Animal Boy

Last updated

Animal Boy
Ramones - Animal Boy cover.jpg
Studio album by
ReleasedMay 19, 1986
Recordedc. May 1985, December 1985 – January 1986
Studio
Genre Punk rock [1]
Length31:44
Label Sire
Producer Jean Beauvoir
Ramones chronology
Too Tough to Die
(1984)
Animal Boy
(1986)
Halfway to Sanity
(1987)
Singles from Animal Boy
  1. "Bonzo Goes to Bitburg" b/w "Daytime Dilemma (Dangers of Love)"
    Released: June 1985 (UK)
  2. "Somebody Put Something in My Drink" b/w "Something to Believe In"
    Released: April 1986 (Double A-side, UK)
  3. "Crummy Stuff" b/w "Something to Believe In"
    Released: July 1986 (UK)
  4. "Something to Believe In" b/w "Animal Boy"
    Released: August 1986 (US)

Animal Boy is the ninth studio album by the American punk rock band Ramones, released through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less performing from guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than on previous albums, and Richie Ramone became the first drummer to write songs for the band since Tommy Ramone, the band's original drummer. Richie also wrote for Too Tough To Die (1984). The album spawned four singles, all of which charted on the UK Singles Chart, as well as other charts. In addition to singles, the band promoted their album using a music video for "Something to Believe In", which parodied the contemporary benefit concerts Live Aid and Hands Across America.

Contents

Lyrical themes of the album range from band members' frustrations with one another, themselves, and loved ones, to more politically themed songs—a rarity in Ramones music. "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)" saw the Ramones criticizing U.S. President Ronald Reagan for his controversial visit to a military cemetery in Bitburg, Germany, despite Johnny Ramone disagreeing with the song's message. Critically, Animal Boy was not as acclaimed as its predecessor, Too Tough to Die , with some critics quick to point out that the band had strayed far from their original style and were experimenting with several genres by this point. However, the album charted in four different countries, including the United States and United Kingdom.

Background

By 1985, there was a considerable amount of conflict between band members. Lead singer Joey Ramone went so far as to withdraw from the writing process, after having been a vital part of it on previous records. [2] Joey recalled: "I'd had it with the Ramones. 'Mental Hell' is about that. Part of it came from breaking up with [then girlfriend] Angela. The other part of it was that I had really had it with the band." [3] In later interviews, however, Joey stated that it was not the conflict that made him stop writing, but rather that he'd had "ideas on the backburner." [4] Bassist Dee Dee Ramone claimed guitarist Johnny Ramone was the reason for much of the stress, alleging that Johnny did not want to do songs Joey wrote for multiple reasons: "Joey will present a great tune and Johnny won't do it because it's this or it's that. 'I'm not going to play minor chords. I'm not going to play lead. I'm not going to come to England.' For God's sake! That's why Joey gotta do his solo album." [4]

Consequently, the somewhat recently added drummer Richie Ramone stepped up to the writing process, resulting in the hit song "Somebody Put Something in My Drink," released as a single and later appearing on the band's first compilation album, Ramones Mania (1988). "Joey was always encouraging me to write songs," explained Richie, "but I didn't really need the encouragement." [3] This would be the first time the band featured the drummer as a songwriter since original drummer Tommy Ramone, with Joey reasoning that he wanted to make Richie feel like a part of the band. Joey had felt past drummers had not been so much a part of the band, nor any good at writing, and called Richie a "regular Phil Collins." [5] In his 2012 autobiography, Commando , Johnny Ramone awarded the album a "B−" grade, lamenting the album's production quality and commenting that the guitar parts did not even sound like him. "The producer on [Animal Boy], Jean Beauvoir," Johnny related, "was selected by the label, not us." [6]

The band recorded most of the album with Beauvoir at Intergalactic Studios in New York City in December 1985. [7] "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)" had been recorded earlier in the year and released as a UK-only single [8] in June 1985. [9] In the winter of 1986, Beauvoir and Joey Ramone flew to Stockholm, Sweden to record the lead vocals at ABBA's Polar Studios, where the album was also mixed. [10] [11]

