Ron Mael | |
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Background information | |
Birth name | Ronald David Mael |
Born | Culver City, California, U.S. | August 12, 1945
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Years active | 1963–present |
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Website | allsparks |
Ronald David Mael (born August 12, 1945) [1] is an American musician, songwriter, composer and record producer. [2] He is the keyboard player and principal songwriter in the band Sparks, which he founded with vocalist, occasional songwriter and younger brother Russell Mael in 1971. Mael is known for his quirky and idiosyncratic approach to songwriting, [3] his intricate and rhythmic keyboard playing style and for his deadpan and low key, scowling demeanour onstage often remaining motionless over his keyboard in sharp contrast to Russell's animated and hyperactive frontman antics. Ron Mael is also noted for his conservative clothes and distinctive moustache. The Mael brothers are the founders of Lil' Beethoven Records.
Ronald David Mael was born on August 12, 1945, in Culver City, California. The Mael brothers grew up in Pacific Palisades – an affluent beach neighbourhood of Los Angeles – with their father, Meyer Mael, [4] [5] who was a graphic designer and caricaturist for the Hollywood Citizen-News, [6] [7] and their mother, Miriam (née Moskowitz), a librarian. Both Meyer and Miriam were the children of Jewish immigrants, Meyer from Russia and Austria and Miriam from Poland; [8] [9] despite this, a source affiliated with the brothers' 2021 documentary stated that they "weren't raised, nor do they identify as Jewish", and the documentary does not mention their Jewish heritage. [10] Much of the Mael brothers' initial inspiration came from their father taking them to the cinema as children, where they developed an interest in film, visual arts and narrative. Meyer died when Mael was 11. [11]
After being educated at Palisades High School, both brothers enrolled at UCLA; [12] Ron began a course in cinema and graphic arts in 1963 while Russell studied theatre arts and filmmaking between 1966 and 1968. [13] It was during their time at UCLA the brothers formed their first band, The Urban Renewal Project, who recorded a series of demos in 1967.
Ron Mael plays the keyboards and synthesizers and writes most of the songs for Sparks. When the band hit the peak of its popularity in the 1970s, he was well known for his strange appearance, often remaining motionless over his keyboard in sharp contrast to Russell's animated and hyperactive frontman antics. Ron's conservative clothes and unfashionable, Charlie Chaplin-esque toothbrush moustache attracted much attention, as does his current pencil moustache. Onstage, Ron alternates between playing the keyboard and engaging in comic mime routines, often in connection with projections on backdrop. A feature of a live Sparks show is Ron's dance routine, which he continues to perform into his late 70s.
For the first two albums with Halfnelson/Sparks, Mael played a Wurlitzer electronic piano, but found that it did not stand up to road use because the metal reeds broke frequently. When Sparks relocated to the UK, Mael began using an RMI Electra-Piano, played through an Echoplex tape echo unit, and this distinctive sound featured prominently on their breakthrough single "This Town Ain't Big Enough For The Both Of Us", the albums Kimono My House and Propaganda and in their live shows. Since 1981, he has used various Yamaha and Roland keyboards and synthesizers live. That year, he altered the Roland logo on the back of his Roland Jupiter-8 to read "Ronald", which he has done on all of his keyboards since then. [14] He currently uses a Yamaha Motif XF8.
The pair appeared as themselves in the 1977 disaster film Rollercoaster , performing live. They also appeared in episode twenty-two of season six of the Gilmore Girls .
In a rare non-Sparks related musical turn, Ron and Russell Mael wrote the lyrics to Telex's 1982 album, Sex.
In June 2018, Edgar Wright announced he would be making a documentary on the cult pop-rock band Sparks. [15] He had covered the band's concert in London in May at O2 Forum Kentish Town. This concert would also be a part of the documentary. [16] [17] The film, The Sparks Brothers , had its world premiere at the 2021 Sundance Film Festival on January 30, 2021. [18]
In 2017, a reviewer noted that while the brothers' biographies recount an LA childhood in which they surfed and were both models for mail order catalogues, their private lives are otherwise almost entirely unknown. "Well, we're in good company with Bob Dylan", was their reported response. "We feel the less you do know, it keeps the mythology and the image in a better position." Even to the question of whether they have partners or spouses, they refused to give an indication, insisting that "the vagueness is more interesting than the reality." [19]
With Sparks
Year | Album |
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1971 | Halfnelson |
1973 | A Woofer in Tweeter's Clothing |
1974 | Kimono My House |
1974 | Propaganda |
1975 | Indiscreet |
1976 | Big Beat |
1977 | Introducing Sparks |
1979 | No. 1 in Heaven |
1980 | Terminal Jive |
1981 | Whomp That Sucker |
1982 | Angst in My Pants |
1983 | In Outer Space |
1984 | Pulling Rabbits Out of a Hat |
1986 | Music That You Can Dance To |
1988 | Interior Design |
1994 | Gratuitous Sax & Senseless Violins |
1997 | Plagiarism |
2000 | Balls |
2002 | Lil' Beethoven |
2006 | Hello Young Lovers |
2008 | Exotic Creatures of the Deep |
2009 | The Seduction of Ingmar Bergman |
2017 | Hippopotamus |
2020 | A Steady Drip, Drip, Drip |
2023 | The Girl Is Crying in Her Latte |
With FFS
Year | Album |
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2015 | FFS |
Russell Craig Mael is an American singer best known as the lead singer for the band Sparks, which he formed in 1971 with his elder brother Ron Mael. Mael is known for his wide vocal range, in particular his far-reaching falsetto. He has a flamboyant and hyperactive stage presence which contrasts sharply with Ron Mael's inexpressive demeanour. The band released an album with British rock band Franz Ferdinand, as the supergroup FFS, titled FFS, released in 2015. The Mael brothers are the founders of Lil' Beethoven Records.
