"Baby, I Love You" | ||||
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Single by the Ronettes | ||||
from the album Presenting the Fabulous Ronettes | ||||
B-side | "Miss Joan And Mr. Sam" | |||
Released | November 1963 | |||
Studio | Gold Star, Los Angeles | |||
Genre | Pop | |||
Length | 2:50 | |||
Label | Philles | |||
Songwriter(s) | ||||
Producer(s) | Phil Spector | |||
The Ronettes singles chronology | ||||
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Music video | ||||
"Baby I Love You" on YouTube |
"Baby, I Love You" is a song originally recorded by the Ronettes in 1963 and released on their debut album Presenting the Fabulous Ronettes (1964). The song was written by Jeff Barry, Ellie Greenwich, and Phil Spector, and produced by Spector.
Released in November 1963, the single reached number 24 on both the US Billboard Hot 100 and Cashbox Top 100 charts, and peaked at number 11 on the UK Singles Chart. [1] Billboard ranked the song as number 56 on their list of 100 Greatest Girl Group Songs of All Time. [2]
After their lack of success under contract to Colpix Records between 1961 and 1963, the Ronettes ended their Colpix contract and signed with Phil Spector's Philles Records in early 1963. During their first few months with Phil Spector, the Ronettes achieved mainstream success with the release of "Be My Baby" in August 1963, which climbed to number two on the US Billboard Hot 100 and peaked at number one on the Cashbox Hot 100. It was the success of "Be My Baby" which had Spector eager to do a follow-up for the Ronettes in the fall of 1963.
However, a problem arose when the Ronettes were booked to appear on Dick Clark's "Caravan of Stars" tour across the country. [3] Phil Spector decided to keep lead singer Ronnie Bennett in California to record "Baby, I Love You" while the other two Ronettes, Estelle Bennett and Nedra Talley, went out on the tour with Dick Clark. Ronnie's cousin, Elaine, took her place on the tour while Ronnie recorded the song at Gold Star Studios in Los Angeles. [3] Since the other Ronettes were unavailable for recording, Spector used Sonny Bono, Darlene Love, and Cher to complete the backing vocals. [4] The song also featured Leon Russell on piano. "Baby, I Love You" peaked at number 11 in the UK during January 1964, at a time when the Ronettes were touring the UK as the support act to the Rolling Stones.
Billboard described the song as a "swinging, glandular side that should soar," stating it has the "big Philadelphia sound." [5] Cash Box described it as a "big-sounding mashed potatoes stomp’er that the gals and their instrumental support deliver in ultra-commercial manner," also calling it a "sensational new entry." [6] The song was featured on the album Presenting the Fabulous Ronettes , which was released at the end of 1964.
Chart (1964) | Peak position |
---|---|
U.S. Billboard Hot 100 [7] | 24 |
US Cashbox Top 50 in R&B Loacations [8] | 6 |
U.S. Cashbox Hot 100 [9] | 24 |
UK Singles Chart (Official Charts Company) [10] | 11 |
"Baby, I Love You" | ||||
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Single by Andy Kim | ||||
from the album Baby I Love You | ||||
B-side | "Gee Girl" | |||
Released | May 1969 | |||
Genre | Pop rock | |||
Length | 2:56 | |||
Label | Steed | |||
Songwriter(s) | ||||
Producer(s) | Jeff Barry | |||
Andy Kim singles chronology | ||||
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Andy Kim recorded the song for Jeff Barry's record label Steed Records on his album Baby I Love You (1969). Kim's version became a US Top Ten hit, reaching number nine in 1969 and earned a gold record. [11]
Chart (1969) | Peak position |
---|---|
Australia KMR | 15 |
Canada RPM Top Singles [12] | 1 |
Canada RPM Adult Contemporary [13] | 24 |
New Zealand ( Listener ) [14] | 16 |
US Billboard Hot 100 [15] | 9 |
US Billboard Adult Contemporary [16] | 31 |
US Cash Box Top 100 [17] | 6 |
Chart (1969) | Rank |
---|---|
Canada RPM Top Singles [18] | 11 |
US Billboard Hot 100 [19] | 28 |
US Cash Box [20] | 44 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [21] | Gold | 1,000,000^ |
^ Shipments figures based on certification alone. |
"Baby, I Love You" | ||||
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Single by Ramones | ||||
from the album End of the Century | ||||
