Ramones discography | |
---|---|
Studio albums | 14 |
EPs | 1 |
Live albums | 10 |
Compilation albums | 16 |
Singles | 71 |
Music videos | 32 |
Films | 10 |
The Ramones were an American punk rock band from New York City. Their discography consists of fourteen studio albums, ten live albums, sixteen compilation albums, seventy-one singles, thirty-two music videos and ten films. The band formed in early 1974, and upon signing with Seymour Stein of Sire Records, the Ramones released their self-titled debut album on April 23, 1976. [1] Despite the recording process only taking a week and being on a budget of $6,400, [2] [3] the album has since become their most accoladed and iconic release. [4] [5] 1977's Leave Home was the band's follow up album, released less than a year later, also through Sire. [6] While it was the first album to chart in the United Kingdom, [7] it did not chart as well in the United States as Ramones, nor their third record, Rocket to Russia , which was released in late 1977. [8] Road to Ruin was the band's fourth studio album and their first to feature a change in the band member line-up, with drummer Marky Ramone replacing Tommy Ramone. [9]
It's Alive , released in 1979, was the Ramones' first live album, and only one to chart. [10] [7] The band's following studio album, 1980's End of the Century , was their only record produced by Phil Spector and their most successful album commercially, peaking at #44 on the United States Billboard 200 and charting in six other countries. [11] In 1981 they released Pleasant Dreams with producer Graham Gouldman who, according to the album's critics, sparked a change in the Ramones' style of music, beginning a transition away from classic punk rock, surf punk and British punk sounds toward heavier punk rock, heavy metal and acid rock elements. [12] [13] [14] Subterranean Jungle , released in 1983, would be the band's final release to chart within the top 100 of the Billboard 200, and was also the final release before firing Marky as drummer. Richie Ramone would be the band's new drummer for 1984's Too Tough to Die , [15] which was produced by former drummer Tommy alongside Ed Stasium. [16] While the album was critically acclaimed for having similar characteristics to the band's earlier albums, their next release, 1986's Animal Boy , incorporated more contemporary production techniques and sounds, including synthesizers. [17] [18]
Richie's final appearance would be on 1987's Halfway to Sanity , with Elvis Ramone briefly replacing him for two performances in August before Marky was brought back into the band. [19] [20] The band's first compilation album, entitled Ramones Mania , was released in 1988 and would go on to be certified Gold in the United States. 1989's Brain Drain would be their final album to feature Dee Dee Ramone as bassist, as well as their last to be released through Sire. [21] The Ramones signed to Radioactive Records and released Mondo Bizarro in 1992 with new bassist C.J. Ramone. [15] Despite being the band's least successful studio album in respect to the Billboard 200, it went Gold in Brazil in 2001. During the turn of the 80s and 90s, the band had 3 hits in the top 40 of national chart Modern Rock Tracks, being them Pet Sematary, Poison Heart and I Don't Wanna Grow Up (cover of Tom Waits). Their first, and only, cover album, Acid Eaters , was released in 1993, just a year and a half before the band's fourteenth and final studio album, ¡Adios Amigos! , produced by Halfway to Sanity producer Daniel Rey. [22] Although the Ramones disbanded in mid-1996, thirteen compilation albums and four live albums have been released since then. [23]
