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|Competencies||Heights, patience, steady hand, ability to read plans, physically strong|
|Carpenter, electrician, house painter and decorator, plumber|
A plasterer is a tradesman who works with plaster, such as forming a layer of plaster on an interior wall or plaster decorative moldings on ceilings or walls. The process of creating plasterwork, called plastering, has been used in building construction for centuries. A plasterer is someone who does a full 4 or 2 years apprenticeship to be fully qualified
Plasterwork is one of the most ancient of handicrafts employed in connection with building operations, the earliest evidence showing that the dwellings of primitive man were erected in a simple fashion with sticks and plastered with mud. Soon a more lasting and sightly material was found and employed to take the place of mud or slime, and that perfection in the compounding of plastering materials was approached at a very remote period is made evident by the fact that some of the earliest plastering which has remained undisturbed excels in its scientific composition that which we use at the present day.
The pyramids in Egypt contain plasterwork executed at least four thousand years ago, probably much earlier, and yet existing, hard and durable, at the present time.From recent discoveries it has been ascertained that the principal tools of the plasterer of that time were practically identical in design, shape and purpose with those used today. For their finest work the Egyptians used a plaster made from calcined gypsum just like plaster of Paris of the present time, and their methods of plastering on reeds resemble in every way our lath, plaster, float and set work. Hair was introduced to strengthen the stuff, and the whole finished somewhat under an inch thick.
Very early in the history of Greek architecture we find the use of plaster of a fine white lime stucco, such has been found at Mycenae. The art had reached perfection in Greece more than five centuries before Christ, and plaster was frequently used to cover temples externally and internally, in some cases even where the building was of marble. It formed a splendid ground for decorative painting, which at this period of Grecian history had reached a very high degree of beauty. Also known as Gyporockers.
In the more common operations of plastering, comparatively few tools and few materials are required, but the workman efficient in all branches of the craft will possess a very large variety of implements. The materials of the workman are laths, lath nails, lime, sand, hair, plaster of Paris,and a variety of cements, together with various ingredients to form coloring washes, et cetera.
Wood laths are narrow strips of some straight-grained wood, generally Baltic or American fir, in lengths of from two to four or five feet to suit the distances at which the timbers of a floor or partition are set. Laths are about an inch Lathing-wide, and are made in three thicknesses; single (1/8 to 3/16 inch thick), lath and a half (1/4 inch thick), and double (3/8–1/2 inch thick). The thicker laths should be used in ceilings, to stand the extra strain, and the thinner variety in vertical work such as partitions, except where the latter will be subjected to rough usage, in which case thicker laths become necessary. Laths are usually nailed with a space of about 3/8 of an inch between them to form a plaster key. Laths were formerly all made by hand. A large quantity, however, are now made by machinery and are known as sawn laths, those made by hand being called rent or riven laths. Rent (riven) laths give the best results, as they split in a line with the grain of the wood, and are stronger and not so liable to twist as machine-made laths, some of the fibers of which are usually cut in the process of sawing. Care should be taken to check the PH value of the wood; oak contains tannic acid which attacks the lime, this can compromise bond strength.
Laths must be nailed so as to break joint in bays three or four feet wide with ends butted one against the other. By breaking the joints of the lathing in this way, the tendency for the plaster to crack along the line of joints is diminished and a better key is obtained and it provides restraint for the timber frame. Every lath should be nailed at each end and wherever it crosses a joist or stud. All timbers over three inches (76 mm) wide should be counter-lathed, that is, have a fillet or double lath nailed along the centre upon which the laths are then nailed. This is done to preserve a good key for the plaster. Walls liable to damp are sometimes battened and lathed in order to form an air cavity between the damp wall and the plastering.
Lathing of metal, either of wire or in the form of perforated sheets, is now extensively used on account of its fireproof and lasting quality. There are very many kinds of this material Metal made in different designs under various patents, the best known in England being the Jhilmil, the Bostwick, Lathing, and the Expanded Metal lathing. The two last-named are also widely used in America. Lathing nails are usually of iron, cut, wrought or cast, and in the better class of work they are galvanized to prevent rusting. Zinc nails are sometimes used, but are costly.
The lime principally used for internal plastering is that calcined from chalk, oyster shells or other nearly pure limestone, and is known as fat, pure, chalk or rich lime. Hydraulic limes are also used by the plasterer, chiefly for external work. Perfect slaking of the calcined lime before being used is very important as, if used in a partially slaked condition, it will "blow" when in position and blister the work. Lime should therefore be run as soon as the building is begun, and at least three weeks should elapse between the operation of running the lime and its use. Due to time constraints Hydrated Lime mixed with plaster is normally used for modern construction. Slaking is not required if more time is allowed for finishing the surface after application which is a common practice where a quality finish is required, however in the housing industry it is often run for three days, the time it takes to prepare an average house for plastering, to achieve a lower quality cost effective finish.
