"Cuando calienta el sol" (meaning When the sun heats (or warms) up) is a popular Spanish language song originally composed as "Cuando calienta el sol en Masachapa", Masachapa being a coastal town in Nicaragua. The music was written by Rafael Gaston Perez, a Nicaraguan songwriter and bandleader. SADAIC (the Argentine Society of Music Authors and Composers) also credits the Argentine composer Carlos Albert Martinoli. [1] [2]
The song was published in 1961 and made famous by the Cuban Mexican vocal group Los Hermanos Rigual with the lyrics by Carlos Rigual and Mario Rigual from the band. It was a big hit in many European charts reaching number one in Italy staying at the top for four consecutive weeks.
The song has been interpreted by a great number of singers with notable recordings by Javier Solis, Alberto Vázquez, Connie Francis, Los Marcellos Ferial, Pablo Montero, Raffaella Carrà. Italian singer Ines Taddio covered the song on his album with the Hungarian danceband Club Együttes [3] in 1963. Mexican singer Luis Miguel covered the song on his album Soy Como Quiero Ser in 1987 which was produced by Juan Carlos Calderón. It was released as the third single from the album and peaked at number 50 on the Billboard Hot Latin Songs chart in the United States. [4] The music video for Miguel's version was directed by Pedro Torres and filmed in Acapulco. [5]
Character Bruno Cortona, played by Vittorio Gassman in the classic Il Sorpasso (1962) sings, in Spanish, the first verse of "Cuando Calienta el sol" in a beach scene.
The song was adapted into English with the English lyrics credited to Michael Vaughn (or Maurice Vaughn) and sometimes to Sunny Skylar. [6] The English lyrics are not a translation of the original lyrics:
The song was adapted into French language as "Quand le soleil était là" and was recorded by a great number of artists in French including Bob Azzam, John William , Florence Passy and Rosy Armen (all in 1962), Ginette Ravel (1963), and Gloria Lasso.
There are many language interpretations including by Lola Novakovic as "Zalazak sunca" (in Serbo-Croat), and Croat singers Trio Tividi and Gabi Novak as "Kad zalazi sunce". There is also a version in Portuguese sung by Marco Paulo titled "Sempre que Brilha o Sol".
El día que me quieras is an Argentine tango with music by Carlos Gardel and lyrics by Alfredo Le Pera. It is considered one of the most popular songs of the 20th century and one of the best Latin songs of all time. Originally featured in the 1935 film of the same name, sung by Gardel himself, it became a heavily recorded tango standard, even by artists outside of the realm of tango. It has subsequently been covered by various artists such as Luis Miguel, Julio Iglesias, Michael Bolton Roberto Carlos, Raphael de España and Shlomo Idov who translated the song to Hebrew. The song was inducted into the Latin Grammy Hall of Fame in 2001. "El día que me quieras" was honored at the 2014 La Musa Awards as "La Canción de Todos los Tiempos". It was among the tango standards selected by Plácido Domingo for his 1981 album Plácido Domingo Sings Tangos. In addition to Domingo, the song has been covered by operatic tenors including José Carreras, Juan Diego Florez, Christian Ketter, and Alfredo Kraus.
Cuando calienta el sol is a 1963 Argentine film directed by Julio Saraceni.
"Love Me with All Your Heart" is a popular song, based on the Spanish language song "Cuando calienta el sol", originally composed as "Cuando Calienta El Sol En Masachapa". The music was written by Rafael Gastón Pérez, a Nicaraguan songwriter and bandleader. SADAIC also credits the Argentine composer, Carlos Albert Martinoli.
"Sol, Arena y Mar" is a song written by Arturo Perez, Francisco Loyo, and Salo Loyo and co-written, produced, and performed by Mexican singer Luis Miguel. It is a horn-driven uptempo pop song with jazz influence which deals with a strained relationship. The song's lyrics were rumored to have been influenced by Miguel's previous relationship with Daisy Fuentes. It was released as the lead single from the album Amarte Es un Placer on 19 July 1999.
"Dormir Contigo" is a song written by Armando Manzanero and produced and performed by Mexican singer Luis Miguel. The song is a pop ballad in which the protagonist expresses the joy of sleeping with his partner. It was released as the third single from the album Amarte Es un Placer in January 2000. The track peaked at number 11 Billboard Hot Latin Songs chart in the United States and number two on the Latin Pop Songs chart.
Soy Como Quiero Ser is the fifth studio album by Mexican singer Luis Miguel, released on July 15, 1987, by WEA Latina. It was his first release with WEA. The album was subtitled Luis Miguel '87: Soy Como Quiero Ser. Singers Laura Branigan and Rocío Banquells appear on two of the album's tracks as backing vocals. The majority of the songs included are Spanish-language adaptations of popular songs from the 1960s, 1970s and 1980s.
Bandido is the fourth studio album by Spanish duo Azúcar Moreno, released on CBS-Epic in 1990. The album became the Salazár sisters' international breakthrough.