Title | Album details | Peak positions | Certifications (sales thresholds) | |||||||
---|---|---|---|---|---|---|---|---|---|---|
US [24] | AUS [25] [26] | CAN [27] | NLD [28] | NOR [29] | NZ [30] | SWE [10] | UK [7] | |||
Ramones |
| 111 | — | — | 185 | — | — | 48 | — | |
Leave Home |
| 148 | — | — | — | — | — | — | 45 | |
Rocket to Russia |
| 49 | 79 | 36 | — | — | — | 31 | 60 | |
Road to Ruin |
| 103 | 99 | — | — | — | — | 25 | 32 | |
End of the Century |
| 44 | 53 | 41 | 27 | 36 | 48 | 10 | 14 | |
Pleasant Dreams |
| 58 | 87 | — | — | — | — | 35 | — | |
Subterranean Jungle |
| 83 | — | — | — | — | — | — | — | |
Too Tough to Die |
| 171 | — | — | — | — | — | 49 | 63 | |
Animal Boy |
| 143 | — | 94 | — | — | — | 37 | 38 | |
Halfway to Sanity |
| 172 | — | — | 68 | — | — | 43 | 78 | |
Brain Drain |
| 122 | 130 [33] | — | — | — | — | 41 | 75 | |
Mondo Bizarro |
| 190 | 93 | — | — | — | — | 41 | 87 | |
Acid Eaters |
| 179 | — | 48 | — | — | — | 26 | — | |
¡Adios Amigos! |
| 148 | — | — | — | — | — | 16 | 62 |
Title | Album details | Peak positions | |
---|---|---|---|
SWE [10] | UK [7] | ||
It's Alive |
| 38 | 27 |
Loco Live [34] |
| — | — |
Greatest Hits Live [35] |
| — | — |
We're Outta Here! [36] |
| — | — |
NYC 1978 [37] |
| — | — |
Live At The Roxy: August 12, 1976 |
| - | - |
Live In Glasgow: December 19, 1977 |
| - | - |
Live At The Palladium: New York, NY (12/31/79) |
| - | - |
It's Alive II |
| - | - |
Triple J Live At The Wireless - Capitol Theatre, Sydney, Australia, July 8, 1980 |
| - | - |
Title | Album details | Peak positions | Certifications (sales thresholds) | |||||||
---|---|---|---|---|---|---|---|---|---|---|
US [24] | BEL [38] | CAN [27] | SPA [39] | SWE [10] | UK [7] | |||||
Ramones Mania (The Best of 1976–1988) |
| 168 | — | 84 | 47 | — | — |
| ||
All the Stuff (And More!) Volume 1 (First and second albums plus extra tracks) [40] |
| — | — | — | — | — | — | |||
All the Stuff (And More!) Volume 2 (Third and fourth albums plus extra tracks) [41] |
| — | — | — | — | — | — | |||
Hey! Ho! Let's Go: The Anthology (The Best of 1975–1996) |
| — | 46 | — | 32 | 13 | 74 | |||
Ramones Mania 2 (The Best of 1989–1996) [43] |
| — | — | — | — | — | — | |||
Masters of Rock: Ramones (The Best of 1989–1995) [44] |
| — | — | — | — | — | — | |||
Best of the Chrysalis Years (The Best of 1989–1995) [45] |
| — | — | — | 27 | — | — | |||
Loud, Fast Ramones: Their Toughest Hits (The Best of 1975–1996) [46] |
| — | — | — | — | — | — | |||
The Chrysalis Years (Final four albums plus Loco Live ) [47] |
| — | — | — | 61 | — | — | |||
The Best of the Ramones (The Best of 1989–1995) [48] |
| — | — | — | — | — | — | |||
Weird Tales of the Ramones [49] |
| — | — | — | — | — | — | |||
Hey Ho Let's Go: Greatest Hits (The Best of 1976–1989) [50] |
| — | — | — | — | — | — |
| ||
Essential [51] |
