"I Wanna Be Sedated" | ||||
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Single by Ramones | ||||
from the album Road to Ruin | ||||
A-side | "She's the One" | |||
Released | September 21, 1978 | |||
Recorded | 1978 | |||
Genre | ||||
Length | 2:29 | |||
Label | Sire Records | |||
Songwriter(s) | Dee Dee Ramone, Joey Ramone, Johnny Ramone | |||
Producer(s) | Tommy Ramone, Ed Stasium | |||
Ramones singles chronology | ||||
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Music video | ||||
"I Wanna Be Sedated" on YouTube |
"I Wanna Be Sedated" is a song by American punk rock band Ramones, originally released on the band's fourth studio album, Road to Ruin (1978), in September 1978 and as the B-side of the UK single "She's the One" released on September 21, 1978. [2] The song was later released as a single in the Netherlands in 1979, [3] and in the U.S. in 1980 by RSO Records from the Times Square soundtrack album. It has since remained one of the band's best known songs. [4] [5]
"I Wanna Be Sedated" was written by Joey Ramone. [6] In an interview about the song, Joey explains the chorus:
It's a road song. I wrote it in 1977, through to 78'. Well, Danny Fields was our first manager and he would work us to death. We would be on the road 360 days a year, and we went over to England, and we were there at Christmas time, and in Christmas time, London shuts down. There's nothing to do, nowhere to go. Here we were in London for the first time in our lives, and me and Dee Dee Ramone were sharing a room in the hotel, and we were watching The Guns of Navarone . So there was nothing to do, I mean, here we are in London finally, and this is what we are doing, watching American movies in the hotel room.
The music video for the song, directed by Bill Fishman, was released in September 1988, [7] about ten years after the song was originally released, to promote the compilation album Ramones Mania . The iconic video features the Ramones sitting at a table (left to right: Johnny, Joey, Marky and Dee Dee), nonchalantly reading and eating generic corn flakes (branded "Corn Flakes") while the background hallway erupts into a venue for nuns, acrobats, ballerinas, superheroes, monsters, cheerleaders, clowns, doctors, fetish nurses, and smoking schoolgirls. The film is intentionally sped up to show the excitement of the background, while the band's actions are in regular motion. This was achieved by having the band members move very slowly, while the crowd moved normally, and then speeding up the film. (Furthermore, one of the video's characters, the bride, [8] is a young Courtney Love.) [9]
A still from the video was featured in the liner notes of the band's 1989 album Brain Drain , though the song itself does not appear on that album.
"I Wanna Be Sedated" was number 145 on the Rolling Stone's 500 Greatest Songs of All Time. [10] Marky Ramone is the drummer on this track.
In 1999, National Public Radio included the song in the "NPR 100", in which NPR's music editors sought to compile the one hundred most important American musical works of the 20th century.
Kelefa Sanneh said of the song, "I loved it because it seemed like the beginning of a tradition, pointing away from all the conventional thing a rock 'n' roll band might do, and pointing toward anything and everything else." [11]
According to Alice Cooper, Joey Ramone acknowledged the similarity to Cooper's earlier 1972 song "Elected," explaining that the Ramones listened to a lot of Alice Cooper. [12]
A shortened version of "I Wanna Be Sedated", arranged for strings by Benjamin Wallfisch and performed by Mirel Wagner, appears as the last track on the soundtrack album for the 2016 film A Cure for Wellness , composed by Wallfisch. [13] The was featured in the film's first trailer released in October 2016, but doesn't actually appear in the film itself. [14]
The song was featured in the official teaser trailer of the 2019 film Spider-Man: Far From Home , [15] after Ramones song "Blitzkrieg Bop" was prominently featured in the film's 2017 predecessor Spider-Man: Homecoming .
The song was featured in the penultimate episode of The Magicians , which aired on 25 March, 2020, sung by most of the cast during a heist operation in a musical episode. [16]
At 12:00 am on December 31, 2020, an internet meme began trending on social media that said it was "2020, 24 hours to go". This was a reference to the song's opening lyric, "twenty, twenty, twenty-four hours to go." [17]
Region | Certification | Certified units/sales |
---|---|---|
New Zealand (RMNZ) [18] | Gold | 15,000‡ |
United States (RIAA) [19] | Platinum | 1,000,000‡ |
‡ Sales+streaming figures based on certification alone. |
Douglas Glenn Colvin, better known by his stage name Dee Dee Ramone, was an American musician. He was the bassist and a founding member of the punk rock band the Ramones. Throughout the band's existence, he was the most prolific lyricist and composer, writing many of their best-known songs, such as "53rd & 3rd", "Chinese Rock", "Commando", "Wart Hog", "Rockaway Beach", "Poison Heart" and "Bonzo Goes To Bitburg". The latter won the New York Music Award for best independent single of the year in 1986, while Animal Boy, which the song is from, won for best album.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.
Marc Steven Bell is an American drummer. He began playing in hard rock bands in the New York City area, notably Dust and Estus. He was asked to drum for punk rock band Richard Hell and the Voidoids. He replaced drummer Tommy Ramone in the Ramones in 1978, and went by the stage name Marky Ramone from then on. He has also played drums for other punk rock and heavy metal bands, including his own band Marky Ramone and the Intruders. He continues to keep the Ramones legacy alive around the world with his band Marky Ramone's Blitzkrieg.
