A Steady Drip, Drip, Drip

Last updated
A Steady Drip, Drip, Drip
SPARKS-A-Drip-Drip-Drip-CD-album-cover-300x300.jpg
Studio album by
ReleasedMay 15, 2020
StudioSparks (Los Angeles, California)
Genre
Length54:26
Label BMG
Producer
Sparks chronology
Hippopotamus
(2017)
A Steady Drip, Drip, Drip
(2020)
Annette
(2021)
Singles from A Steady Drip, Drip, Drip
  1. "Please Don't Fuck Up My World"
    Released: December 16, 2019
  2. "Self-Effacing"
    Released: February 19, 2020
  3. "I'm Toast"
    Released: March 13, 2020
  4. "One for the Ages"
    Released: March 27, 2020

A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks. Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content. [3]

Contents

The album's digital release on May 15, 2020 through BMG Rights Management [3] entered the UK iTunes chart at number 8 – also charting in the US, Germany, France and Canada – and the UK Official Album Downloads Chart Top 100 at no. 13. [4] [5]

The release of the physical formats was delayed because of the COVID-19 pandemic and only followed on July 3, 2020. [6] Accompanied by the YouTube premiere of a Cyriak Harris music video for the song "The Existential Threat", [7] [8] the physical release saw A Steady Drip, Drip, Drip enter the UK charts at number 7, making this the group's second consecutive UK Top 10 studio album and their fourth overall. [9] The album also made the Billboard 200 list of the top albums in the US, the first time Sparks has had a hit album in America since In Outer Space in 1983.

Background

Following the 2017 release of Hippopotamus , Sparks toured, continued their work as screenwriters and composers for the upcoming musical Annette starring Adam Driver and participated in a documentary about their career directed by Edgar Wright. [10]

Even so, as Sparks' keyboard player Ron Mael told Forbes' David Chiu, there were gaps in their schedule allowing A Steady Drip, Drip, Drip to be written and recorded: "We had been working so long on the Annette film, and there was a time when there was kind of a lull while they were sorting out just different business sides of the film. Rather than just sit around and wait, we kind of were anxious to get back and record individual discrete songs [...] the material just seemed to kind of come fairly easily this time around." [10]

Style

Like Hippopotamus, the studio album preceding it, A Steady Drip, Drip, Drip uses a full rock-group format. [11] Described by Randall Roberts in the Los Angeles Times as "contemporary, electronically driven art-pop", [1] the album reflects Sparks' traditional stylistic versatility encompassing "pop, rock, New Wave, synth-pop, disco, dance, electro, orchestral, opera" [12] while prominently featuring Russell Mael's layered vocals, accompanied by rocky guitars and drums. [13]

Russell Mael, speaking to The Quietus , said "A Steady Drip, Drip, Drip is a good introduction to Sparks [...] it's one of those albums that's all over the map sonically, and lyrically it's really kind of uncompromising too. It's not timid in any way." [14] The album was noted for its multiple occurrences of the word "fuck", which is somewhat unusual in Sparks' catalogue – the Los Angeles Times quoted Ron Mael quipping, "We held off for 23 albums". [1] [14] [nb 1]

Lyrically, the songs' content is described by David Cheal in the Financial Times as "funny, clever, arch, wry, dry, witty, smart, strange, and, at times, actually rather moving". [13] Louder Than War's Tim Cooper likened Ron Mael's writing to that of Cole Porter or Ivor Novello, "employing wit in the form of puns and metaphors, yet his subject matter and his concerns are always contemporary; never more so than on 'iPhone', a song whose chorus is something we can all empathise with: 'Put your fucking iPhone down and listen to me.'" [12]

The album's closing track "Please Don't Fuck Up My World", described by AllMusic's Heather Phares as a "poignant ecological plea" that "manage[s] to use a children's choir to non-cloying effect", is also unusual in Sparks' body of work for having an overt political message. [15] [16] A number of other song lyrics, featuring phrases such as "All interaction's now suspended" and "Threat outside, let me hide, just until the danger passes, then I'll go outside ... the Existential Threat is at your patio door and do not let it in", recorded before the onset of the COVID-19 pandemic, appeared eerily prescient in retrospect. [10] [1] [14]

Release

Originally scheduled for a May 15, 2020 release date, only the digital version of the album was released on that date, with the physical formats (picture disc vinyl, CD, coloured vinyl) pushed back until July 3, 2020, due to the COVID-19 pandemic. [6] [17] Interestingly, the vinyl edition requires the listener to play the disc at 45 RPM despite the album being a 12” double record set. Coinciding with the physical release of the album, an official music video for the song "The Existential Threat" premiered on YouTube, the animation created by English freelance animator and composer Cyriak Harris. [7] [8] [18]

Reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic? 8.1/10 [19]
Metacritic 82/100 [3]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]
American Songwriter Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [20]
Clash 9/10 [21]
Exclaim! 9/10 [11]
Financial Times Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [13]
The Irish Times Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [22]
musicOMH Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [23]
The Telegraph Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [24]
The Times Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [2]
Uncut 9/10 [25]

A Steady Drip, Drip, Drip has a score of 82 out of 100 on review aggregator website Metacritic, based on 16 reviews, indicating "universal acclaim". [3] Mat Smith writing in Clash magazine characterised it as "classic Sparks moments, full of comedy, clever wordplay, deft explorations of all the myriad issues of the world, with arrangements that sound as current and fresh as a dew-soaked spring daisy." [21] Audio and music publication MusicnGear stated that the album "could very well re-ignite the imagination you had as a child; and remind you of the full unbridled freedom that can come with creativity." [26]

Following its digital release, the album entered the UK iTunes chart at number 8, as well as the iTunes charts of France, Canada, the US and Germany at numbers 19, 32, 44 and 47 respectively. [4] It entered the UK Official Album Downloads Chart Top 100 at number 13, [5] and subsequently entered the UK Top 10 at number 7 when the physical formats were released in July 2020, thus repeating the UK chart performance of its predecessor, Hippopotamus. [9] In addition, the album took the number 1 spot in the UK Official Independent Albums Chart. [27]

Track listing

All tracks are written by Ron Mael and Russell Mael.

No.TitleLength
1."All That"4:44
2."I'm Toast"3:32
3."Lawnmower"3:39
4."Sainthood Is Not in Your Future"4:13
5."Pacific Standard Time"4:23
6."Stravinsky's Only Hit"4:10
7."Left Out in the Cold"4:18
8."Self-Effacing"3:42
9."One for the Ages"3:49
10."Onomato Pia"2:52
11."iPhone"4:01
12."The Existential Threat"3:24
13."Nothing Travels Faster Than the Speed of Light"4:25
14."Please Don't Fuck Up My World"3:14
Total length:54:19

Personnel

Additional musicians: [25]

Charts

Chart performance for A Steady Drip, Drip, Drip
Chart (2020)Peak
position
Austrian Albums (Ö3 Austria) [28] 29
Dutch Albums (Album Top 100) [29] 88
French Albums (SNEP) [30] 159
German Albums (Offizielle Top 100) [31] 24
Scottish Albums (OCC) [32] 2
Swiss Albums (Schweizer Hitparade) [33] 25
UK Albums (OCC) [34] 7
UK Independent Albums (OCC) [35] 1
US Top Album Sales (Billboard) [36] 75

Notes

  1. The song "The Angels" on the Sparks album Balls previously used the word "fucking".

Related Research Articles

<span class="mw-page-title-main">Russell Mael</span> American musician and co-founder of the band Sparks

Russell Craig Mael is an American singer best known as the lead singer for the band Sparks which he formed in 1971 with his elder brother Ron Mael. Mael is known for his wide vocal range, in particular his far-reaching falsetto. He has a flamboyant and hyperactive stage presence which contrasts sharply with Ron Mael's inexpressive demeanour. The band released an album with British rock band Franz Ferdinand, as the supergroup FFS, titled FFS, released in 2015. The Mael brothers are the founders of Lil' Beethoven Records.

<span class="mw-page-title-main">Sparks (band)</span> American rock and pop band

Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.

<i>Kimono My House</i> 1974 studio album by Sparks

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<span class="mw-page-title-main">This Town Ain't Big Enough for Both of Us</span> 1974 single by Sparks

"This Town Ain't Big Enough for Both of Us" is a song by American pop band Sparks. Written by Ron Mael, it is the opening track on their third studio album Kimono My House (1974), and was the lead single from the album. Although it did not chart on the Billboard Hot 100, "This Town Ain't Big Enough for Both of Us" achieved major success in Europe, peaking within the top ten of the charts in the Netherlands, Switzerland and the United Kingdom. In the latter country, the song peaked at number two on the UK Singles Chart, where it remained for two consecutive weeks. The song has become the highest-charting for Sparks on the UK Singles Chart, held off from the top spot by The Rubettes' bubblegum pop song "Sugar Baby Love".