| — | — | — | — | — | — | |||
Opus Collection: Rockaway Beach [52] |
| 153 | — | — | — | — | — | |||
The Ramones: All the Best (2CDs) [53] |
| _ | — | — | — | — | — | |||
Morrissey Curates The Ramones |
| — | — | — | — | — | — | |||
Ramones: The Sire Albums (1981-1989) |
| — | — | — | — | — | — | |||
"—" denotes releases that did not chart or was not certified. |
Year | Title | Chart positions | Certification | Album | |||||||
---|---|---|---|---|---|---|---|---|---|---|---|
US [8] | US Alt [54] | AUS [25] [33] | BEL [38] | IRE [55] | NL [28] | SWE [10] | UK [7] | ||||
1976 | "Blitzkrieg Bop" b/w "Havana Affair" [56] | – | – | – | – | – | – | – | – | Ramones | |
"I Wanna Be Your Boyfriend" b/w "California Sun/I Don't Wanna Walk Around With You" (recorded live at The Roxy, Los Angeles) | – | – | – | – | – | – | – | – | |||
1977 | "Swallow My Pride" b/w "Pinhead" | – | – | – | – | – | – | – | 36 | Leave Home | |
"Sheena Is a Punk Rocker" b/w "I Don't Care" | 81 | – | – | – | – | – | 20 | 22 | Rocket to Russia | ||
"Rockaway Beach" b/w "Locket Love" | 66 | – | – | – | – | – | – | – | |||
1978 | "Do You Wanna Dance?" b/w "Babysitter" | 86 | – | – | – | – | – | – | – | ||
"Don't Come Close" b/w "I Don't Want You" | – | – | – | – | – | – | – | 39 | Road to Ruin | ||
"Needles and Pins" b/w "I Wanted Everything" | – | – | – | – | – | – | – | – | |||
1979 | "She's the One" b/w "I Wanna Be Sedated" | – | – | – | – | – | – | – | – | ||
"Rock 'n' Roll High School" b/w "Do You Wanna Dance? (Live Version)" | – | – | 41 | 7 | – | 5 | – | 67 | Rock 'n' Roll High School | ||
1980 | "Baby, I Love You" b/w "High Risk Insurance" | – | – | – | 25 | 5 | – | – | 8 | End of the Century | |
"Do You Remember Rock 'n' Roll Radio?" b/w "Let's Go" | – | – | – | – | – | – | – | 54 | |||
"I Wanna Be Sedated" b/w "The Return of Jackie and Judy" | – | – | – | – | – | – | – | – |
| Times Square | |
1981 | "We Want the Airwaves" b/w "You Sound Like You're Sick" | – | [A] | – | – | – | – | – | – | Pleasant Dreams | |
"She's a Sensation" b/w "All's Quiet on the Eastern Front" | – | – | – | – | – | – | – | – | |||
"The KKK Took My Baby Away" b/w "Don't Go" | – | – | – | – | – | – | – | – | |||
1983 | "Time Has Come Today" b/w "Psycho Therapy" | – | – | – | – | – | – | – | – | Subterranean Jungle | |
1984 | "Howling at the Moon (Sha-La-La)" b/w "Smash You"/"Street Fighting Man" | – | – | – | – | – | – | – | 85 [B] | Too Tough to Die | |
1985 | "Chasing the Night" b/w "Howling At the Moon (Sha-La-La)"/"Smash You"/"Street Fighting Man" | – | – | – | – | – | – | – | |||
"Bonzo Goes to Bitburg" b/w "Go Home Ann"/"Daytime Dilemma (Dangers of Love)" | – | – | – | – | – | – | – | 81 | Animal Boy | ||
1986 | "Something to Believe In" b/w "Somebody Put Something in My Drink"/"(You) Can't Say Anything Nice" | – | – | – | – | – | – | – | 69 | ||
"Crummy Stuff" b/w "Something to Believe In"/"(And) I Don't Wanna Live This Life" | – | – | – | – | – | – | – | 98 | |||
1987 | "A Real Cool Time" b/w "Life Goes On"/"Indian Giver" | – | – | – | – | – | – | – | 85 | Halfway to Sanity | |
"I Wanna Live" b/w "Merry Christmas (I Don't Want to Fight Tonight)" | – | – | – | – | – | – | – | – | |||
1989 | "Pet Sematary" b/w "Sheena Is A Punk Rocker"/"Life Goes On" | – | 4 | 149 | – | – | – | – | – | Brain Drain | |
