Subterranean Jungle | ||||
---|---|---|---|---|
Studio album by the Ramones | ||||
Released | February 23, 1983 | |||
Recorded | October 1982 [1] | |||
Studio | Kingdom Sound, Syosset, Long Island | |||
Genre | ||||
Length | 33:21 | |||
Label | Sire | |||
Producer |
| |||
Ramones chronology | ||||
| ||||
Singles from Subterranean Jungle | ||||
|
Subterranean Jungle is the seventh studio album by the American punk rock band Ramones, released by Sire Records on February 23, 1983. Overall, the album featured a return to a somewhat more hard punk rock style compared to the band's previous two albums End of the Century in 1980, and Pleasant Dreams in 1981, which were the most pop-focused of the band's career. This direction was encouraged by guitarist Johnny Ramone. The recording sessions saw disputes between band members, mainly due to struggles with alcohol addiction by Joey Ramone and Marky Ramone, and the drug addiction of Dee Dee Ramone.
The album begins with two cover songs, and features a third on side two. The band's signature punk rock is supplemented by touches of hard rock, and psychedelic rock. The album was deemed by critics to be a return to the band's roots, and received mostly positive reviews. Subterranean Jungle peaked at number 83 on the US Billboard 200, but failed to chart internationally. The singles released from the album did not chart. This is the last album by the band to feature Marky Ramone on drums until the 1989 album Brain Drain . It is the first album by the band to feature vocals from someone other than Joey Ramone, with Dee Dee Ramone singing lead on "Time Bomb", as well as the bridge of "Outsider".
Compared to their previous two albums, Subterranean Jungle marked a shift back to the band's punk rock roots. Johnny Ramone felt as though the band needed to "be focused and stop worrying about getting played [on the radio] and just make a good record." [3] Lead singer Joey Ramone was given less stylistic freedom than on the previous two releases, and the album was shaped mostly by Johnny's preference for harder rocking material. [3]
I guess I felt a little sort-changed before. I was just writin' a lotta diverse stuff and maybe I felt I was gonna get restricted, I dunno [ sic ]. Now that we've done it and we've been playing around for about a month, though, we're unanimous. 'Cause it has that real edge again, it has a real powerful sound—somethin' we lost a little on the last two albums.
Three of the four members of the band, Johnny being the exception, were facing issues with addiction. Both Joey and drummer Marky Ramone were dealing with alcoholism, while bassist Dee Dee Ramone was severely addicted to cocaine and was undergoing psychotherapeutic treatment. Since the Ramones' previous two releases had producers which proved disappointing to the members, they were skeptical of the producer for Subteranean Jungle, Ritchie Cordell. [5] [6] Marky relates: "I hated the production, I hated the producer." [7]
The artwork for Subterranean Jungle features an image of the band inside a subway car. The photograph was taken by George DuBose at the subway station on 57th Street and Sixth Avenue in Manhattan. This cover concept was designed by Dubose, who suggested that since the B Sixth Avenue Express train stopped at the empty station for about 20 minutes. [8] In the photograph, Marky is featured peering out the subway window—Marky was positioned this way after Johnny asked DuBose to do so, because "they were kicking him out of the band, but he didn't know it yet." [9] Marky recalled that he "liked that shot, but [he] knew something was up." [9]
"I was lying on my bed, watching Kojak when Joey calls me and says, 'Mark, I feel bad about this, but, uh, you can't be in the band anymore.' I deserved it. Joey was okay about it, but the others, forget it. No one called me after that. If it was today, Joey would've said, 'Why don't we take off for a month and you get sober?' But I didn't want to tell Joey or the band about my being in rehab, because I would've been admitting my guilt."
— Marky Ramone [9]
The internal conflicts during recording sessions would cause band members to fire Marky during the album's recording, consequently substituting him with drummer Billy Rogers on "Time has Come Today." [7] Johnny recounts, "We were having trouble with Mark because his drinking problem was really bad. So we did "Time Has Come Today" with a different drummer, Billy Rogers, from Walter Lure's band." [10] "Time Has Come Today" became the Ramones' only song to involve three drummers: Marky Ramone on the album credits, Billy Rogers on the recording and Richie Ramone in the music video.