Lyrics and composition

Animal Boy featured a range of genres and musical elements that were completely new to the band and had not been featured on previous albums. Frequent use of synthesizers, as well as minimalistic "gimmicky" lyrics, [4] caused critics and fans to feel as though the Ramones had strayed far away from their early, raw punk sound, despite Animal Boy's predecessor Too Tough Too Die being acclaimed for the band returning to their roots. [4] "The main problem with Animal Boy," explained author Everett True, "was that there was no longer one discernible Ramones sound: it sounds as disjointed as the band members probably felt. The guitar parts could've been played by anyone, and Richie's drumming was slipping away from Tommy's original template. The Ramones were turning into a 9-5 job, night not day." [4]

The album begins with Joey singing "Somebody Put Something in My Drink", written by Richie, who stated that he came up with the lyrics while he was dating Frankie Valli's daughter and mistakenly drank after someone else in a nightclub. [3] Rolling Stone editor David Fricke described Joey's vocal performance in the song as an "exaggerated wino growl while Johnny crushes the chord changes with his trash-compactor guitar." [12] "Animal Boy" and "Apeman Hop" were compositionally similar to "Cretin Hop" from 1977's Rocket to Russia, but were described by True to be "a thousandth as good." [13] "Love Kills" was inspired by the Alex Cox biopic Sid and Nancy (also known as Sid and Nancy: Love Kills). The lyrics relate that the couple will never be able to win with drugs, despite the fact that the song's writer himself, Dee Dee, would later succumb to a heroin overdose. [13] Animal Boy's fifth track, "She Belongs to Me", is a ballad written by Dee Dee and Beauvoir regarding unrequited love, and features heavy use of synthesizers, while earlier albums would have used a soft acoustic guitar or occasionally strings for ballad-type songs. [4] Side A of the album concludes with "Crummy Stuff", played in a pop punk style, with repetitive lyrics based on the band's past of being chaotic and never meeting expectations. [13]

Side B begins with one of the Ramones' few explicitly political songs, "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)", which deals with the Bitburg controversy. The lyrics encapsulated the feelings of Joey, Dee Dee and Beauviour while watching US President Ronald Reagan to a German military cemetery in Bitburg, West Germany on May 5, 1985. [14] In an interview with East Coast Rocker , Joey explained: "What Reagan did was fucked up. Everybody told him not to go, all his people told him not to go, and he went anyway. How can you fuckin' forgive the Holocaust? How can you say, 'Oh well, it's OK now?' That's crazy!" [15] Dee Dee also asserted that Johnny had made the band seem right winged. "It was the first time we could make a statement to show we weren't prejudiced," he explained. "We'd just had these skinheads at our gigs, punks walking around wearing swastikas." [15] Johnny disliked the song and resisted playing it live, saying that Reagan was his favorite president of his lifetime. [15] It was Johnny who insisted that the song's title be changed to "My Brain Is Hanging Upside Down"; [16] "Bonzo Goes to Bitburg", the original title, was relegated to parenthesis. "Bonzo", a pejorative nickname for Reagan, refers to a chimpanzee from Bedtime for Bonzo , a 1951 comedy film in which Reagan starred.

"Mental Hell", the next track and the second written by Joey, dealt with his recent stress with the band and his relationship with his girlfriend, Angela, ending. Author Dave Thompson described "Eat That Rat" as "reaching back to their pure punk past." [17] While "Eat That Rat" is one minute and thirty-seven seconds long, the shortest track on the album is the next song, "Freak of Nature", which clocks in at one minute and thirty-two seconds. Johnny explained that it was written by him and Dee Dee while changing reels in an open-reel audio tape recording at the studio. [6] "Hair of the Dog", a song about the guilt of alcoholism, [18] is the third and final song written by Joey. The album's last track, "Something to Believe In", was influenced heavily by British pop, [17] and was described by Susan Cummings of Spin as a "pseudo-AOR attempted teen anthem" and by author Scott Schnider as a "surging, yearning anthem." [18] [19]

