| "Carbona Not Glue" | |
|---|---|
 1991 US 7" single cover | |
| Song by Ramones | |
| from the album Leave Home | |
| Released | January 10, 1977 |
| Recorded | October 1976 |
| Genre | Punk rock |
| Length | 1:56 |
| Label | Sire/Philips |
| Songwriter(s) | Ramones |
| Producer(s) | Tony Bongiovi, Tommy Ramone |
"Carbona Not Glue" is a song by the Ramones from their second album, Leave Home (1977).
"Carbona Not Glue" is a follow-up to "Now I Wanna Sniff Some Glue", a song that appeared on their first album. The band sarcastically suggested that the high obtained from sniffing Carbona cleaning solvent (carbon tetrachloride) was more pleasurable than that of airplane glue. In the hardcover book included in some versions of Hey! Ho! Let's Go: The Anthology , Tommy Ramone says, "Something like 'Carbona Not Glue' has to be tongue-in-cheek. It's absurd, like saying that you should try something more poisonous." It was featured prominently in the graphic novel Ghost World by Dan Clowes.
The original release of Leave Home included "Carbona Not Glue" as the fifth track on the album. However, the song was deleted from the album to avoid a potential lawsuit, as Carbona was a corporate trademark. [1] The album was re-released with the outtake "Babysitter", which was also released as the B-side of "Do You Wanna Dance?", in its place. On the British version, "Babysitter" is not listed on the back cover or inner sleeve, but it is listed on the label. Most collectors believe that the "Babysitter" version is rarer than the "Carbona" version.
When Sire Records suddenly switched distributors from ABC Records to Warner Bros. Records (who had bought the label), yet another version of the album was released, with "Babysitter" being replaced by "Sheena Is a Punk Rocker", then a non-LP single already planned to be on the next Ramones album in a different mix.
"Carbona Not Glue" was restored to its original position in the running order for the 2001 expanded edition of Leave Home, [2] and the deluxe 40th anniversary edition included additional mixes of the track. [3]
Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.
Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
In the field of recorded music, a hidden track is a song or a piece of audio that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases, more elaborate methods are used. In rare cases, a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media. However, since the rise of digital and streaming services such as iTunes and Spotify in the late 2000s and early 2010s, the inclusion of hidden tracks has declined on studio albums.
L.A.M.F. is the only studio album by the American punk rock band The Heartbreakers, which included Johnny Thunders, Jerry Nolan, Walter Lure and Billy Rath. It was released on October 3, 1977 by the British independent record label Track Records, and the music of the album is a mixture of punk and rock and roll.
Mondo Bizarro is the twelfth studio album by American punk rock band Ramones, released on September 1, 1992, by Radioactive Records. It is the first studio album to feature their new bassist, C.J. Ramone, who replaced original member Dee Dee Ramone. The album was re-released in the UK by the Captain Oi! record label on August 10, 2004, with the band's cover of the Spider-Man theme song included as a bonus track.
Loco Live is the second live album by American punk band the Ramones.
Beat is on the Brat is a CD compilation of out of print and vinyl-only material from Screeching Weasel. The majority of the CD contains their cover of the first album by The Ramones in its entirety. The band was approached to cover the album at a party for the completion of their fourth album, Wiggle. Having just lost bassist Johnny Personality, the band was unsure of its future, and they claim that the recording of these covers helped revitalize them.
All the Stuff Volume One is a compilation album by the Ramones. It includes their first two albums, Ramones and Leave Home, in their entirety, with the exception of "Carbona Not Glue," a song that was on the original release of Leave Home but was later removed from the album under pressure from the Carbona company and replaced with an early mix of "Sheena is a Punk Rocker." Also included are a handful of bonus tracks of varying origins: "I Don't Wanna Be Learned/I Don't Wanna Be Tamed" and "I Can't Be" were early, previously unreleased demos; "Babysitter" had originally been the b-side to the "Do You Wanna Dance?" single and was the first replacement of "Carbona Not Glue"; and the final two tracks, "California Sun" and "I Don't Wanna Walk Around With You," are live tracks recorded at The Roxy in Los Angeles, California and released as the b-sides of both the "I Wanna Be Your Boyfriend" and "I Remember You" singles in 1976. Liner notes were written by Oedipus of Boston punk fame.
"Sheena Is a Punk Rocker" is a song by American punk rock band Ramones, released in 1977 through Sire Records. Written by front man and lead vocalist Joey Ramone it appears on the band's third studio album Rocket to Russia (1977). The song is well known for its early 1960s influence of surf rock and bubblegum pop that influenced Joey; it has since remained one of the band's most popular songs.
Grow Up is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King, it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover.
The House of Love is the eponymous debut album by the British alternative rock band the House of Love. Released on 16 May 1988 by Creation Records, the album was a critical success. It appeared in many 1988 critics' lists in NME, Melody Maker and Sounds.
The Song Ramones the Same is a tribute album done by various artists as a tribute to the Ramones. The title is a reference to the multiple works of Led Zeppelin entitled The Song Remains the Same. The album reached #15 on the Swedish albums chart, while the single "I Wanna Be Your Boyfriend" peaked just outside the top 40.
Bite the Bullet is a compilation album by Australian rock group Hoodoo Gurus, released in July 1998.
Punk Sounds is an album by the Huntingtons released in 2009, digitally by Steinhaus Records and on CD by Knowhere Records. The album contains B-sides, rarities, and two newly recorded tracks.
Morrissey Curates The Ramones is a compilation album by the American punk rock band the Ramones, compiled by British musician Morrissey. It consists primarily of songs from their first four albums, Ramones, Leave Home, Rocket to Russia, and Road to Ruin. While Morrissey initially wrote a negative review of the Ramones 1976 debut album in Melody Maker, he was invited by the band's management to pick the tracks for the compilation. The album was released on vinyl on November 28, 2014, and limited to 9,000 copies.
Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records, an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984).