John William Cummings, better known by his stage name Johnny Ramone, was an American musician who was the guitarist and a founding member of the Ramones, a band that helped pioneer the punk movement. The band was inducted into the Rock and Roll Hall of Fame in 2002. Until the band's disbandment in 1996, Johnny, along with the lead vocalist Joey Ramone, were the only two original members who stayed since its inception.
Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
Halfway to Sanity is the 10th studio album by the American punk rock band Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.
Subterranean Jungle is the seventh studio album by the American punk rock band Ramones, released by Sire Records on February 23, 1983. Overall, the album featured a return to a somewhat more hard punk rock style compared to the band's previous two albums End of the Century in 1980, and Pleasant Dreams in 1981, which were the most pop-focused of the band's career. This direction was encouraged by guitarist Johnny Ramone. The recording sessions saw disputes between band members, mainly due to struggles with alcohol addiction by Joey Ramone and Marky Ramone, and the drug addiction of Dee Dee Ramone.
Brain Drain is the eleventh studio album by the American punk rock band Ramones, released on May 23, 1989. It is the last Ramones release to feature bassist/songwriter/vocalist Dee Dee Ramone, the first to feature Marky Ramone since his initial firing from the band after 1983's Subterranean Jungle and the band's last studio album on Sire Records. This was also the last Ramones album to be produced by Daniel Rey, until 1995's ¡Adios Amigos!. The album ends with their unlikely seasonal song "Merry Christmas ".
Mondo Bizarro is the twelfth studio album by American punk rock band Ramones, released on September 1, 1992, by Radioactive Records. It is the first studio album to feature their new bassist, C.J. Ramone, who replaced original member Dee Dee Ramone. The album was re-released in the UK by the Captain Oi! record label on August 10, 2004, with the band's cover of the Spider-Man theme song included as a bonus track.
Weird Tales of the Ramones is a box set compilation by American punk band the Ramones, released on August 16, 2005 by Rhino Records. The set was compiled by Johnny Ramone and contains 85 songs on 3 CDs, plus a DVD containing the 1990 documentary Lifestyles of the Ramones. The latter features the Ramones' music videos up to 1990, interspersed with interview clips with the band members and other pop culture figures, and the DVD adds the band's post-1990 videos, including the MTV-banned version of "Substitute". The box set also contains a special oversize comic book, focusing on the legend of the band, written and illustrated by multiple contributors, a 3D pair of glasses and a postcard to dedicated to Joey, Johnny and Dee Dee.
Loud, Fast Ramones: Their Toughest Hits is a compilation of Ramones songs. Curated by Johnny Ramone, the initial 50,000 copies of the album include the 8-song bonus disc Ramones Smash You: Live ’85. The bonus disc features previously unreleased live recordings made on February 25, 1985 at the Lyceum Theatre in London. It is notable for being the only officially released live recording on CD to feature Richie Ramone on drums.
Lifestyles of the Ramones is a VHS video by the American punk rock band Ramones, released in 1990 by Atlantic Records, featuring interviews and music videos. It was also released on DVD.
Best of the Chrysalis Years is a compilation album made up of tracks from the Ramones' five albums on Chrysalis Records (UK): Brain Drain, Mondo Bizarro, Acid Eaters, ¡Adios Amigos!, and Loco Live. It was released on May 28, 2002, by EMI International. The album was re-released in 2004 with a new track listing as The Best of The Ramones.
All the Stuff Volume 2 is a compilation album by the Ramones. It includes their third and fourth albums, Rocket to Russia and Road to Ruin, excluding the song "Go Mental," plus bonus tracks. Some versions of the album do include "Go Mental" in its rightful place as track 24, after "I Wanna Be Sedated" and before "Questioningly," for a total of 30 tracks.
"Poison Heart" is a song by the punk rock band Ramones. Written by their former bassist Dee Dee Ramone and given in exchange for bail money, it was included on the 1992 album Mondo Bizarro and also released as a single. It has a slower tempo than most Ramones songs.
The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States and elsewhere, the Ramones are often cited as the first true punk rock band. Although they had never achieved significant commercial success, the band is seen today as highly influential in punk culture.
A Cure for Wellness is a soundtrack album with original music by Benjamin Wallfisch for Gore Verbinski's film of the same name. It was released by Milan Records on February 17, 2017. Wallfisch collaborated with Verbinski to create repeating thematic melodies in a varied score featuring orchestral ensembles, choruses, and electronics. The orchestra and choirs recorded the music at Abbey Roads Studios in London.
Morrissey Curates The Ramones is a compilation album by the American punk rock band the Ramones, compiled by British musician Morrissey. It consists primarily of songs from their first four albums, Ramones, Leave Home, Rocket to Russia, and Road to Ruin. While Morrissey initially wrote a negative review of the Ramones 1976 debut album in Melody Maker, he was invited by the band's management to pick the tracks for the compilation. The album was released on vinyl on November 28, 2014, and limited to 9,000 copies.