Marketing and promotion

For the album's front cover, the band wanted to take a photo with a monkey from the Bronx Zoo. George DuBose originally took the picture in the zoo's monkey house, but this photo was rejected by the zoo director. The zoo would not allow the band to borrow a chimp for photographing, so DuBose decided to try hiring Zippy the Chimp, a baby chimpanzee who had appeared on Late Night With David Letterman and was successful. The resulting idea was to take the picture of the band standing in front of a gorilla cage with Punk Magazine founder Legs McNeil in a gorilla costume. Richie is holding Zippy, and DuBose had to refrain from flashing light so as not to frighten it. However, according to DuBose, the chimp was already out of control. "Zippy was getting wild," Dubose recalled. "He wasn't looking at the camera and was fucking around with the guys. I wasn't getting the picture because the chimp was out of control, so finally the trainer goes up to Zippy and whacks him across the face." [20] The lack of flash resulted in a lowlighted, warmer colored photograph, which would be used as the album's cover. [20]

The music video for "Something to Believe In" satirized the 1985 Live Aid benefit concert. Rather than saying "Live Aid" with an image of Africa, the stage in the video says "Ramones Aid" with the band's logo. Live Aid at JFK Stadium, Philadelphia, PA.jpg
The music video for "Something to Believe In" satirized the 1985 Live Aid benefit concert. Rather than saying "Live Aid" with an image of Africa, the stage in the video says "Ramones Aid" with the band's logo.

Animal Boy was released on May 19, 1986. While touring for its promotion, the band only used four to five songs from the album while the rest of the setlist was derived from songs off earlier releases. Johnny described this type of concert setlist to promote releases to be common for "a lot of later [Ramones] albums," saying it was "because the material just didn't measure up to our other stuff." [6]

In addition to touring, Sire Records and Beggars Banquet Records in the UK released four singles to help promote the album in hopes of receiving more radio airplay. The first single from Animal Boy was "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)", issued by Beggars Banquet in June 1985. "Go Home Anne" was the B-side, produced by Ed Stasium and mixed by Lemmy Kilmister, lead singer of Motörhead. [22] [23] There were multiple explanations given for why the single was not released in the United States: the product manager at Sire Records explained that it was both a "financial and political" decision, while the parent company, Warner Bros. Records, claimed that "It just wasn't considered a good enough record." [24] The single's jacket cover depicted President Reagan giving a speech at Bergen-Belsen concentration camp before going to Bitburg, but the image was removed from later pressings. [25] [26] British newspaper Melody Maker claimed it was removed because the band received pressure from "Moral Majority, the Patriotic League of the Alamo, and the SS." [24]

The music video for "Something to Believe In" was a parody of both the Live Aid benefit concert and Hands Across America. [27] [28] The video was described by author Everett True to be "reassuringly foolish" and "a welcome return to [the Ramones'] old sense of humor." [29] Several guests are featured in the video, including X, the B52s, Weird Al Yankovic, Spinal Tap, Ted Nugent, the Circle Jerks, Toni Basil, Rodney Bingenheimer, Holly Beth Vincent, Penn and Teller, and Afrika Bambaataa. Because the music video was praised by Warner Bros., they released "Something to Believe In" as a double A-side with "Somebody Put Something in My Drink." [29] "Something to Believe In" was also released with "Animal Boy" in the United States and "Crummy Stuff" in the UK through Beggars Banquet. [30] [31]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [32]
Robert Christgau B+ [33]
Spin Alternative Record Guide 2/10 [34]

Critical

The album received mixed reviews from critics. Village Voice music critic Robert Christgau gave the album a "B+" and considered both "She Belongs to Me" and "Crummy Stuff" to be "defensive-sounding", but called "Something to Believe In" an anthem and praised "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)". [33] Rolling Stone critic David Fricke deemed the album a "reductionist masterpiece" that "proves they still have a lot more to give", claiming that it rivaled previous albums Leave Home and Rocket to Russia . [12]

