"(Get Your Kicks on) Route 66" | ||||
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Single by the King Cole Trio | ||||
B-side | "Everyone Is Sayin' Hello Again (Why Must We Say Goodbye)" | |||
Released | April 22, 1946 | |||
Recorded | March 16, 1946 | |||
Studio | Radio Recorders, Los Angeles | |||
Genre | Rhythm and blues | |||
Length | 2:57 | |||
Label | Capitol | |||
Songwriter(s) | Bobby Troup | |||
The King Cole Trio singles chronology | ||||
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"(Get Your Kicks on) Route 66" is a popular rhythm and blues song, composed in 1946 by American songwriter Bobby Troup. The lyrics relate a westward roadtrip on U.S. Route 66, a highway which traversed the western two-thirds of the U.S. from Chicago, Illinois, to Los Angeles, California. The song became a standard, with several renditions appearing on the record charts.
Bobby Troup got the idea for the song on a cross-country drive from Pennsylvania to California. [1] Troup wanted to try his hand as a Hollywood songwriter, so he and his wife, Cynthia, packed up their 1941 Buick and headed west. The trip began on US 40 and continued along US 66 to the California coast. [1] Troup initially considered writing a tune about US 40, but Cynthia suggested the title "Get Your Kicks on Route 66".
The song was started during the ten-day trip and finished after consulting a map in Los Angeles. The lyrics mention several cities and towns encountered along the way; [2] Cynthia later commented: "What I can't really believe is that he doesn't have Albuquerque in the song." [1]
Nat King Cole, with the King Cole Trio, first recorded the song in 1946 at Radio Recorders in Los Angeles. Capitol Records released it as a single, which reached number three on Billboard magazine's Race Records chart and number eleven on its broader singles chart. [3] Cole later re-recorded the tune for the album After Midnight (1956) and The Nat King Cole Story (1961).
The song has become a standard and has been recorded by numerous artists: [2]
"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Do You Believe in Magic" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, it was issued as the band's debut single in July 1965. The single peaked at number nine on the Billboard Hot 100. It later served as the title track of the band's debut album, issued that November. In 1978, Shaun Cassidy reached the Top 40 with his cover version.
"Teach Me Tonight" is a popular song that has become a jazz standard. The music was written by Gene De Paul, the lyrics by Sammy Cahn. The song was published in 1953.
"The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. Hawkins's recording of the song reached number six in the Billboard R&B chart in 1951. In 1970, "The Thrill Is Gone" became a major hit for B.B. King. His rendition helped make the song a blues standard.
"I've Been Loving You Too Long" (originally "I've Been Loving You Too Long (To Stop Now)") is a soul music ballad written by Otis Redding and Jerry Butler. Considered by music critics and writers to be one of Redding's finest performances and a soul classic, it is a slow, emotional piece with Redding's pleading vocals backed by producer Steve Cropper's arpeggiated guitar parts and a horn section.
"Unforgettable" is a popular song written by Irving Gordon. The song's original working title was "Uncomparable,” however, the music publishing company asked Gordon to change it to "Unforgettable.” The song was published in 1951.
"Never Too Much" is the debut song written, composed, produced, and performed by Luther Vandross. The R&B song was released in 1981, as the lead single from Vandross's debut album of the same name. The title track hit number one on the US Billboard Hot R&B/Hip-Hop Songs chart and number four on the US Billboard Dance Club Songs chart. It peaked at #27 in Cash Box and #33 on the US Billboard Hot 100.
"Wake Up Little Susie" is a popular song written by Felice and Boudleaux Bryant and published in 1957.
"Under the Boardwalk" is a pop song written by Kenny Young and Arthur Resnick and recorded by The Drifters in 1964. It charted at number four on the Billboard Hot 100 chart on August 22, 1964. The song has since been covered by many other artists, with versions by Bette Midler, Sam & Dave, Tom Tom Club, The Rolling Stones, Billy Joe Royal, The Beach Boys, Bruce Willis, Bad Boys Blue, John Mellencamp and Lynn Anderson all charting in the United States or overseas. The song ranked number 487 on Rolling Stone's list of The 500 Greatest Songs of All Time in 2004 and number 489 in 2010.
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including Bo Diddley (1958) and His Best (1997). Buddy Holly recorded a version that posthumously became his 2nd highest-charting single in the UK after "It Doesn't Matter Anymore".
"Caldonia" is a jump blues song, first recorded in 1945 by Louis Jordan and his Tympany Five. Although credited to Fleecie Moore, his wife at the time, Jordan is the actual songwriter. The song was a hit for Jordan as well as several other musicians.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"(You've Got Me) Dangling on a String" is a 1970 soul music song by the Chairmen of the Board. The single reached No. 38 on the US Billboard Hot 100, No. 19 on the US Billboard R&B chart, and No. 5 on the UK Singles Chart. Ronald Dunbar and Edythe Wayne wrote the song.
"Mona Lisa" is a popular song written by Ray Evans and Jay Livingston for the Paramount Pictures film Captain Carey, U.S.A. (1949), in which it was performed by Sergio de Karlo and a recurrent accordion motif. The title and lyrics refer to the renaissance portrait Mona Lisa painted by Leonardo da Vinci. The song won the Academy Award for Best Original Song in 1950.
"Share Your Love with Me" is a song written by Alfred Braggs and Deadric Malone. It was originally recorded by blues singer Bobby "Blue" Bland. Over the years, the song has been covered by various artists, most notably Aretha Franklin who won a Grammy Award for her 1969 rendition. Other artists who covered the song include The Band in 1973, Kenny Rogers in 1981, and most recently, Van Morrison in 2016.
"Walking in the Rain" is a song written by Barry Mann, Phil Spector, and Cynthia Weil. It was originally recorded by the girl group the Ronettes in 1964 who had a charting hit with their version. Jay and the Americans released a charting hit cover of the song in 1969. The song has since been recorded by many other artists over the years, including the Walker Brothers.
Me and Mrs. Jones is an album by American pop singer Johnny Mathis that was released in January 1973 by Columbia Records. While it does cover several big chart hits of the day like his last album, Song Sung Blue, did, it also includes songs that didn't make the US Top 40 or had never charted.
Unforgettable – A Musical Tribute to Nat King Cole is a soundtrack album released in the UK in 1983 by the CBS Records division of Columbia in conjunction with the broadcast of American pop singer Johnny Mathis's BBC television concert special of the same name that featured Cole's daughter Natalie. The front of the original album jacket credits the concert performers as "Johnny Mathis and Natalie Cole", whereas the CD booklet reads, "Johnny Mathis with special guest Natalie Cole".
Little Walter (1930–1968) was an American blues artist who is generally regarded as the most influential blues harmonica player of his era. Most of his earliest recordings were as a sideman, when he contributed harmonica to songs by Chicago blues musicians such as Jimmy Rogers and Muddy Waters. As the featured artist, he recorded the instrumental "Juke" in 1952. The single reached number one on the Billboard Rhythm and Blues chart and launched his career as a solo artist.