Approaching Silence | ||||
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Compilation album by | ||||
Released | 5 October 1999 | |||
Recorded | Tracks 1, 2: September 1990, Memphis Studios, engineered at Autonomy, London – Metropolis Studios, London – Track 3: 1994, Atma Sound, Minneapolis, mixed at Synergy Studios, Napa, 1999 | |||
Genre | Ambient | |||
Length | 73:45 | |||
Label | Virgin | |||
Producer | David Sylvian | |||
David Sylvian chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Encyclopedia of Popular Music | [2] |
Approaching Silence is a compilation album of ambient music by David Sylvian (along with Frank Perry and Robert Fripp) [3] collecting the tracks from the 1991 limited release Ember Glance: The Permanence of Memory installation soundtrack CD as well as the soundtrack cassette from the installation "Redemption" (with Robert Fripp), whose exhibition ran from 30 August 1994 to 18 September, at the P3 Gallery in Tokyo. [4]
Approaching Silence was released on 5 October 1999 on Virgin Records (CDVE 943).
Robert Fripp is an English musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, the Roches, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to more than 700 official releases.
David Sylvian is an English musician, singer and songwriter who came to prominence in the late 1970s as frontman and principal songwriter of the band Japan. The band's androgynous look and increasingly electronic sound made them an important influence on the UK's early-1980s new wave scene.
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European modernist classical music and European free improvisation as central influences.
Gone to Earth is the third solo studio album by English singer-songwriter David Sylvian, released on 1 September 1986 on Virgin Records. A double album, Gone to Earth is the follow-up to his debut record, Brilliant Trees, and peaked at No. 24 in the UK Albums Chart.
Discipline is the eighth studio album by English progressive rock band King Crimson, released on 2 October 1981 by E.G. Records in the United Kingdom and by Warner Bros. Records in the United States.
USA is a live album by the English progressive rock band King Crimson, released in 1975. It was recorded at the Casino, Asbury Park, New Jersey, on 28 June 1974, except “21st Century Schizoid Man”, which was recorded at the Palace Theatre, Providence, Rhode Island, United States, on 30 June 1974. Violin and electric piano overdubs by Eddie Jobson were recorded at Olympic Studios, London in 1975.
Tin Drum is the fifth and final studio album by English band Japan, released in November 1981 by Virgin Records. It peaked at No. 12 on the UK charts, and featured the top 5 single "Ghosts". It has received acclaim as the band's best and most original work.
Vaughan Oliver was a British graphic designer based in Epsom, Surrey. Oliver was best known for his work with graphic design studios 23 Envelope and v23. Both studios maintained a close relationship with record label 4AD between 1982 and 1998 and gave distinct visual identities for the 4AD releases by many bands, including Mojave 3, Lush, Cocteau Twins, The Breeders, This Mortal Coil, Pale Saints, Pixies, and Throwing Muses. Oliver also designed record sleeves for such artists as David Sylvian, The Golden Palominos, and Bush.
The First Day is an album by the British musicians David Sylvian and Robert Fripp released in August 1993. The album, first of three collaborations between the two musicians, contains music merging elements of rock and funk.
Alchemy: An Index of Possibilities is the second solo studio album by David Sylvian, first released in December 1985 on cassette only as a limited edition. Alchemy is an intermediary album, released between his first solo album Brilliant Trees and his next solo album Gone to Earth, made up of two entirely separate projects recorded 1984 and 1985.
Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
Ember Glance: The Permanence of Memory is the soundtrack of a collaboration between David Sylvian and Russell Mills.
Dead Bees on a Cake is the fifth studio album by British singer-songwriter David Sylvian, released in March 1999 on Virgin Records. It was his first solo album in 12 years since Secrets of the Beehive. The album peaked at no. 31 in the UK Albums Chart at release and contained his last UK Top 40 single to date in "I Surrender".
Damage is a live recording by David Sylvian and Robert Fripp. It was recorded on the "Road to Graceland" tour at London's Royal Albert Hall, December 1993.
Camphor is a David Sylvian compilation album released in 2002 as a companion to Everything and Nothing. The focus is on his instrumental work.
Along the Red Ledge is the seventh studio album by American pop music duo Hall & Oates. The album was released on August 21, 1978, by RCA Records. The biggest hit from the album was "It's a Laugh". The follow-up single was "I Don't Wanna Lose You".
"Bamboo Houses" is a song by Japanese musician-composer Ryuichi Sakamoto and English singer-songwriter David Sylvian, released on Virgin Records in 1982. It reached number 30 in the UK charts in the second week of August 1982.
When Loud Weather Buffeted Naoshima is a limited edition CD by English musician David Sylvian that was commissioned as an installation piece by the Naoshima Fukutake Art Museum Foundation on the island of Naoshima, Japan, as part of the "NAOSHIMA STANDARD 2" exhibition which ran from October 2006 to April 2007. The album consists of one long ambient instrumental track. Writing in The Guardian, John L. Walters described it as "possibly the most avant-garde product made by a pop musician since Metal Machine Music".
Darshan (The Road to Graceland) is the second of three collaborative productions of David Sylvian and Robert Fripp. It is a remix album; the first two tracks are remixes of the original song "Darshan" from their first album The First Day. The original version, written by David Sylvian, Robert Fripp, Trey Gunn and David Bottrill, is reissued here as final track. The first track is a remix by the Grid, and the second track—called "Darshana"—is a “reconstruction” by The Future Sound of London. It was released on 6 December 1993 as EP and CD Single on Virgin Records (SYLCD1 and VJCP 20013 in Japan).
"Gentlemen Take Polaroids" is a song by English new wave band Japan, released as a single from the album of the same name in October 1980. It was the band's first charting single in the UK, peaking at number 60.