Ojalá Que Llueva Café is the fourth studio album by Dominican singer-songwriter Juan Luis Guerra released in 1989 by Karen Records. It is considered one of his most emblematic and important albums. The album set the musical path for his later albums, re-formulating Dominican merengue and bachata music through the contemporary elements of pop, rock, salsa, or jazz. Incorporating socially conscious lyrics with danceable merengues and romantic-poetic bachatas, the album is considered one of the most important albums of his discography.
"La Incondicional" is a song written, produced, and arranged by Spanish musician Juan Carlos Calderón and performed by Mexican singer Luis Miguel. It was released in 1989 via WEA Latina as the third single from Miguel's sixth studio album, Busca una Mujer (1988). The song became his second #1 single on the Billboard Hot Latin Tracks chart after "Ahora Te Puedes Marchar" in 1987. The song broke several airplay records in Latin America, topping the charts in Mexico, Chile and Peru; and the top-ten in other countries. The success of the song helped push the album to #3 on the Billboard Latin Pop Albums with approximate sales of four million units.
"Fría Como el Viento" is a ballad written, produced and arranged by Juan Carlos Calderón and performed by Mexican singer Luis Miguel. It was released as the first single from the Grammy-nominated studio album Busca una Mujer (1988). The song became the third number-one single for the singer in the Billboard Hot Latin Tracks chart after "Ahora Te Puedes Marchar" in 1987 and "La Incondicional", the preceding single.
"Tengo Todo Excepto a Ti" is a song written, produced, and arranged by Juan Carlos Calderón, and performed by Mexican singer Luis Miguel. It was released as the lead single from his studio album 20 Años (1990). It reached the number one position all over Ibero-America, became his fourth number-one single in the Billboard Hot Latin Songs chart after "Ahora Te Puedes Marchar", "La Incondicional" and "Fría Como el Viento" and was nominated for Pop Song of the Year at the Lo Nuestro Awards. The parent album peaked at number two in the Latin Pop Albums chart and sold more than 600,000 copies in its first week of release.
"Por Debajo de la Mesa" is a song written by Armando Manzanero and performed by Mexican recording artist Luis Miguel. Arranged by Bebu Silvetti, it was one of the two original compositions written for Miguel's fifteenth studio album Romances. It was released as the lead single from the album on 15 July 1997 and it became his thirteenth number-one single on the Billboard Hot Latin Songs chart in the United States. The music video features Miguel performing at a fine-dining restaurant in New York City.
"O Tú o Ninguna" is a song written by Juan Carlos Calderón and produced and performed by Mexican singer Luis Miguel. The song is a bolero in which the protagonist cannot envision his life without anyone else besides his love interest. It was released as the second single from the album Amarte Es un Placer on 6 September 1999. The track topped the US Billboard Hot Latin Songs chart; and reached the top-five in Guatemala, Nicaragua and Panama.
"Inolvidable" ("Unforgettable") is a song written by Julio Gutiérrez in 1944. It is considered one of the most popular boleros released during the Cuban musical movement led by pianists. The song has been recorded by several performers, including Roberto Carlos, Diego El Cigala, Fania All-Stars, Eydie Gormé, Danny Rivera, Tito Rodríguez and Bebo Valdés, among others.
Los Marcellos Ferial are an Italian vocal group, mainly active in the sixties, consisting of Marcello Minerbi, Carlo Timò and Tullio Romano.
Los Hermanos Rigual were a Cuban vocal group based in Mexico, mainly active in the sixties. It consisted of the brothers Pedro, Carlos and Mario Rigual, all natives of Guantánamo.
"Suave" (transl. "Smooth") is a song by Mexican singer Luis Miguel from his ninth studio album, Aries (1993). The song was composed by Kiko Cibrian and Orlando Castro with the former handling its production along with the artist. It is a dance number in which the singer describes a woman who bewitches him and becomes the woman of his dreams. The song received positive reactions from two music critics. It was acknowledged as an award-winning song at the 1995 Broadcast Music Inc. (BMI) Latin Awards. Commercially, the song reached number nine on the Billboard Hot Latin Songs chart in the United States. Its music video was directed by Kiko Guerrero and filmed in Acapulco, Mexico, and features Miguel dancing in a beach with several women.
"El reloj" is a song of the bolero genre, with music and lyrics by Mexican composer and singer Roberto Cantoral, then a member of the Los Tres Caballeros trio.
"La Media Vuelta" is a song written and performed by Mexican singer José Alfredo Jiménez released in 1963. One of Jiménez' most famous compositions, the song has become part of the traditional Mexican musical repertoire, and has been recorded by dozens of singers and groups.
"Esclavo y amo" is a song written by Mexican songwriter José Vaca Flores and originally recorded by Ranchera singer Javier Solís for his 1962 album El Peor De Los Caminos and also released as a single in 1962 alongside El loco. The song, which was Vaca Flores' first hit as a songwriter and also became one of Solis' most emblematic songs, would eventually become an standard of the Mexican popular repertoire.