"I Believe in Miracles" b/w "All Screwed Up" | – | – | – | – | – | – | – | – | |||
1992 | "Poison Heart" b/w "Chinese Rocks"/"Sheena Is A Punk Rocker"/"Rockaway Beach" | – | 6 | – | – | – | – | – | 69 | Mondo Bizarro | |
"Strength to Endure" b/w "The Ballad of Tipper Gore" | – | – | – | – | – | – | – | – | |||
1993 | "Journey to the Center of the Mind" | – | – | – | – | – | – | – | – | Acid Eaters | |
"Substitute" b/w "7 And 7 Is"/"Out Of Time" | – | – | – | – | – | – | – | – | |||
1994 | "7 and 7 Is" | – | – | – | – | – | – | – | – | ||
1995 | "I Don't Want to Grow Up" b/w "She Talks To Rainbows" | – | 30 | — | – | – | – | – | – | ¡Adios Amigos! | |
1996 | "R.A.M.O.N.E.S." | – | – | – | – | – | – | – | – | Greatest Hits Live |
Year | Video | Director |
---|---|---|
1979 | "Do You Wanna Dance?" | Allan Arkush, from Rock 'n' Roll High School movie. [57] |
"I Want You Around" | ||
"I Just Want to Have Something to Do" | ||
1980 | "Rock 'n' Roll High School" | Mark Robinson [58] |
"Do You Remember Rock 'n' Roll Radio?" | ||
1981 | "We Want the Airwaves" | Craig Leiber, Kirk Heflin, Maureen Nappi [58] |
"It's Not My Place (In the 9 to 5 World)" | Craig Leibner [59] | |
"The KKK Took My Baby Away" | ||
1983 | "Psycho Therapy" | Frances Delia [58] |
"Time Has Come Today" | Demyan, Schiro [58] | |
1984 | "Howling at the Moon (Sha-La-La)" | Frances Delia [58] |
1986 | "Something to Believe In" | Bill Fishman, Preacher Ewing [58] |
"Somebody Put Something in My Drink" (Rough Cut) | George Seminara [59] | |
1987 | "I Wanna Live" | Bill Fishman, Preacher Ewing [58] |
1988 | "I Wanna Be Sedated" | Bill Fishman [58] |
1989 | "Pet Sematary" | |
"Merry Christmas (I Don't Want to Fight Tonight)" | George Seminara [58] [60] | |
1990 | "I Believe in Miracles" | |
1991 | "Blitzkrieg Bop" (Live) | |
1992 | "Poison Heart" | Samuel Bayer [61] |
"Strength to Endure" | George Seminara [60] | |
"Touring" (Original Version) | John Cafiero [62] | |
1994 | "Substitute" | Tom Rainone [60] |
1995 | "I Don't Want to Grow Up" | Jonathon Dayton, Valerie Faris [60] |
1996 | "Spiderman" |
Year | Film | Director | Certifications (sales thresholds) |
---|---|---|---|
1976 | The Blank Generation | Ivan Kral, Amos Poe [63] | |
1979 | Rock 'n' Roll High School | Allan Arkush [64] | |
1990 | Lifestyles of the Ramones | George Seminara [65] | |
1993 | "Rosebud" ( The Simpsons ) | Wes Archer [66] | |
1998 | Ramones – Around the World | Marky Ramone [67] | |
2002 | The Ramones and I | Rusty Nails [68] | |
2003 | End of the Century: The Story of the Ramones | Jim Fields, Michael Gramaglia [69] | |
2004 | Ramones: Raw | John Cafiero [71] | |
2006 | Too Tough to Die: A Tribute to Johnny Ramone | Mandy Stein [73] | |
2007 | It's Alive 1974–1996 | George Seminara [74] |
|
Year | Album | Artist | Record company |
---|---|---|---|
1992 | Ramones | Screeching Weasel | Selfless Records |
1994 | Leave Home | The Vindictives | Selfless Records |
1994 | Rocket to Russia | The Queers | Selfless Records, Liberation Records |
1996 | End of the Century | Boris the Sprinkler | Clearview Records |
1997 | It's Alive | Parasites | Clearview Records |
1997 | Pleasant Dreams | Beatnik Termites | Clearview Records |