The Ramones' decade of discontent on rock's commercial and social fringe has hardened their little rascal hearts; "Mental Hell" is a "My Degeneration" crawling-the-walls blues, and Dee Dee spits out the words of the ninety-seven-second harangue "Eat That Rat" with venomous zeal. "Love Kills," originally intended for the soundtrack of Alex Cox's forthcoming Sid Vicious-Nancy Spungen docudrama, sounds like standard-issue bamalama until you decipher the agitated mix of bitter loss and righteous anger in Dee Dee's rabid yapping.

David Fricke, Rolling Stone [12]

In a retrospective review, Eduardo Rivadavia, editor for AllMusic, criticized the album for using more modern commercial conventions and for its heavy use of synthesizers and keyboards in an attempt to reinvent the band's style. Rivadavia specifically pointed to "Somebody Put Something in My Drink", which he claimed "wastes an aggressive vocal performance from Joey Ramone by supporting it with a shamelessly polished synthesizer backing track", and referred to "Something to Believe In" as "unbearably soft". [32] He concluded that the album had been a "career low" for the Ramones, but still rated it three out of five stars. [32]

Commercial

In the United States, the album entered the Billboard 200 on June 21, 1986, at No. 146, and rose to No. 143 the following week. Despite staying on the chart for six weeks, the album's peak position did not rise above No. 143. [35] [36] It entered the UK Album Charts on May 31, 1986, where it stayed for two weeks and reached a peak position of No. 38. [37] The album entered the Canadian charts on June 7, 1986, at No. 96, [38] moving up to No. 94 a week later. [39] The album returned to position No. 96 on June 21, leaving the chart on July 12. [40] [41] On June 11, it entered the Swedish Sverigetopplistan charts, where it remained on the chart for one week at No. 37. [42]

Track listing

Track listing adapted from the Animal Boy liner notes. [43]

Side one
No.TitleWriter(s)Length
1."Somebody Put Something in My Drink" Richie Ramone 3:23
2."Animal Boy" Dee Dee Ramone, Johnny Ramone 1:50
3."Love Kills"D. Ramone2:19
4."Apeman Hop"D. Ramone2:02
5."She Belongs to Me"D. Ramone, Jean Beauvoir 3:54
6."Crummy Stuff"D. Ramone2:06
Side two
No.TitleWriter(s)Length
7."My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)"Joey Ramone, D. Ramone, Beauvoir3:55
8."Mental Hell"Joey Ramone2:38
9."Eat That Rat"D. Ramone, Johnny Ramone1:37
10."Freak of Nature"D. Ramone, Johnny Ramone1:32
11."Hair of the Dog"Joey Ramone2:19
12."Something to Believe In"D. Ramone, Beauvoir4:09

Personnel

Ramones

Additional musicians

Technical

Charts

Chart (1986)Peak
position
Canada Top Albums/CDs ( RPM ) [46] 94
Finnish Albums (The Official Finnish Charts) [47] 31
Swedish Albums (Sverigetopplistan) [48] 37
UK Albums (OCC) [49] 38
US Billboard 200 [50] 143

Related Research Articles

<span class="mw-page-title-main">Dee Dee Ramone</span> American bassist (1951–2002)

Douglas Glenn Colvin, better known by his stage name Dee Dee Ramone, was an American musician. He was the bassist and a founding member of the punk rock band the Ramones. Throughout the band's existence, he was the most prolific lyricist and composer, writing many of their best-known songs, such as "53rd & 3rd", "Chinese Rock", "Commando", "Wart Hog", "Rockaway Beach", "Poison Heart" and "Bonzo Goes To Bitburg". The latter won the New York Music Award for best independent single of the year in 1986, while Animal Boy, which the song is from, won for best album.

<i>Rocket to Russia</i> 1977 studio album by the Ramones

Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.

<i>End of the Century</i> 1980 studio album by the Ramones

End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.

