Myrna Joy "Jody" Miller was an American singer, who had commercial success in the genres of country, folk and pop. She was the second female artist to win a country music accolade from the Grammy Awards, which came off the success of her 1965 song "Queen of the House". By blending multiple genres together, Miller's music was considered influential for other music artists.
“Soul Song” is a song written by George Richey, Billy Sherrill and Norro Wilson and first recorded by Tanya Tucker as a track for her 1972 debut album Delta Dawn.
A Lady Named Smith is the twentieth solo studio album by American country singer Connie Smith. It was released in May 1973 by Columbia Records, her first album for the label. The production and style featured a string instrumentation to help market Smith in the pop field. Included were a mix of new material and covers of previously-recorded songs by other artists. The album's only single was the original tune, "You've Got Me ", which reached the American country songs chart in 1973. A Lady Named Smith would also chart on the American country albums chart in 1973.
The discography of American singer Jody Miller contains 21 studio albums, five compilation albums, one video album, one album appearance, one extended play (EP) and 57 singles. Of her 57 singles, 47 were issued with Miller as the lead artist, two were released as a collaboration, two were promotional singles and five were internationally-released singles.
My Man is a studio album by American country artist, Tammy Wynette. It was released on September 25, 1972 via Epic Records and was the fifteenth studio album of her career. The disc was a collection of 11 tracks whose themes centered around spousal loyalty and heartache. Two singles were spawned from the album: "My Man (Understands)" and "'Til I Get It Right". Both topped the country charts in 1972 and 1973, respectively. The album itself reached the top position on the American country albums chart.
"I'll See Him Through" is a song written by Billy Sherrill and Norro Wilson, and recorded by American country music artist Tammy Wynette. It released in December 1969 as the first single from the album Tammy's Touch.
"(You Make Me Want to Be a) Mother" is a song written by Billy Sherrill and Norro Wilson, and recorded by American country music artist Tammy Wynette. It was released in January 1975 as a single from her compilation album Tammy's Greatest Hits, Vol. 3.
Look at Mine is a studio album by American singer Jody Miller. It was released in December 1970 via Epic Records and contained 11 tracks. It was the sixth studio album of Miller's career and her first to be marketed for the country music market. Its tracks were covers and new material. Two singles were featured on the disc: the title track and "If You Think I Love You Now ". The songs reached top 40 positions on the North American country charts. Look at Mine received a negative review from AllMusic.
"Look at Mine" is a song originally recorded by American singer Jody Miller. Composed by Tony Hatch and Jackie Trent, it was released as a single on Epic Records in 1970. It reached the top 40 on the North American country charts, setting forth a series of commercially successful singles for Miller in the country genre. It received a positive response from Cashbox magazine shortly after its release.
"If You Think I Love You Now (I've Just Started)" is a song originally recorded by American singer Jody Miller. Composed by Curly Putman and Billy Sherrill, it was released as a single on Epic Records in 1970. It reached the top 20 on the American country chart and the top 30 of the Canadian country chart. It received a positive response from Billboard magazine shortly after its release.
He's So Fine is a studio album by American singer Jody Miller. It was released in August 1971 via Epic Records and contained 11 tracks. A majority of the album's material were covers of country and pop songs. Two of its covers were originally released as singles: the title track and "Baby I'm Yours". Both reached the top ten of the North American country charts and reaches other chart positions. The album itself reached the top 20 of the American country chart in 1971.
"Let's All Go Down to the River" is a song originally recorded as a duet by American singers Jody Miller and Johnny Paycheck. It was written by Earl Montgomery and Sue Richards. The song reached the top 20 of the American and Canadian country charts after being released as a single in 1972.
There's a Party Goin' On is a studio album by American singer Jody Miller. It was released in September 1972 via Epic Records and contained 11 tracks. The album blended country and pop songs. A series of popular country and pop cover recordings were included, along with some new material. There's a Party Goin' On reached the top 30 of the American country albums chart. A total of four singles were included on the album: "Be My Baby", "Let's All Go Down to the River", "There's a Party Goin' On" and "To Know Him is to Love Him". The title track was the most successful single from the album. The disc received positive reviews from publications following its release.
Good News! is a studio album by American singer Jody Miller. It was released in July 1973 on Epic Records and featured 11 tracks. The ninth studio album of her career, Good News! was a country-themed album mixing cover tunes with original material. Among its original songs were the singles "Good News" and "Darling, You Can Always Come Back Home". Both singles reached the top ten of the North American country charts in 1973. The album itself reached the top 20 on the American country chart in 1973. It was followed by a positive review from Billboard the same year.
"Darling, You Can Always Come Back Home" is a song originally recorded by American singer Jody Miller. It was written by Jerry Foster and Bill Rice. It was released as a single on Epic Records in 1973. It was one of six singles by Miller to reach the top ten on the North American country music charts. It appeared on Miller's 1973 album Good News!.
House of the Rising Sun is a studio album by American singer Jody Miller. It was released in January 1974 via Epic Records and contained 11 tracks. Marketed as a country album, its 11 songs mixed covers with original material. Among its covers was the title track, which was among the album's three charting singles. The album itself reached the American country chart in 1974. It received positive reviews from Billboard and Cashbox following its release.
Country Girl is a studio album by American singer Jody Miller. It was released in February 1975 via Epic Records and contained ten tracks of material. It was the eleventh studio album of Miller's career and was an album of country recordings. Among the recordings were two singles that reached the American country songs chart: the title track and "The Best in Me". Country Girl was met with favorable reviews from critics.
Will You Love Me Tomorrow? is a studio album by American singer Jody Miller. It was released in March 1976 via Epic Records and featured ten tracks. The album's material was mostly cover songs, along with several new tracks. Three of its covers were released as singles: "Don't Take It Away", "Will You Love Me Tomorrow" and "Ashes of Love". All three recordings reached charting positions on America's country songs charts between 1975 and 1976. Will You Love Tomorrow? received positive reviews from critics.
Here's Jody Miller is a studio album by American singer Jody Miller. It was released in March 1977 on Epic Records and featured ten tracks. The album included country material, two of which were singles. Its most successful was the top 25 American country chart record titled "When the New Wears Off Our Love". It was Miller's final album with the Epic label and her thirteenth album overall.
"When the New Wears Off Our Love" is a song written by Paul Craft that was originally recorded by American singer Jody Miller. It was released as a single on Epic Records in 1976. It was Miller's first top 40 entry on the American country music chart in three years and was her final to reach the top 40. It was later released on Miller's 1977 studio album Here's Jody Miller. The song was given positive reviews from publications following its release.
