Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.
Kimono My House is the third studio album by American rock band Sparks, released on May 1, 1974, by Island Records. The album is considered to be their commercial breakthrough, and was met with widespread acclaim.
James Andrew Mankey is an American rock guitarist, most widely known as the co-founder and longtime guitarist of the band Concrete Blonde. Mankey was also the bassist with the band Sparks for their first two albums.
Sparks, originally titled Halfnelson, is the debut album by the Los Angeles rock band Sparks. The album was first released as Halfnelson, the band's original name, and reissued a year later under the group’s new name.
A Woofer in Tweeter's Clothing is the second studio album by the American rock band Sparks. It was released in 1972 and includes the single "Girl from Germany". It was the last release by the original five-member incarnation of Sparks.
Propaganda is the fourth studio album by American rock band Sparks, released on November 11, 1974. Following up their commercial breakthrough, Kimono My House, released earlier the same year, it was a moderate success in the United States and peaked at No. 9 in the U.K. in 1975. The album cover features an image of a tied-up and gagged Mael brothers, titled "Welcome on Board," which was taken by photographer Monty Coles.
Indiscreet is the fifth album by Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was a departure from the glam rock sound of Kimono My House and Propaganda, and emphasised the theatrical elements of their work, with greater use of orchestral arrangements and drawing from non-rock orientated styles such as jazz, big band, swing, vaudeville, and classical music. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors.
Big Beat is the sixth album by American rock band Sparks, released in 1976.
Introducing Sparks is the seventh album by the American rock band Sparks, released in 1977 by Columbia Records.
Nº 1 in Heaven is the eighth studio album by American rock band Sparks. Recorded with Italian disco producer Giorgio Moroder, the album marked a change of musical direction for the group and became influential on later synth-pop bands.
Whomp That Sucker is the tenth album by the American rock band Sparks, released in 1981.
Music That You Can Dance To is the fourteenth studio album by American pop band Sparks, released in September 1986 by MCA Records in the US and Consolidated Allied Records in the UK, two years after their previous studio album, Pulling Rabbits Out of a Hat (1984).
Balls is the 18th album by the American rock band Sparks, released in 2000.
Lil' Beethoven is the 19th album by the American rock band Sparks, released on November 26, 2002. The album was a radical musical departure compared to their previous works. The band only used strings, piano, and voices but sporadic drums: the result was both classical and pop music.
Hello Young Lovers is the 20th album by Sparks. A continuation of the repetitious, orchestral sound of their previous album Lil' Beethoven, though with a much greater emphasis on guitar and drums, it is a concept album which addresses aspects of modern love.
The following is a comprehensive discography of Sparks, an American rock and pop music band formed in Los Angeles in 1970 by brothers Ron (keyboards) and Russell Mael (vocals), initially under the name Halfnelson. Best known for their quirky approach to songwriting, Sparks' music is often accompanied by cutting and acerbic lyrics, and an idiosyncratic stage presence, typified in the contrast between Russell's wide-eyed hyperactive frontman antics and Ron's sedentary scowling.
"Beat the Clock" is a disco single by the American rock duo Sparks, which was released in 1979. It is named after the game show, Beat the Clock.
The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs.
Hippopotamus is the 23rd studio album by American rock group Sparks. It was released on September 8, 2017, through BMG Rights Management and The End Records, their first record issued on a major label for decades.
A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks. Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content.
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