<span class="mw-page-title-main">Johnny Ramone</span> American guitarist (1948–2004)

John William Cummings, better known by his stage name Johnny Ramone, was an American musician who was the guitarist and a founding member of the Ramones, a band that helped pioneer the punk movement. The band was inducted into the Rock and Roll Hall of Fame in 2002. Until the band's disbandment in 1996, Johnny, along with the lead vocalist Joey Ramone, were the only two original members who stayed since its inception.

<i>Road to Ruin</i> (Ramones album) 1978 studio album by the Ramones

Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.

<i>Pleasant Dreams</i> 1981 studio album by the Ramones

Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.

<i>Leave Home</i> 1977 studio album by the Ramones

Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.

<i>Halfway to Sanity</i> 1987 studio album by the Ramones

Halfway to Sanity is the 10th studio album by the American punk rock band Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.

<span class="mw-page-title-main">Richie Ramone</span> American drummer (born 1957)

Richard Reinhardt is an American drummer best known by his stage name Richie Ramone, and for being the drummer for the punk band the Ramones from February 1983 until August 1987. As of 2024, he is one of four surviving members of the band, the others being Marky Ramone, Elvis Ramone, and C.J. Ramone. Richie appeared on three studio albums with the Ramones and played on Joey Ramone's second solo album ...Ya Know? He has later released three solo albums and currently fronts his own solo band.

<i>Subterranean Jungle</i> 1983 studio album by the Ramones

Subterranean Jungle is the seventh studio album by the American punk rock band Ramones, released by Sire Records on February 23, 1983. Overall, the album featured a return to a somewhat more hard punk rock style compared to the band's previous two albums End of the Century in 1980, and Pleasant Dreams in 1981, which were the most pop-focused of the band's career. This direction was encouraged by guitarist Johnny Ramone. The recording sessions saw disputes between band members, mainly due to struggles with alcohol addiction by Joey Ramone and Marky Ramone, and the drug addiction of Dee Dee Ramone.

<span class="mw-page-title-main">Bonzo Goes to Bitburg</span> 1985 single by the Ramones

"Bonzo Goes to Bitburg" is a protest song by American punk rock band the Ramones. It was issued as a single in the UK by Beggars Banquet Records in mid-1985. The song is an emotionally charged commentary on the Bitburg controversy from earlier that year, in which U.S. president Ronald Reagan had paid a state visit to a German World War II cemetery and gave a speech where numerous Waffen-SS soldiers were buried. Lyrically, the song was a departure from the usual Ramones topics. While not commercially successful, it was critically well received.

<i>Too Tough to Die</i> 1984 studio album by the Ramones

Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.

<i>Brain Drain</i> (album) 1989 studio album by the Ramones

Brain Drain is the eleventh studio album by the American punk rock band Ramones, released on May 23, 1989. It is the last Ramones release to feature bassist/songwriter/vocalist Dee Dee Ramone, the first to feature Marky Ramone since his initial firing from the band after 1983's Subterranean Jungle and the band's last studio album on Sire Records. It ends with their unlikely seasonal song "Merry Christmas ".

<i>Ramones Maniacs</i> 2001 studio album by various artists

Ramones Maniacs is a 2001 tribute album to the punk rock band the Ramones, released by Trend Is Dead! Records. The album's track list is an exact match of the band's 1988 compilation album Ramones Mania, which had been released by Sire Records. The album has 26 tracks, played by bands from across the United States, plus one from Australia and one from Canada. Ramones bassist Dee Dee Ramone plays on the track "Blitzkrieg Bop", along with the band of which he was then a member, Youth Gone Mad.

<i>Loud, Fast Ramones: Their Toughest Hits</i> 2002 greatest hits album by The Ramones

Loud, Fast Ramones: Their Toughest Hits is a compilation of Ramones songs. Curated by Johnny Ramone, the initial 50,000 copies of the album include the 8-song bonus disc Ramones Smash You: Live ’85. The bonus disc features previously unreleased live recordings made on February 25, 1985 at the Lyceum Theatre in London. It is notable for being the only officially released live recording on CD to feature Richie Ramone on drums.

