.
Gentlemen Take Polaroids is the fourth studio album by the English band Japan, released in November 1980 by Virgin Records.
Oil on Canvas is a live album by the English band Japan, released in June 1983 by Virgin Records. It was released six months after the band had broken up, and became their highest charting album in the UK, peaking at number 5. It has been certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.
Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records, in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc.
Everything and Nothing is a compilation album by David Sylvian. Released in October 2000, the album contains previously released and unreleased, re-recorded, and alternate versions of tracks from Sylvian's twenty years with Virgin Records. The record peaked at no.57 in the UK albums chart.
"Ghosts" is a song by English band Japan. It was released in edited form in March 1982 as the third single from their 1981 album Tin Drum.
"Bamboo Houses" is a song by Japanese musician-composer Ryuichi Sakamoto and English singer-songwriter David Sylvian, released on Virgin Records in 1982. It reached number 30 in the UK charts in the second week of August 1982.
"Forbidden Colours" is a 1983 song by David Sylvian and Ryuichi Sakamoto. The song is the vocal version of the theme from the Nagisa Oshima film Merry Christmas, Mr. Lawrence. It appears on the film's soundtrack album and was released as a single on Virgin Records in 1983.
Cinemage is a 1999 album by Ryuichi Sakamoto. It is a collection of six of his works for film soundtracks and events.
World Citizen is an EP by Ryuichi Sakamoto and David Sylvian. It was originally released in 2003 in Japan before being released in the UK the following year on Sylvian's label Samadhi Sound; the two editions have different track lists and different covers. The EP was created as part of a project called Chain Music instigated by Ryuichi Sakamoto. A remix of "World Citizen " was later included on Sakamoto's 2004 solo album Chasm and Sylvian's 2010 compilation Sleepwalkers; the 2022 reissue of the latter additionally adds in "World Citizen".
"The Ink in the Well" is a song by the English singer-songwriter David Sylvian. It was released in August 1984 as the second single from his debut solo album Brilliant Trees. The single peaked at No. 36 on the UK Singles Chart.
"Heartbeat – Returning to the Womb" is a collaboration between Ryuichi Sakamoto and David Sylvian, with music co-written by Arto Lindsay. It features vocals by Ingrid Chavez and spoken word by John Cage. The mini-album features a previous collaboration between Sakamoto and Sylvian, the 1984 re-recording of "Forbidden Colours", produced by Steve Nye, that was the B-side to Sylvian's single Red Guitar and features as a bonus track on his 1987 album Secrets of the Beehive.
"Merry Christmas, Mr. Lawrence" is a 1983 instrumental single by Japanese composer Ryuichi Sakamoto recorded for the film of the same name. The song has become a staple of Christmas music in the United States and Japan. A vocal version, "Forbidden Colours", features former Japan frontman David Sylvian and charted in the top 20 of the UK Singles Chart and Irish Singles Chart.
"Cantonese Boy" is a song by English new wave band Japan, released in May 1982 as the fourth and final single from their 1981 album Tin Drum. The single peaked at number 24 on the UK Singles Chart. The song refers to the enlistment of a Cantonese boy to the Chinese Red Army.
A Victim of Stars 1982–2012 is a compilation album by David Sylvian. Released in 2012, the album features songs from his solo work, from Japan's reformation Rain Tree Crow, his collaborations with other artists such as Ryuichi Sakamoto and Robert Fripp, and from his more recent involvement in the band Nine Horses. It also features of a remix of Japan's "Ghosts", released on Sylvian's 2000 compilation Everything and Nothing. The album peaked at number 58 on the UK albums chart.
Merry Christmas Mr. Lawrence is the soundtrack from the film of the same name, released on 1 May 1983 in Japan and towards the end of August 1983 in the UK. It was composed by Ryuichi Sakamoto, who also starred in the film. It was Sakamoto's first film score, though it was released several weeks after the film Daijōbu, My Friend, for which he also composed the music.
