Recording
At this point in their career,Halfnelson was a three piece group comprising the Mael brothers and guitarist Earle Mankey. The demos that the trio had recorded in Mankey's home studio came to the attention of musician and producer Todd Rundgren,who signed them to the Bearsville label and produced their debut album in 1971. Interviewed in 2013,the duo recalled their collaboration with Rundgren as a very positive experience.
Ron Mael:"It was intimidating for us just to be in a studio,but he was really incredibly open to what we were doing,and I think we really felt like kindred spirits,even though some of his own music was kinda maybe more soul-based. But he was an Anglophile just the way we were Anglophiles. It all went incredibly well with him personally and musically."
Russell Mael:"To his credit,he didn't wanna change what we were doing,he just wanted the fidelity to be a little better. So we were going into an expensive recording studio with Todd,but still banging on cardboard boxes and all. He could see that the recording process was kind of a part of what we were. It wasn't that we needed to be changed into a traditional band. The way we were recording was a fair part of what we were and what made us interesting as a band to him.”
"Wonder Girl",the band's first single,exemplified both the Maels' unorthodox approach,and Rundgren's openness to it:
Russell Mael:"Todd really wanted to preserve the quality of the demo. It's not like a live band sound at all. The guitar parts are really deliberate. The recording has a real character to it.”
Ron Mael:"The keyboard on that was the Wurlitzer. It was always difficult for me to figure out how a keyboard really worked with a band. So in that particular song,it was kind of a two-note riff.” [5]
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