Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
"Weird Al" Yankovic is the debut studio album by the American parody musician "Weird Al" Yankovic. The album was the first of many produced by former The McCoys guitarist Rick Derringer. Mostly recorded in March 1982, the album was released by Rock 'n Roll Records as an LP and on Compact Cassette in 1983.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
Halfway to Sanity is the 10th studio album by the American punk rock band Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.
Richard Reinhardt is an American drummer best known by his stage name Richie Ramone, and for being the drummer for the punk band the Ramones from February 1983 until August 1987. As of 2024, he is one of four surviving members of the band, the others being Marky Ramone, Elvis Ramone, and C.J. Ramone. Richie appeared on three studio albums with the Ramones and played on Joey Ramone's second solo album ...Ya Know? He has later released three solo albums and currently fronts his own solo band.
"Bonzo Goes to Bitburg" is a protest song by American punk rock band the Ramones. It was issued as a single in the UK by Beggars Banquet Records in mid-1985. The song is an emotionally charged commentary on the Bitburg controversy from earlier that year, in which U.S. president Ronald Reagan had paid a state visit to a German World War II cemetery and gave a speech where numerous Waffen-SS soldiers were buried. Lyrically, the song was a departure from the usual Ramones topics. While not commercially successful, it was critically well received.
Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.
Brain Drain is the eleventh studio album by the American punk rock band Ramones, released on May 23, 1989. It is the last Ramones release to feature bassist/songwriter/vocalist Dee Dee Ramone, the first to feature Marky Ramone since his initial firing from the band after 1983's Subterranean Jungle and the band's last studio album on Sire Records. This was also the last Ramones album to be produced by Daniel Rey, until 1995's ¡Adios Amigos!. The album ends with their unlikely seasonal song "Merry Christmas ".
Mondo Bizarro is the twelfth studio album by American punk rock band Ramones, released on September 1, 1992, by Radioactive Records. It is the first studio album to feature their new bassist, C.J. Ramone, who replaced original member Dee Dee Ramone. The album was re-released in the UK by the Captain Oi! record label on August 10, 2004, with the band's cover of the Spider-Man theme song included as a bonus track.
Animal Boy is the ninth studio album by the American punk rock band Ramones, released through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less performing from guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than on previous albums, and Richie Ramone became the first drummer to write songs for the band since Tommy Ramone, the band's original drummer. Richie also wrote for Too Tough To Die (1984). The album spawned four singles, all of which charted on the UK Singles Chart, as well as other charts. In addition to singles, the band promoted their album using a music video for "Something to Believe In", which parodied the contemporary benefit concerts Live Aid and Hands Across America.
We're a Happy Family: A Tribute to Ramones is a 2003 tribute album to the Ramones by various artists. It started when Johnny Ramone was presented with the idea of a tribute album and was asked if he wanted to participate, to which he agreed, as long as he would have full control over the project. He was able to get Rob Zombie as a co-producer, and call upon high profile bands to participate. Rob Zombie also did the cover artwork, and Stephen King, a Ramones fan, wrote the liner notes.
Weird Tales of the Ramones is a box set compilation by American punk band the Ramones, released on August 16, 2005 by Rhino Records. The set was compiled by Johnny Ramone and contains 85 songs on 3 CDs, plus a DVD containing the 1990 documentary Lifestyles of the Ramones. The latter features the Ramones' music videos up to 1990, interspersed with interview clips with the band members and other pop culture figures, and the DVD adds the band's post-1990 videos, including the MTV-banned version of "Substitute". The box set also contains a special oversize comic book, focusing on the legend of the band, written and illustrated by multiple contributors, a 3D pair of glasses and a postcard to dedicated to Joey, Johnny and Dee Dee.
Loud, Fast Ramones: Their Toughest Hits is a compilation of Ramones songs. Curated by Johnny Ramone, the initial 50,000 copies of the album include the 8-song bonus disc Ramones Smash You: Live ’85. The bonus disc features previously unreleased live recordings made on February 25, 1985 at the Lyceum Theatre in London. It is notable for being the only officially released live recording on CD to feature Richie Ramone on drums.
Ramones Mania is the first greatest hits album by the American punk rock band the Ramones. It was released on May 31, 1988 through Sire Records and consists of 30 Ramones songs, including some single versions, a single B-side and one previously unreleased take.
Hey! Ho! Let's Go: The Anthology is a two–disc compilation that attempts to summarize the Ramones' career in its entirety. Every Ramones studio album is represented with the exception of Acid Eaters, their 1993 covers album. Some versions of this album include a hardcover 80-page booklet with liner notes by David Fricke and Danny Fields.
"Carbona Not Glue" is a song by the Ramones from their second album, Leave Home (1977).
The Ramones were an American punk rock band from New York City. Their discography consists of fourteen studio albums, ten live albums, sixteen compilation albums, seventy-one singles, thirty-two music videos and ten films. The band formed in early 1974, and upon signing with Seymour Stein of Sire Records, the Ramones released their self-titled debut album on April 23, 1976. Despite the recording process only taking a week and being on a budget of $6,400, the album has since become their most accoladed and iconic release. 1977's Leave Home was the band's follow up album, released less than a year later, also through Sire. While it was the first album to chart in the United Kingdom, it did not chart as well in the United States as Ramones, nor their third record, Rocket to Russia, which was released in late 1977. Road to Ruin was the band's fourth studio album and their first to feature a change in the band member line-up, with drummer Marky Ramone replacing Tommy Ramone.
Jean Beauvoir is an American singer, bassist, guitarist, multi-instrumentalist, songwriter, producer and entertainment executive. He came to prominence in the early 1980s with the punk group the Plasmatics and went on to work with Little Steven, Kiss, the Ramones and as a solo artist.
The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States and elsewhere, the Ramones are often cited as the first true punk rock band. Although they never achieved significant commercial success, the band is seen today as highly influential in punk culture.