B-side | "High Risk Insurance" | |||
Released | January 1980 | |||
Recorded | 1979 | |||
Length | 3:47 | |||
Label | Sire | |||
Songwriter(s) | ||||
Producer(s) | Phil Spector | |||
Ramones singles chronology | ||||
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Phil Spector produced the Ramones' cover version of the song which appeared on their album, End of the Century (1980). The single reached number eight in the UK Singles Chart in 1980, their biggest UK top-ten hit. [22]
In an incident at Spector's house, the producer held the Ramones hostage at gunpoint and made them listen to him play "Baby, I Love You" until 4:30 in the morning. Spector insisted that the Ramones recorded a cover of the song and got Joey Ramone to sing it with some session musicians, as none of the other members of the Ramones would play on it. Joey has said that "it didn't sound anything like the Ramones" and he hated the song. [23] Mickey Leigh (Joey's brother) has said "it made me almost embarrassed", "with its gooey string section arrangement that sounded right out of Redbone's "Come and Get Your Love"". [24]
Kurt Loder for the Rolling Stone described it as a "sludged-out rehash of the Ronettes antiquity" that was "a bad idea to begin with, and one that’s further burdened by the cheesiest string arrangement this side of the Longines Symphonette". [25] Reviewing End of the Century retrospectively for Pitchfork, Evan Minsker wrote that "even with a full understanding of End of the Century’s context, “Baby, I Love You” is jarring" and "is a museum piece—a pound-for-pound attempt to relive Spector’s golden years". [26]
Chart (1980) | Peak position |
---|---|
Belgium (Ultratop 50 Flanders) [27] | 25 |
Ireland (IRMA) [28] | 5 |
Italy ( Musica e dischi ) [29] | 15 |
UK Singles (OCC) [22] | 8 |
The version by Welsh guitarist Dave Edmunds reached number 8 in the UK singles chart in March 1973. [30]
The Crystals are an American vocal group that originated in New York City. Considered one of the defining acts of the girl group era in the first half of the 1960s, their 1961–1964 chart hits – including "There's No Other ", "Uptown", "He's Sure the Boy I Love", "He's a Rebel", "Da Doo Ron Ron" and "Then He Kissed Me"– featured three different female lead singers and were all produced by Phil Spector. The latter three songs were originally ranked number 263, number 114, and number 493, respectively, on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. However, two songs were omitted from the magazine's 2010 update, leaving only "He's a Rebel" at number 267. In the 2021 update, "Da Doo Ron Ron" was added back to the list at number 366.
The Ronettes were an American girl group from Washington Heights, Manhattan, New York City. The group consisted of the lead singer Veronica Bennett, her older sister Estelle Bennett, and their cousin Nedra Talley. They had sung together since they were teenagers, then known as "The Darling Sisters". Signed first by Colpix Records in 1961, they moved to Phil Spector's Philles Records in March 1963 and changed their name to "The Ronettes".
Veronica Yvette Greenfield was an American singer who co-founded and fronted the girl group The Ronettes. She is sometimes referred to as the original "bad girl of rock and roll".
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
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"Be My Baby" is a song by the American girl group The Ronettes that was released as a single on Philles Records in August 1963. Written by Jeff Barry, Ellie Greenwich, and Phil Spector, the song was the Ronettes' biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. It was kept out of number 1 in Canada by Sugar Shack's 6 week run at number 1. It is often ranked as among the best songs of the 1960s, and has been regarded by various publications as one of the greatest songs of all time.
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Harvey Phillip Spector was an American record producer, songwriter, and convicted murderer. He is best known for his innovative recording practices and entrepreneurship in the 1960s along with his two trials and conviction for the murder of Lana Clarkson in the 2000s. Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s.
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