<i>Propaganda</i> (Sparks album) 1974 studio album by Sparks

Propaganda is the fourth studio album by American rock band Sparks, released on November 11, 1974. Following up their previous year's commercial breakthrough, Kimono My House, it was a moderate success in the United States and peaked at No. 9 in the U.K. in 1975. The album cover features an image of a tied-up and gagged Mael brothers, titled "Welcome on Board," which was taken by photographer Monty Coles.

<i>Indiscreet</i> (Sparks album) 1975 studio album by Sparks

Indiscreet is the fifth album by Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was a departure from the glam rock sound of Kimono My House and Propaganda, and emphasised the theatrical elements of their work, with greater use of orchestral arrangements and drawing from non-rock orientated styles such as jazz, big band, swing, vaudeville, and classical music. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors.

<i>No. 1 in Heaven</i> 1979 studio album by Sparks

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<i>Music That You Can Dance To</i> 1986 studio album by Sparks

Music That You Can Dance To is the fourteenth studio album by American pop band Sparks, released in September 1986 by MCA Records in the US and Consolidated Allied Records in the UK, two years after their previous studio album, Pulling Rabbits Out of a Hat (1984).

<i>Gratuitous Sax & Senseless Violins</i> 1994 studio album by Sparks

Gratuitous Sax & Senseless Violins is the 16th album by American rock band Sparks. It was released in 1994, after an absence from the music industry of 6 years, and marked the duo's transition into a more techno/Eurobeat-influenced sound, which earned them popularity in Germany.

<i>Balls</i> (Sparks album) 2000 studio album by Sparks

Balls is the 18th album by the American rock band Sparks, released in 2000.

<i>Lil Beethoven</i> 2002 studio album by Sparks

Lil' Beethoven is the nineteenth studio album by the American rock band Sparks, released on October 14, 2002. The album was a radical musical departure compared to their previous works. The band only used strings, piano, and voices but no drums: the result was both classical and pop music.

<i>Hello Young Lovers</i> (Sparks album) 2006 studio album by Sparks

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The following is a comprehensive discography of Sparks, an American rock and pop music band formed in Los Angeles in 1970 by brothers Ron (keyboards) and Russell Mael (vocals), initially under the name Halfnelson. Best known for their quirky approach to songwriting, Sparks' music is often accompanied by cutting and acerbic lyrics, and an idiosyncratic stage presence, typified in the contrast between Russell's wide-eyed hyperactive frontman antics and Ron's sedentary scowling.

<i>Exotic Creatures of the Deep</i> 2008 studio album by Sparks

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<i>The Seduction of Ingmar Bergman</i> 2009 studio album by Sparks

The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs.

<span class="mw-page-title-main">FFS (band)</span> Supergroup band

FFS was a supergroup formed by Scottish indie rock band Franz Ferdinand and American art rock band Sparks. Their formation was announced on 9 March 2015, but the two bands had been recording since at least the mid-2000s. The group's eponymous debut studio album was recorded in late 2014 and released through the Domino Recording Company in the UK on 8 June and in the US on 9 June 2015.

<i>Hippopotamus</i> (album) 2017 studio album by Sparks

Hippopotamus is the 23rd studio album by American rock group Sparks. It was released on September 8, 2017, through BMG Rights Management and The End Records, their first record issued on a major label for decades.

<span class="mw-page-title-main">When Do I Get to Sing 'My Way'</span> 1994 single by Sparks

"When Do I Get to Sing 'My Way'" is a song by American rock band Sparks, released in October 1994 as the first single from their 16th album, Gratuitous Sax & Senseless Violins (1994). It makes reference to the Frank Sinatra signature-tune "My Way" and was a top-40 hit in the United Kingdom while peaking at number seven in Germany. In the US, it reached number nine on the Billboard Hot Dance Club Play chart. In 1995, the song was re-released, this time peaking at number 32 in the UK. It's accompanying music video was directed by British music video director Sophie Muller.

<span class="mw-page-title-main">With All My Might (Sparks song)</span> 1984 song by Sparks

"With All My Might" is a song by American pop and rock duo Sparks, which was released in 1984 as the lead single from their thirteenth studio album Pulling Rabbits Out of a Hat (1984). The song was written by Ron Mael and Russell Mael, and produced by Ian Little. "With All My Might" failed to enter the Billboard Hot 100 but reached No. 4 on the Bubbling Under the Hot 100 chart.

<i>Direction of the Heart</i> 2022 studio album by Simple Minds

Direction of the Heart is the nineteenth studio album by Scottish rock band Simple Minds, released on 21 October 2022 by BMG.

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