"Rum and Coca-Cola" | |
---|---|
Single by Andrews Sisters | |
B-side | One Meat Ball [1] |
Published | December 11, 1944 by Leo Feist, Inc., New York [2] |
Released | December 1944 |
Recorded | October 18, 1944 [3] |
Studio | Decca Studios, New York City |
Genre | |
Length | 3:08 |
Label | Decca 18636 |
Composer(s) | Jeri Sullivan & Paul Baron (Lionel Belasco) |
Lyricist(s) | Morey Amsterdam (Rupert Grant a/k/a Lord Invader) |
"Rum and Coca-Cola" is a popular calypso song composed by Lionel Belasco with lyrics by Lord Invader. The song was copyrighted in the United States by entertainer Morey Amsterdam and was a hit in 1945 for the Andrews Sisters.
The song was published in the United States with Amsterdam listed as lyricist and Jeri Sullivan and Paul Baron as composers. The melody had been previously published as the work of Venezuelan calypso composer Lionel Belasco on a song titled "L'Année Passée," which was in turn based on a folk song from Martinique. [5] The lyrics to "Rum and Coca-Cola" were written by Rupert Grant, another calypso musician from Trinidad who used the stage name Lord Invader. [6]
The song became a local hit and was at the peak of its popularity when Amsterdam visited the island in September 1943 as part of a U.S.O. tour. Although he claimed never to have heard the song during the month he spent on the island, the lyrics to his version are clearly based on the Lord Invader version, with the music and chorus being virtually identical. However, Amsterdam's version strips the song of its social commentary. The Lord Invader version laments that U.S. soldiers are debauching local women who "saw that the Yankees treat them nice/and they give them a better price." Its final stanza describes a newlywed couple whose marriage is ruined when "the bride run away with a soldier lad/and the stupid husband went staring mad." The Amsterdam version also hints that women are prostituting themselves, preserving the Lord Invader chorus which says, "Both mother and daughter/Working for the Yankee dollar."
Since the Yankee come to Trinidad
They got the young girls all goin' mad
Young girls say they treat 'em nice
Make Trinidad like paradise
The Andrews Sisters also seem to have given little thought to the meaning of the lyrics. [7] According to Patty Andrews, "We had a recording date, and the song was brought to us the night before the recording date. We hardly really knew it, and when we went in we had some extra time and we just threw it in, and that was the miracle of it. It was actually a faked arrangement. There was no written background, so we just kind of faked it." [8] In under ten minutes they made a record that sold seven million units and sat at number one on the Billboard magazine chart for seven weeks. [8] [9] Maxine Andrews recalled, "The rhythm was what attracted the Andrews Sisters to 'Rum and Coca-Cola'. We never thought of the lyric. The lyric was there, it was cute, but we didn't think of what it meant; but at that time, nobody else would think of it either, because we weren't as morally open as we are today and so, a lot of stuff—really, no excuses—just went over our heads." [8] Some stations refused to play the song because it mentioned rum, and alcohol couldn't be advertised on the air, [8] or because it mentioned the brand name Coca-Cola, which was perceived as advertising for the soft drink [10] (in some later covers, the title and associated line is changed to the more generic drinking rum and cola ).
In the Songs That Won The War Vol. 8 Swing Again, Yes Indeed! CD program notes, Edward Habib writes, "'Rum and Coca Cola' has naughty lyrics but not quite naughty enough to deny its hit status...During the forties, comedians as songwriters was the norm, Phil Silvers, Joey Bishop and Jackie Gleason all had a part in writing hit songs. While there were a number of records of 'Rum and Coca Cola', the Andrews Sisters' version was far and away the most popular."
After the release of "Rum and Coca-Cola", Belasco and Lord Invader sued for copyright infringement of the song's music and lyrics, respectively. In 1948, after years of litigation, both plaintiffs won their cases, with Lord Invader receiving an award of $150,000 in owed royalties. However, Morey Amsterdam was allowed to retain copyright to the song. [5] Lord Invader also wrote a follow-up song to "Rum and Coca-Cola", titled "Yankee Dollar".
Calypsonian and Calypso Monarch winner Devon Seale, first premiered his tribute to Lionel Belasco entitled "Lio", at the Calypso Revue tent in 1999. [11] That year, he would take it to the annual Calypso Monarch finals. In the tribute, Seale references the Andrews Sisters' recording of "Rum and Coca-Cola" and the winning copyright case. He sings, "I bring evidence quick to show them that I write the song in 1906", and "thirty years later Invader changed the lyrics ... I am Lio-Lionel Belasco." [12] Since the Andrew Sisters' release, many other artists have shared their renditions of the popular tune, including American singer-songwriter Harry Belafonte.
"Rum and Coca-Cola" spent ten weeks at the top of the Billboard Pop Singles chart. [9] On the Harlem Hit Parade chart, it went to number three. [13]
Rum and Coke, or the Cuba libre, is a highball cocktail consisting of cola, rum, and in many recipes lime juice, on ice. Traditionally, the cola ingredient is Coca-Cola ("Coke") and the alcohol is a light rum such as Bacardi; however, the drink may be made with various types of rums and cola brands, and lime juice may or may not be included.
"I'd Like to Teach the World to Sing (In Perfect Harmony)" is a pop song (originally known as "True Love and Apple Pie") by British hit songwriters Roger Cook and Roger Greenaway, and sung by Susan Shirley.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (1911–1967), soprano Maxene Anglyn Andrews (1916–1995), and mezzo-soprano Patricia Marie Andrews (1918–2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bist Du Schön " (1937), "Beer Barrel Polka " (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree " (1942), and "Rum and Coca-Cola" (1945), which helped introduce American audiences to calypso.
Lord Invader was a prominent calypsonian with a very distinctive, gravelly voice.
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Discover America is the second album by American recording artist Van Dyke Parks, released in May 1972 by Warner Bros. Its sound is a major departure from his debut album, Song Cycle (1967), featuring all cover versions of previously written songs.
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George Brindsley McSween, known as Sir Galba, was a Grenada-born calypso singer and recording artist in the 1940s and 1950s.
"Oh Johnny, Oh Johnny, Oh!" is a song composed by Abe Olman (1887–1984), lyricized by Ed Rose, and published by Forster Music Publisher, Inc. The music was copyrighted 7 February 1917 and the copyright was renewed 29 December 1944. Under the Copyright Term Extension Act (1998), the sheet music is in the public domain, as is all music published in the U.S. prior to 1923. Its melody and structure form the basis of a self-calling circle dance, using square dance steps and popular in summer camps.
"Sly Mongoose" is a Trinidadian folk song [citation needed] and calypso which is widely recognized in the Caribbean.
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Rum and Coke is a cocktail consisting of cola, rum, and traditionally lime juice.
Sheet Music is the self-produced eleventh album by American R&B singer Barry White, and the second release on his own CBS-affiliated custom label, Unlimited Gold. Although it peaked at #19 in the R&B charts, it was a commercial disappointment. "Love Makin' Music" was the most successful of the single releases, peaking at #25 in the R&B charts. White also recorded this track as well as "She's Everything to Me" in Spanish for the Latin-American market as "Mi nueva canción" and "Ella es todo para mí" respectively. The London branch of CBS Records went for "Rum and Coke" as the second single, but as none of his singles on his new labels had managed to reach the UK Singles Charts, they stopped releasing any further singles off any of his following 4 albums. The Netherlands belatedly released the track "Ghetto Letto" as a single in August 1981, choosing it over White's then current single "Louie Louie".
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