<i>Ramones Mania</i> 1988 greatest hits album by Ramones

Ramones Mania is the first greatest hits album by the American punk rock band the Ramones. It was released on May 31, 1988 through Sire Records and consists of 30 Ramones songs, including some single versions, a single B-side and one previously unreleased take.

<span class="mw-page-title-main">Ramones discography</span> Discography of American punk rock band

The Ramones were an American punk rock band from New York City. Their discography consists of fourteen studio albums, ten live albums, sixteen compilation albums, seventy-one singles, thirty-two music videos and ten films. The band formed in early 1974, and upon signing with Seymour Stein of Sire Records, the Ramones released their self-titled debut album on April 23, 1976. Despite the recording process only taking a week and being on a budget of $6,400, the album has since become their most accoladed and iconic release. 1977's Leave Home was the band's follow up album, released less than a year later, also through Sire. While it was the first album to chart in the United Kingdom, it did not chart as well in the United States as Ramones, nor their third record, Rocket to Russia, which was released in late 1977. Road to Ruin was the band's fourth studio album and their first to feature a change in the band member line-up, with drummer Marky Ramone replacing Tommy Ramone.

<span class="mw-page-title-main">Jean Beauvoir</span> American musician

Jean Beauvoir is an American singer, bassist, guitarist, multi-instrumentalist, songwriter, producer and entertainment executive. He came to prominence in the early 1980s with the punk group the Plasmatics and went on to work with Little Steven, Kiss, the Ramones and as a solo artist.

"Something to Believe In" is a song that was originally released as a single called the "Sire Single Version", and then re-recorded as a song on the Ramones album Animal Boy released in May 1986. There are also live video versions of the song. It was written by Dee Dee Ramone and Jean Beauvoir. The "Sire Single Version" was re-released as track 14 of the second disk of the Ramones Anthology. The song was re-released in 2005 by Rhino/Warner Bros, on the album Weird Tales of the Ramones.

<span class="mw-page-title-main">Ramones</span> American punk rock band

The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States, the Ramones are often cited as the first true punk band. Though achieving little commercial success, the band is seen today as highly influential in punk culture.