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.
Kimono My House is the third studio album by American rock band Sparks, released on May 1, 1974, by Island Records. The album is considered to be their commercial breakthrough, and was met with widespread acclaim.
"This Town Ain't Big Enough for Both of Us" is a song by American pop band Sparks. Written by Ron Mael, it is the opening track on their third studio album Kimono My House (1974), and was the lead single from the album. Although it did not chart on the Billboard Hot 100, "This Town Ain't Big Enough for Both of Us" achieved major success in Europe, peaking within the top ten of the charts in the Netherlands, Switzerland and the United Kingdom. In the latter country, the song peaked at number two on the UK Singles Chart, where it remained for two consecutive weeks. The song has become the highest-charting for Sparks on the UK Singles Chart, held off from the top spot by The Rubettes' bubblegum pop song "Sugar Baby Love".
Sparks, originally titled Halfnelson, is the debut album by the Los Angeles rock band Sparks. The album was first released as Halfnelson, the band's original name, and reissued a year later under the group’s new name.
A Woofer in Tweeter's Clothing is the second studio album by the American rock band Sparks. It was released in 1973 and includes the single "Girl from Germany". It was the last release by the original five-member incarnation of Sparks.
Propaganda is the fourth studio album by American rock band Sparks, released on November 11, 1974. Following up their commercial breakthrough, Kimono My House, released earlier the same year, it was a moderate success in the United States and peaked at No. 9 in the UK in 1975. The album cover features an image of a tied-up and gagged Mael brothers, titled "Welcome on Board", which was taken by photographer Monty Coles.
Indiscreet is the fifth album by Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was a departure from the glam rock sound of Kimono My House and Propaganda, and emphasised the theatrical elements of their work, with greater use of orchestral arrangements and drawing from non-rock orientated styles such as jazz, big band, swing, vaudeville, and classical music. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors.
Whomp That Sucker is the tenth album by the American rock band Sparks, released in 1981.
Angst in My Pants is the eleventh studio album by American pop and rock band Sparks. The album was released in 1982 by Atlantic Records in both the US and UK, and this was the sixth overall label that the band was signed to in the US, and, for the first time since the mid-1970s, the band would be signed to the same label in both the US and UK for three consecutive studio albums.
In Outer Space is the twelfth studio album by American pop band Sparks, released in April 1983 by Atlantic Records. Brothers Ron and Russell Mael of Sparks self-produced the album.
Pulling Rabbits Out of a Hat is the thirteenth studio album by American pop and rock band Sparks, released in June 1984 by Atlantic Records. It was not very well received and failed to capitalise on the commercial success of their previous studio album In Outer Space (1983). The album developed the light synth-pop sound of In Outer Space but with slightly darker lyrics revolving around Ron Mael's favourite subject matter: relationships.
Music That You Can Dance To is the fourteenth studio album by American pop band Sparks, released in September 1986 by MCA Records in the US and Consolidated Allied Records in the UK, two years after their previous studio album, Pulling Rabbits Out of a Hat (1984).
Exotic Creatures of the Deep is the 21st album by the American rock band Sparks.
"Amateur Hour" is a song by Sparks. It was released as the second single, released by Island Records, from their 1974 album Kimono My House. Bassist Martin Gordon was requested to replace his original bass part with a Fender Precision bass, belonging to his subsequent replacement in the band.
The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs.
Tammy Glover is an American television producer, film producer, and musician. She served as the VP of Production for Comedy Central from 2007 to 2011, Senior Vice President of Production for FremantleMedia and is currently the Head of Physical Production for TNT, TBS, and TruTV, part of Warner Bros Discovery. Glover was on the Board of Governors for the Academy of Television Arts & Sciences representing Production Executives. She played drums for Sparks from 1997 to 2011 and contributed to BBC Radio 6 Music's This Town Ain't Big Enough For Both Of Us: The Story Of Sparks presented by Mark Radcliffe. She also performs with Billy Zimmer as the duo Thorcraft Cobra. Modern Drummer has done a number of features on Glover. and she has contributed session work for many projects, including solo work for David Dattner, and playing live drums for the Peter G Adams soundtrack of CodeGirl.
FFS was a supergroup formed by Scottish indie rock band Franz Ferdinand and American art rock band Sparks. Their formation was announced on 9 March 2015, but the two bands had been recording since at least the mid-2000s. The group's eponymous debut studio album was recorded in late 2014 and released through the Domino Recording Company in the UK on 8 June and in the US on 9 June 2015.
A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks. Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content.
The Sparks Brothers is a 2021 documentary film about Ron and Russell Mael, members of the pop and rock duo Sparks. The film, directed by Edgar Wright, and produced by Wright, Nira Park, George Hencken and Laura Richardson, premiered at the 2021 Sundance Film Festival and was theatrically released the following summer. It received critical acclaim.