1998 | Road to Ruin | The Mr. T Experience | Clearview Records |
1998 | Too Tough to Die | Jon Cougar Concentration Camp | Liberation Records |
2000 | Too Tough to Die | The McRackins | Clearview Records |
2001 | Ramones Maniacs | Various | Trend Is Dead! Records |
2004 | Subterranean Jungle [76] | Tip Toppers | Ramones Fans Norway |
2011 | Halfway to Sanity [77] [78] | Kobanes | Fixing A Hole Records |
2019 | Animal Boy [79] | The New Rochelles | |
2021 | Mondo Bizarro [80] | K7s | Family Spree Recordings |
2022 | Leave Home | The Canceled Sitcoms | Blitzkrieg Cat Records |
Year | Album | Artist(s) | Record Company |
---|---|---|---|
1987 | Ramones | Operation Ivy | Metropolis Records |
1991 | Gabba Gabba Hey: A Tribute to the Ramones | Various | Triple X Records |
1996 | Rocket to Ramonia | The Huntingtons | Burnt Toast Vinyl |
1998 | Blitzkrieg Over You | Various | Nasty Vinyl |
1999 | File Under Ramones | The Huntingtons | Tooth and Nail Records |
2001 | Glue Sniffin' Shocker | Reload | Reload Music |
2002 | Strength to Endure: A Tribute to Ramones & Motörhead | Riotgun. & Bullet Treatment | Basement Records |
2002 | The Song Ramones The Same | Various | White Jazz Records |
2002 | Ramones Forever: An International Tribute | Radical Records | |
2003 | We're a Happy Family: A Tribute to Ramones | Columbia Records | |
2004 | Sniffin' Glue: A Las Vegas Tribute to the Ramones | Afternoon Records | |
2005 | Guitar Tribute to the Ramones | Tribute Sounds Records | |
2005 | The Rockabilly Tribute to Ramones | CMH Records | |
2005 | Pan for Punks...A Steelpan Tribute to the Ramones | Tracy Thornton | Pandemic Records |
2006 | Brats on the Beat: Ramones for Kids | Various | Go-Kart Records |
2007 | Rockabye Baby! Lullaby Renditions of the Ramones | Rockabye Baby Records | |
2008 | Bossa n' Ramones | Music Brokers Records | |
2008 | Rocket from Poland | Dumbs | Pasażer Records |
2011 | Osaka Ramones | Shonen Knife | Good Charamel Records |
2018 | Songs in the Key of Joey | Aaron Stingray and the Brooklyn Apostles | Blitzkrieg Cat Records |
Reanimation is the first remix album by American rock band Linkin Park, released on July 30, 2002, through Warner Bros. Records, as a follow-up to their 2000 debut studio album, Hybrid Theory. Recorded during the Hybrid Theory tour, it features remixes of songs from Hybrid Theory, including the album's bonus tracks. It was produced by Mike Shinoda and mixed by Mark "Spike" Stent. It is the fourth best selling remix album of all time.
Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
International Superhits! is the first greatest hits compilation by American rock band Green Day, released November 13, 2001, through Reprise Records. It collects all of the band's singles released between 1994 and 2000 as well as a rerecording of "Maria", a B-side from Waiting, and a previously unreleased track, "Poprocks & Coke". A DVD and VHS titled International Supervideos! was released simultaneously, collecting fifteen of the band's music videos spanning the same period. Both releases have been certified Platinum in the United States for sales of over 1 million copies and 3× Platinum in the United Kingdom for sales of 900,000.
End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.