References

Citations
  1. "These 15 punk albums of 1986 mutated the underground even further". Alternative Press. Retrieved February 2, 2022.
  2. Leigh 2009, pp. 258, 261.
  3. 1 2 3 Leigh 2009, p. 261.
  4. 1 2 3 4 5 6 7 True 2005, ch. 23 p. 3.
  5. True 2005, ch. 23 pp. 10–11.
  6. 1 2 3 Ramone, Johnny (2012). Commando: The Autobiography of Johnny Ramone. Abrams Image. p. 158. ISBN   978-0-8109-9660-1.
  7. True 2005, ch. 23 p. 1.
  8. True 2005, ch. 21 p. 13.
  9. Strong, Martin Charles (2003). The Great Indie Discography (rev. ed.). Canongate. n.p. ISBN   978-1-84195-335-9.
  10. Popoff 2016, p. 137.
  11. Melnick, Monte A. (February 21, 2022). "Ramones Fans - Monte A. Melnick". Facebook . Retrieved March 25, 2022.
  12. 1 2 3 "The Ramones: Animal Boy". Rolling Stone . 1986-07-17. Archived from the original on 2017-08-30. Retrieved 2017-08-24.
  13. 1 2 3 True 2005, ch. 23 p. 4.
  14. Glass, Andrew (May 5, 2018). "Reagan visits German war cemetery, May 5, 1985". Politico . Retrieved March 25, 2022.
  15. 1 2 3 True 2005, ch. 21, p. 30.
  16. Picket, Kerry (February 1, 2011). "Reagan at 100 - Johnny Ramone on Reagan". The Washington Times . Archived from the original on 2021-04-11. Retrieved 2020-08-16.
  17. 1 2 Thompson 2000, p. 582.
  18. 1 2 Cummings, Sue (August 1986). "The Ramones: Animal Boy". Spin . p. 32.
  19. Schnider 2008, p. 556.
  20. 1 2 Melnick & Melnick 2010, p. 212.
  21. True 2005, ch. 23. pp. 5–6.
  22. Leigh 2009, pp. 237, 249.
  23. Leland, John (October 1985). "Singles". Spin. p. 39.
  24. 1 2 Jaffee, Larry (November–December 1985). "Disc Spells Hit Time for Bonzo". Mother Jones. p. 10.
  25. Jaffee, Larry (November–December 1985). "Disc Spells Hit Time for Bonzo". Mother Jones. p. 10.
  26. Weinraub, Bernard (May 6, 1985). "Reagan Joins Kohl in Brief Memorial at Bitburg Graves". New York Times. Archived from the original on 2016-10-18. Retrieved 2009-01-22.
  27. "Hands Across Your Face". Rhino. Archived from the original on 20 January 2009. Retrieved 14 August 2009.
  28. Doherty, Brian; Gillespie, Nick (August–September 2001). "I Dreamed I Saw Joey Ramone Last Night: The P.C. eulogizing of a punk rocker". Reason . Reason Foundation. Archived from the original on 6 August 2009. Retrieved 14 August 2009.
  29. 1 2 True 2005, ch. 23. p. 6.
  30. Ramone 2003, p. 244.
  31. Popoff 2010, p. 971.
  32. 1 2 3 Rivadavia, Eduardo. "Animal Boy – Ramones". AllMusic . Retrieved 14 August 2009.
  33. 1 2 Christgau, Robert. "CG: Ramones". Robert Christgau. Archived from the original on 23 July 2009. Retrieved 14 August 2009.
  34. Sheffield, Rob (1995). "Ramones". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp. 320–22. ISBN   978-0-679-75574-6.
  35. "Top 200 Albums". Billboard . 1986-06-21. Archived from the original on 2017-10-23. Retrieved 2017-07-24.
  36. "Top 200 Albums". Billboard . 1986-06-28. Archived from the original on 2017-10-19. Retrieved 2017-07-24.
  37. "The Official Charts Company - The Ramones". Official Charts Company. Archived from the original on 2019-05-08. Retrieved 2008-12-22.
  38. "RPM100 Albums." Archived 2016-03-14 at the Wayback Machine 1986-06-07. Collectionscanada.gc.ca, Retrieved 2017-07-24.
  39. "RPM100 Albums." Archived 2012-11-08 at the Wayback Machine 1986-06-14. Collectionscanada.gc.ca, Retrieved 2017-07-24.
  40. "RPM100 Albums." Archived 2012-11-08 at the Wayback Machine 1986-06-21. Collectionscanada.gc.ca, Retrieved 2017-07-24.
  41. "RPM100 Albums." Archived 2017-07-01 at the Wayback Machine 1986-07-05. Collectionscanada.gc.ca, Retrieved 2017-07-24.
  42. "Ramones – Animal Boy." Archived 2017-08-20 at the Wayback Machine Swedishcharts.com. Sverigetopplistan. Retrieved 2017-07-24.
  43. Animal Boy (LP). Ramones. Rhino Records. 1986. 925433-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  44. Holland-Hill, Chris (July 1986). "Animal House". International Musician and Recording World . Retrieved May 17, 2022.
  45. "Bonzo Goes To Bitburg". Discogs. Retrieved March 25, 2022.
  46. "Top RPM Albums: Issue 0684". RPM . Library and Archives Canada. Retrieved 28 June 2023.
  47. Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. ISBN   978-951-1-21053-5.
  48. "Swedishcharts.com – Ramones – Animal Boy". Hung Medien. Retrieved 28 June 2023.
  49. "Official Albums Chart Top 100". Official Charts Company. Retrieved 28 June 2023.
  50. "Ramones Chart History (Billboard 200)". Billboard. Retrieved 28 June 2023.
Bibliography