The album opens with two cover songs; the first, "Little Bit O' Soul", popularized by the Music Explosion in 1967, was originally written by John Carter and Ken Lewis, and the second, "I Need Your Love", was first performed by the song's writer Bobby Dee Waxman in local New York band the Boyfriends in the late 1970s. [11] Subterranean Jungle is the first Ramones' release to begin with a song not written by the band. This track list structure was criticized by author Everett True, who said that it was "disorientating." [5] Johnny also thought that the fact that the album featured three covers was a bad idea, saying, "we shouldn't have, but I was happy with the guitar sound on it." [10] The album's third track, "Outsider", was written by Dee Dee and, in 2002, it was covered by Green Day on Shenanigans . [12] "What'd Ya Do?" was track number four, and was described by music journalist Chuck Eddy as "crudely metallic." [13] Eddy also deemed the next track, "Highest Trails Above", as "AOR-mystic." [13] "Somebody Like Me" was called a "full-on rock anthem" by True, who went on to say that the lyrics contained "no-nonsense lines." [14]
Side two of the album begins with "Psycho Therapy", which was written by both Johnny and Dee Dee; the song has since grown into one of the Ramones' most popular songs. Dee Dee recalled: "I knew we needed a real 'Ramones song' for the album, and I knew [Johnny] was depressed about how things were going. He needed that song to get excited about the band again," [4] while Johnny stated, “I wanted to do a hardcore song to show the hardcore people that we can play as fast or faster than they can. Nobody plays faster than us.” [16] The next track is another cover song, "Time Has Come Today", which was originally recorded in 1967 by the soul music group the Chambers Brothers. The Ramones' version of the song featured a psychedelic rock influence, and was said by Eddy to have more of a "garage" feel to it, as compared to the original. [13] "My-My Kind of a Girl" was directed specifically toward the band's female fandom. The lyrics were written by Joey about meeting a girl on 8th Street in Manhattan and wanting to spend his life with her. [7] In Vanity Fair , the song was regarded as a "lingering affection for Phil Spector's pop grandeur." [17] Dee Dee's "Time Bomb", which was track number eleven, was said by True to be "more ridiculous than frightening." [7] The album concludes with "Everytime I Eat Vegetables It Makes Me Think of You", which was said by author Todd Anderson to be a "sing along." [18]
Review scores | |
---|---|
Source | Rating |
AllMusic | [19] |
Robert Christgau | A− [20] |
The Rolling Stone Album Guide | [21] |
Spin Alternative Record Guide | 4/10 [22] |
Subterranean Jungle was released by Sire Records in February 1983. [23] In a contemporary review for The Village Voice , music journalist Robert Christgau wrote that despite containing two inferior pieces ("Highest Trails Above" and "I Need Your Love"), the album is "more worthy of an audience than anything they've done in the '80s." [20] Stereo Review magazine strongly recommended it to "headbangers of all ages" as "a textbook Ramones album" whose unintellectual lyrics about mental illness and drug abuse "can actually be refreshing." [24] The album peaked at number 83 in on the Billboard 200 in the US, but failed to chart elsewhere. [25] Neither of the album's singles—"Psycho Therapy" and "Time Has Come Today"—charted. [26]
In a retrospective review for AllMusic, author Stephen Thomas Erlewine called Subterranean Jungle the band's "most enjoyable record since Rocket to Russia ," and said that the producers "steered the Ramones back toward the '60s pop infatuation that provided the foundation for their early records." [19] He ended his review by stating that it may not be defined as the "strictest sense" of punk rock; however, he strongly suggested that the band had not sounded so "alive" since their earlier days. [19] Douglas Wolk, writing in The Rolling Stone Album Guide (2004), was less enthusiastic and called it an "attempt at radio-friendly production," with a series of cover songs that "almost recasts the group as an oldies act." [21] In a 2004 interview for New York magazine, Johnny Ramone graded the album a "B" and said that he was pleased with its guitar sound, despite the three cover songs, while remarking "I was watching the Brewers-Cardinals World Series when we were recording it." [27]
The following track listing can be verified through the Subterranean Jungle expanded edition liner notes. [28]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Little Bit O' Soul" | Ken Lewis, John Carter | 2:43 |
2. | "I Need Your Love" | Bobby Dee Waxman | 3:03 |
3. | "Outsider" | Dee Dee Ramone | 2:10 |
4. | "What'd Ya Do?" | Joey Ramone | 2:24 |
5. | "Highest Trails Above" | Dee Dee Ramone | 2:09 |
6. | "Somebody Like Me" | Dee Dee Ramone | 2:34 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Psycho Therapy" | Dee Dee Ramone, Johnny Ramone | 2:35 |
8. | "Time Has Come Today" | Willie Chambers, Joseph Chambers | 4:25 |
9. | "My-My Kind of a Girl" | Joey Ramone | 3:31 |
10. | "In the Park" | Dee Dee Ramone | 2:34 |
11. | "Time Bomb" | Dee Dee Ramone | 2:09 |
12. | "Everytime I Eat Vegetables It Makes Me Think of You" | Joey Ramone | 3:04 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Indian Giver" (original mix) | Bobby Bloom, Ritchie Cordell, Bo Gentry | 2:45 |
14. | "New Girl in Town" (album outtake) | Ramones | 3:33 |
15. | "No One to Blame" (demo) | Ramones | 2:24 |
16. | "Roots of Hatred" (demo) | Ramones | 3:36 |
17. | "Bumming Along" (demo) | Ramones | 2:20 |
18. | "Unhappy Girl" (demo) | Ramones | 2:20 |
19. | "My-My Kind of Girl" (acoustic demo) | Joey Ramone | 3:10 |
The following credits are adapted from AllMusic. [19]
Ramones
Additional musicians
Production
Chart (1983) | Peak position |
---|---|
US Billboard 200 [29] | 83 |
Douglas Glenn Colvin, better known by his stage name Dee Dee Ramone, was an American musician. He was the bassist and a founding member of the punk rock band the Ramones. Throughout the band's existence, he was the most prolific lyricist and composer, writing many of their best-known songs, such as "53rd & 3rd", "Chinese Rock", "Commando", "Wart Hog", "Rockaway Beach", "Poison Heart" and "Bonzo Goes To Bitburg". The latter won the New York Music Award for best independent single of the year in 1986, while Animal Boy, which the song is from, won for best album.
Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote about them in an article and contacted Danny Fields, insisting that he be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.
Marc Steven Bell is an American drummer. He began playing in hard rock bands in the New York City area, notably Dust and Estus. He was asked to drum for punk rock band Richard Hell and the Voidoids. He replaced drummer Tommy Ramone in the Ramones in 1978, and went by the stage name Marky Ramone from then on. He has also played drums for other punk rock and heavy metal bands, including his own band Marky Ramone and the Intruders. He continues to keep the Ramones legacy alive around the world with his band Marky Ramone's Blitzkrieg.
Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
Halfway to Sanity is the 10th studio album by the American punk rock band Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.
Richard Reinhardt is an American drummer best known by his stage name Richie Ramone, and for being the drummer for the punk band the Ramones from February 1983 until August 1987. As of 2024, he is one of four surviving members of the band, the others being Marky Ramone, Elvis Ramone, and C.J. Ramone. Richie appeared on three studio albums with the Ramones and played on Joey Ramone's second solo album ...Ya Know? He has later released three solo albums and currently fronts his own solo band.
Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.
Brain Drain is the eleventh studio album by the American punk rock band Ramones, released on May 23, 1989. It is the last Ramones release to feature bassist/songwriter/vocalist Dee Dee Ramone, the first to feature Marky Ramone since his initial firing from the band after 1983's Subterranean Jungle and the band's last studio album on Sire Records. It ends with their unlikely seasonal song "Merry Christmas ".
Mondo Bizarro is the twelfth studio album by American punk rock band Ramones, released on September 1, 1992, by Radioactive Records. It is the first studio album to feature their new bassist, C.J. Ramone, who replaced original member Dee Dee Ramone. The album was re-released in the UK by the Captain Oi! record label on August 10, 2004, with the band's cover of the Spider-Man theme song included as a bonus track.
Animal Boy is the ninth studio album by the American punk rock band Ramones, released through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less performing from guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than on previous albums, and Richie Ramone became the first drummer to write songs for the band since Tommy Ramone, the band's original drummer. Richie also wrote for Too Tough To Die (1984). The album spawned four singles, all of which charted on the UK Singles Chart, as well as other charts. In addition to singles, the band promoted their album using a music video for "Something to Believe In", which parodied the contemporary benefit concerts Live Aid and Hands Across America.
¡Adios Amigos! is the fourteenth and final studio album by the American punk rock band Ramones. It was released on July 18, 1995, through Radioactive Records. The Ramones disbanded a year after its release and subsequent tour.
Weird Tales of the Ramones is a box set compilation by American punk band the Ramones. It was released on August 16, 2005. There are 85 songs on 3 CDs, plus a DVD containing the feature "Lifestyles of the Ramones", a documentary featuring several of their music videos up to 1990 interspersed by interview clips with the band and figures in pop culture, plus the music videos released by the band after the release of the main feature on the DVD. The set was compiled by Johnny Ramone and released by Rhino Records.
Ramones Mania is the first greatest hits album by the American punk rock band the Ramones. It was released on May 31, 1988 through Sire Records and consists of 30 Ramones songs, including some single versions, a single B-side and one previously unreleased take.
"Pet Sematary" is a single by American punk rock band Ramones, from their 1989 album Brain Drain. The song, originally written for the Stephen King 1989 film adaptation of the same name, became one of the Ramones' biggest radio hits and was a staple of their concerts during the 1990s. The song plays over the film’s credits.
The Ramones were an American punk rock band from New York City. Their discography consists of fourteen studio albums, ten live albums, sixteen compilation albums, seventy-one singles, thirty-two music videos and ten films. The band formed in early 1974, and upon signing with Seymour Stein of Sire Records, the Ramones released their self-titled debut album on April 23, 1976. Despite the recording process only taking a week and being on a budget of $6,400, the album has since become their most accoladed and iconic release. 1977's Leave Home was the band's follow up album, released less than a year later, also through Sire. While it was the first album to chart in the United Kingdom, it did not chart as well in the United States as Ramones, nor their third record, Rocket to Russia, which was released in late 1977. Road to Ruin was the band's fourth studio album and their first to feature a change in the band member line-up, with drummer Marky Ramone replacing Tommy Ramone.
The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States, the Ramones are often cited as the first true punk band. Though achieving little commercial success, the band is seen today as highly influential in punk culture.
Citations
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Bibliography