Hair is used in plaster as a binding medium, and gives tenacity to the material. Traditionally horsehair was the most commonly used binder, as it was easily available before the development of the motor-car. Hair functions in much the same way as the strands in fiberglass resin, by controlling and containing any small cracks within the mortar while it dries or when it is subject to flexing.
Ox-hair, which is sold in three qualities, is now the kind usually specified; but horsehair, which is shorter, is sometimes substituted or mixed with the ox-hair in the lower qualities. Good hair should be long (In the UK cow and horse hair of short and long lengths is used), and left greasey (lanolin grease) because this protects against some degradation when introduced into the very high alkaline plaster. Before use it must be well beaten, or teased, to separate the lumps. In America, goats' hair is frequently used, though it is not so strong as ox-hair. The quantity used in good work is one pound of hair to two or three cubic feet of coarse stuff (in the UK up to 12 kg per metric cube). Hair reinforcement in lime plaster is common, and many types of hair and other organic fibres can be found in historic plasters . However, organic material in lime will degrade in damp environments, particularly on damp external renders. This problem has given rise to the use of polyprolene fibres in new lime renders . Research presented at the UK Building Limes Forum 2012 looked at the potential for hair degradation in lime plasters.
Manila hemp fiber has been used as a substitute for hair. Plaster for hair slabs made with manila hemp fiber broke at 195 lb (88 kg), plaster mixed with sisal hemp at 150 lb (68 kg), jute at 145 lb (66 kg), and goats' hair at 144 lb (65 kg).[ citation needed ] Another test was made in the following manner. Two barrels of mortar were made up of equal proportions of lime and sand, one containing the usual quantity of goats' hair, and the other Manila fiber. After remaining in a dry cellar for nine months the barrels were opened. It was found that the hair had been almost entirely eaten away by the action of the lime, and the mortar consequently broke up and crumbled quite easily. The mortar containing the Manila hemp, on the other hand, showed great cohesion, and required some effort to pull it apart, the hemp fiber being undamaged.[ citation needed ]
For fine plasterer's sand-work, special sands, not hitherto referred to, are used, such as silver sand or fine foundry sand, which is used when a light color and fine texture are required. In medical centres one part Barium is added to two parts cement and five of sand where the walls need to block X-rays. When coating or rendering concrete surfaces a "splash" coat of one part cement to one of sand in liquid form is either thrown with a trowel or sprayed on the surface. This not only provides a better key for the render but prevents the porous concrete from sucking the water from it. For external work Portland cement is undoubtedly the best material on account of its strength, durability, and weather resisting External properties. If the plaster coat needs to be particularly strong and resistant to cracking, such as the walls of a squash court, Sizing is mixed with the plaster before application to increase both the surface bond strength and flexibility.
The first coat of render is from 1/2 to 3/4 inches thick, and is mixed, dependant on the surface to be covered, in the proportions of from one part of cement to two of sand to one part to six of sand. A ½ shovel of Lime is often added to make the mix more pliable. After dampening the surface to be coated, two horizontal bands of render called "screeds" are applied, one at around head height and the other just above floor level, these are then marked for vertical/horizontal alignment, finished, then allowed to partially dry. In a process similar to laying concrete, the wall is then rendered to a slightly higher level than the screeds, and using a "straight edge" (screed), the Plasterer uses the screeds as guides removing the excess render and leaving a rough flat surface. For a lower cost finish or if a rough surface is specified the screeds can be dispensed with. The render is then finished with a float (a smooth flat wooden tool with handle) to fill or remove larger imperfections. For some applications where a stronger key is required the surface is scored by later use of a float with nails protruding from the base. If the render is to be the finished surface then a float with a sponge attached to the base is then used on the wall until the surface is blemish free.
For quality work, or where the wall is out of plumb requiring a large variation in render thickness, a thin "scratch" render coat is first applied then a second coat finished as described above. After around 24 hours the render has dried but before the final plaster coat is applied a trowel is used to scrape loose sand grains from the surface which would otherwise spoil the plaster finish.
The finishing or setting plaster coat which is about 3/16 inches thick is worked with a hand trowel on the surface of the rendering, which must first be well wetted. The plaster is applied in two coats to slow the drying speed of the second coat and after drying must still be wetted and worked for a time to produce a thin film of watery plaster which has the effect of "Polishing" the finished surface. This finishing plaster is normally trowelled on two or three passes to achieve this.
Harry Enfield's character Loadsamoney worked as a plasterer.