Glass Houses is the seventh studio album by American singer-songwriter Billy Joel, released on March 12, 1980. The record was a commercial success, topping the Billboard 200 chart for six consecutive weeks. It features Joel's first single to peak at No. 1 on Billboard's Hot 100 chart, "It's Still Rock and Roll to Me". It was ranked No. 4 on Billboard's 1980 year-end chart. The album is the 41st best-selling album of the 1980s, with sales of 7.1 million copies in the US alone. In 1981, Joel won a Grammy Award for Best Male Rock Vocal Performance for his work on Glass Houses. According to music critic Stephen Thomas Erlewine, the album featured "a harder-edged sound" compared to Joel's other work, in response to the punk and new wave movements. This was also the final studio album to feature the original incarnation of the Billy Joel Band, augmented by new lead guitarist David Brown. Multi-instrumentalist Cannata left the band just before the sessions began for Joel's next studio album, 1982's The Nylon Curtain.
Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured higher tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
Halfway to Sanity is the 10th studio album by the American punk rock band Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.
Human Clay is the second studio album by American rock band Creed, released on September 28, 1999, through Wind-up Records. Produced by John Kurzweg, it was the band's last album to feature Brian Marshall, who left the band in August 2000, until 2009's Full Circle.
Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.
A Beautiful Lie is the second studio album by American rock band Thirty Seconds to Mars, released on August 30, 2005 through Virgin Records. It was produced by Josh Abraham.
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and 31 singles.
Unplugged is the first live album by American singer Alicia Keys. It was released on October 7, 2005 by J Records. Recorded as part of the television program MTV Unplugged on July 4, 2005 at the Brooklyn Academy of Music, the album includes songs from her first two studio albums Songs in A Minor (2001) and The Diary of Alicia Keys (2003).
The Simpsons is an American animated television sitcom created by Matt Groening that has aired on the Fox Broadcasting Company since December 1989. It is a satirical parody of a middle class American lifestyle epitomized by its eponymous family, which consists of Homer, Marge, Bart, Lisa and Maggie. The show is set in the fictional town of Springfield, and lampoons American culture, society, and many aspects of the human condition. The popularity of The Simpsons led to the release of the 1990 double platinum album The Simpsons Sing the Blues, which contains original songs performed by the cast members of the show as their characters. The album spawned two hit singles—"Do the Bartman" and "Deep, Deep Trouble". A less successful sequel, The Yellow Album, was released in 1998.
American post-grunge band Creed has released four studio albums, two compilation albums, one extended play (EP), eighteen singles, one video album, and sixteen music videos. Formed in Tallahassee, Florida in 1994, Creed consists of vocalist Scott Stapp, guitarist and vocalist Mark Tremonti, bassist Brian Marshall, and drummer Scott Phillips. Signed to Wind-up Records, the band released its debut album My Own Prison in August 1997, which reached number 22 on the US Billboard 200. The album was certified six times platinum by the Recording Industry Association of America (RIAA). All four singles from the album reached the top three of the US Billboard Mainstream Rock chart.
The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States and elsewhere, the Ramones are often cited as the first true punk rock band. Although they had never achieved significant commercial success, the band is seen today as highly influential in punk culture.
Live from Paris is the fourth live album by Colombian singer-songwriter Shakira. It was filmed at the Palais Omnisports de Paris-Bercy concert hall in Paris, France, where Shakira performed on 13 and 14 June 2011, as part of the European leg of The Sun Comes Out World Tour. Live from Paris was released in a DVD and live audio CD format, a standard DVD format, and as a Blu-ray Disc edition. It was released in most countries on 2 December 2011, while in the United States it was released on 5 December. Prior to its release, Live from Paris was screened in various cinemas across the world and was also promoted through Shakira's official website, which posted numerous trailers and previews of the album. Shakira's rendition of French singer-songwriter Francis Cabrel's song "Je L'Aime à Mourir", which she specifically performed during the concert shows at Paris, was released as a single on 29 November 2011.
¡Uno! is the ninth studio album by the American rock band Green Day, released on September 25, 2012, by Reprise Records. It is the first of three albums in the ¡Uno!, ¡Dos!, ¡Tré! trilogy, a series of studio albums released from September 2012 to December 2012. Green Day recorded the album from February to June 2012 at Jingletown Studios in Oakland, California. This is the band's first album recorded as a quartet, as touring guitarist Jason White joined the band in the studio to give the studio recordings a more live feel.
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