"Danny Says" | |
---|---|
Song by Ramones | |
from the album End of the Century | |
Released | February 4, 1980 |
Recorded | May 1979 |
Length | 3:05 |
Label | Sire |
Songwriter(s) | Joey Ramone |
Producer(s) | Phil Spector |
"Danny Says" is a ballad written by Joey Ramone. The song was originally released as the third track on the Ramones' 1980 album, End of the Century . The 2002 Expanded Edition CD of the album includes a demo version of "Danny Says" among the bonus tracks. The song has since been covered and released by the Foo Fighters and Tom Waits.
"Danny Says" is a love song written by singer Joey Ramone at the Tropicana Motel in Los Angeles when the Ramones were staying there for the recording of End of the Century. The "Danny" alluded to in the title is the Ramones' manager Danny Fields.
The romantic inspiration for the song is believed to be Linda Daniele, Joey's girlfriend at the time. Later in Summer 1982 she ended her romantic involvement with Joey to extend her relationship with the band's guitarist Johnny Ramone who she moved in with in autumn that year. [1] Although this virtually stopped dialogue between the two bandmates that was already limited since the time of recording End of the Century, both remained in the Ramones until the band disbanded in 1996. [2]
At the time Joey was rooming with Arturo Vega in room 100 B of the Tropicana Motel on Santa Monica Boulevard in West Hollywood. [3] Hence the line in the song, "Hanging out in 100 B". The lyrics include a reference to the late 1960s television series Get Smart ("Watching Get Smart on TV"). Another reference in the song is to Christmas, reflecting the difference at that time of year between where the band were recording in Los Angeles and the Ramones' home town of New York City - "It ain't Christmas if there ain't no snow". The lyrics also refer to a character named Sheena ("Listening to Sheena on the radio"). "Sheena Is a Punk Rocker" is a track on the 1977 Ramones album Rocket to Russia .
Johnny later commented on working with Phil Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'—the production really worked tremendously. For the harder stuff, it didn't work as well." [4] When Joey was later asked what were his favorite Ramones songs he was quoted as replying, "'Danny Says' was always a favorite".
"Danny Says" has been performed live by each of Joey, C.J. and Richie in post Ramones projects.
A cover version of the song with guitarist Chris Shiflett on lead vocals was released by the Foo Fighters as a B-Side of the CD2 version of the "All My Life" single and later a bonus track on the Special Limited Edition of their 2002 One by One album. "Danny Says" was covered by Tom Waits and released on disk two of his Orphans triple album in 2006. Waits resided in the Tropicana Motel for many years where the Ramones stayed when End of the Century was recorded.
Douglas Glenn Colvin, better known by his stage name Dee Dee Ramone, was an American musician. He was the bassist and a founding member of the punk rock band the Ramones. Throughout the band's existence, he was the most prolific lyricist and composer, writing many of their best-known songs, such as "53rd & 3rd", "Chinese Rock", "Commando", "Wart Hog", "Rockaway Beach", "Poison Heart" and "Bonzo Goes To Bitburg". The latter won the New York Music Award for best independent single of the year in 1986, while Animal Boy, which the song is from, won for best album.
Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.
"Chinese Rocks" or "Chinese Rock" is a song written in 1975 by New York punk rock musician Dee Dee Ramone with contributions from Richard Hell. Inspired by Lou Reed's "Heroin", the song openly details the day-to-day struggles of a heroin addict, and is based on Dee Dee's real-life experiences.
Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
Halfway to Sanity is the 10th studio album by the American punk rock band Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.
Subterranean Jungle is the seventh studio album by the American punk rock band Ramones, released by Sire Records on February 23, 1983. Overall, the album featured a return to a somewhat more hard punk rock style compared to the band's previous two albums End of the Century in 1980, and Pleasant Dreams in 1981, which were the most pop-focused of the band's career. This direction was encouraged by guitarist Johnny Ramone. The recording sessions saw disputes between band members, mainly due to struggles with alcohol addiction by Joey Ramone and Marky Ramone, and the drug addiction of Dee Dee Ramone.
Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.
Brain Drain is the eleventh studio album by the American punk rock band Ramones, released on May 23, 1989. It is the last Ramones release to feature bassist/songwriter/vocalist Dee Dee Ramone, the first to feature Marky Ramone since his initial firing from the band after 1983's Subterranean Jungle and the band's last studio album on Sire Records. This was also the last Ramones album to be produced by Daniel Rey, until 1995's ¡Adios Amigos!. The album ends with their unlikely seasonal song "Merry Christmas ".
Mondo Bizarro is the twelfth studio album by American punk rock band Ramones, released on September 1, 1992, by Radioactive Records. It is the first studio album to feature their new bassist, C.J. Ramone, who replaced original member Dee Dee Ramone. The album was re-released in the UK by the Captain Oi! record label on August 10, 2004, with the band's cover of the Spider-Man theme song included as a bonus track.
Animal Boy is the ninth studio album by the American punk rock band Ramones, released through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less performing from guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than on previous albums, and Richie Ramone became the first drummer to write songs for the band since Tommy Ramone, the band's original drummer. Richie also wrote for Too Tough To Die (1984). The album spawned four singles, all of which charted on the UK Singles Chart, as well as other charts. In addition to singles, the band promoted their album using a music video for "Something to Believe In", which parodied the contemporary benefit concerts Live Aid and Hands Across America.
We're a Happy Family: A Tribute to Ramones is a 2003 tribute album to the Ramones by various artists. It started when Johnny Ramone was presented with the idea of a tribute album and was asked if he wanted to participate, to which he agreed, as long as he would have full control over the project. He was able to get Rob Zombie as a co-producer, and call upon high profile bands to participate. Rob Zombie also did the cover artwork, and Stephen King, a Ramones fan, wrote the liner notes.
¡Adios Amigos! is the fourteenth and final studio album by the American punk rock band Ramones. It was released on July 18, 1995, through Radioactive Records. The Ramones disbanded a year after its release and subsequent tour.
Loud, Fast Ramones: Their Toughest Hits is a compilation of Ramones songs. Curated by Johnny Ramone, the initial 50,000 copies of the album include the 8-song bonus disc Ramones Smash You: Live ’85. The bonus disc features previously unreleased live recordings made on February 25, 1985 at the Lyceum Theatre in London. It is notable for being the only officially released live recording on CD to feature Richie Ramone on drums.
All the Stuff Volume One is a compilation album by the Ramones. It includes their first two albums, Ramones and Leave Home, in their entirety, with the exception of "Carbona Not Glue," a song that was on the original release of Leave Home but was later removed from the album under pressure from the Carbona company and replaced with an early mix of "Sheena is a Punk Rocker." Also included are a handful of bonus tracks of varying origins: "I Don't Wanna Be Learned/I Don't Wanna Be Tamed" and "I Can't Be" were early, previously unreleased demos; "Babysitter" had originally been the b-side to the "Do You Wanna Dance?" single and was the first replacement of "Carbona Not Glue"; and the final two tracks, "California Sun" and "I Don't Wanna Walk Around With You," are live tracks recorded at The Roxy in Los Angeles, California and released as the b-sides of both the "I Wanna Be Your Boyfriend" and "I Remember You" singles in 1976. Liner notes were written by Oedipus of Boston punk fame.
Best of the Chrysalis Years is a compilation album made up of tracks from the Ramones' five albums on Chrysalis Records (UK): Brain Drain, Mondo Bizarro, Acid Eaters, ¡Adios Amigos!, and Loco Live. It was released on May 28, 2002, by EMI International. The album was re-released in 2004 with a new track listing as The Best of The Ramones.
The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States and elsewhere, the Ramones are often cited as the first true punk rock band. Although they never achieved significant commercial success, the band is seen today as highly influential in punk culture.