Mortar is a workable paste which hardens to bind building blocks such as stones, bricks, and concrete masonry units, to fill and seal the irregular gaps between them, spread the weight of them evenly, and sometimes to add decorative colors or patterns to masonry walls. In its broadest sense, mortar includes pitch, asphalt, and soft mud or clay, as used between mud bricks. The word "mortar" comes from Old French mortier, "builder's mortar, plaster; bowl for mixing." (13c.).
Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. Another imprecise term used for the material is stucco, which is also often used for plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.
Drywall is a panel made of calcium sulfate dihydrate (gypsum), with or without additives, typically extruded between thick sheets of facer and backer paper, used in the construction of interior walls and ceilings. The plaster is mixed with fiber ; plasticizer, foaming agent; and additives that can reduce mildew, flammability, and water absorption.
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes.
Lath and plaster is a building process used to finish mainly interior dividing walls and ceilings. It consists of narrow strips of wood (laths) which are nailed horizontally across the wall studs or ceiling joists and then coated in plaster. The technique derives from an earlier, more primitive, process called wattle and daub.
This page is a list of construction topics.
Lime is a calcium-containing inorganic mineral composed primarily of oxides, and hydroxide, usually calcium oxide and/or calcium hydroxide. It is also the name for calcium oxide which occurs as a product of coal-seam fires and in altered limestone xenoliths in volcanic ejecta. The word lime originates with its earliest use as building mortar and has the sense of sticking or adhering.
A lath or slat is a thin, narrow strip of straight-grained wood used under roof shingles or tiles, on lath and plaster walls and ceilings to hold plaster, and in lattice and trellis work.
Lime plaster is a type of plaster composed of sand, water, and lime, usually non-hydraulic hydrated lime. Ancient lime plaster often contained horse hair for reinforcement and pozzolan additives to reduce the working time.
Plasterwork is construction or ornamentation done with plaster, such as a layer of plaster on an interior or exterior wall structure, or plaster decorative moldings on ceilings or walls. This is also sometimes called pargeting. The process of creating plasterwork, called plastering or rendering, has been used in building construction for centuries. For the art history of three-dimensional plaster, see stucco.
Lime mortar is composed of lime and an aggregate such as sand, mixed with water. The ancient Indians were the first to use lime mortars, which they used to plaster the Temples. In addition, the Egyptians also incorporated various limes into their religious temples as well as their homes. Indian traditional structures built with lime mortar, which are more than 4,000 years old like Mohenjo-daro is still a heritage monument of Indus valley civilization in Pakistan. It is one of the oldest known types of mortar also used in ancient Rome and Greece, when it largely replaced the clay and gypsum mortars common to ancient Egyptian construction.
Plaster veneer or plaster skim is a construction methodology for surfacing interior walls, by applying a thin layer of plaster over a substrate—typically over specially formulated gypsum board base, similar in nature to drywall.
Screed has three meanings in building construction:
Earthen plaster is a blend of clay, fine aggregate, and fiber. Other common additives include pigments, lime, casein, prickly pear cactus juice (Opuntia), manure, and linseed oil. Earthen plaster is usually applied to masonry, cob, or straw bale interiors or exteriors as a wall finish. It provides protection to the structural and insulating building components as well as texture and color.
The Ephraim Hawley House is a privately owned Colonial American wooden post-and-beam timber-frame saltbox house situated on the Farm Highway, Route 108, on the south side of Mischa Hill, in Nichols, a village located within Trumbull, Connecticut, in the New England region of the U.S. It was expanded to its present shape by three additions. The oak framing was carbon dated to 1710. The house is unique, it has been located in four different named townships in its past, but has never been moved; Stratford (1670–1725), Unity (1725–1744), North Stratford (1744–1797) and Trumbull (1797–present).
Cement rendering is the application of a mortar mix of sand and cement, and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior wall. Depending on the 'look' required, rendering can be fine or coarse, textured or smooth, natural or colored, pigmented or painted.
Lime-ash floors were an economic form of floor construction from the 15th century to the 19th century, for upper floors in parts of England where limestone or chalk were easily available. They were strong, flexible, and offered good heat and sound insulation.
A grouted roof is a form of slate roof. It has developed as a form of vernacular architecture associated with the West coast of the British Isles.
An external render is, in its most basic form, a coating applied to the walls of a building, to provide a protective coating which would prevent rain penetration. It also acts as a decorative finish to enhance the appearance of a building.
Qadad or qudad is a waterproof plaster surface, made of a lime plaster treated with slaked lime and oils and fats. The technique is over a thousand years old, with the remains of this early plaster still seen on the standing sluices of the ancient Marib Dam.