Pulling Rabbits Out of a Hat | ||||
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Studio album by | ||||
Released | June 1984 | |||
Studio | Oasis Studios (Los Angeles, California) | |||
Genre | ||||
Length | 39:47 | |||
Label | Atlantic | |||
Producer | Ian Little | |||
Sparks chronology | ||||
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Singles from Pulling Rabbits Out of a Hat | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Pulling Rabbits Out of a Hat is the thirteenth studio album by American pop and rock band Sparks, released in June 1984 by Atlantic Records. It was not very well received and failed to capitalise on the commercial success of their previous studio album In Outer Space (1983). The album developed the light synth-pop sound of In Outer Space but with slightly darker lyrics revolving around Ron Mael's favourite subject matter: relationships.
Pulling Rabbits Out of a Hat did not chart in the US in spite of the popularity of their previous studio album In Outer Space (1983). In the UK, where the group hadn't charted since 1979, the album was also unsuccessful.
Three singles were lifted from the album. The lead single, "With All My Might", reached No. 104 on Bubbling Under Hot 100 Singles and made the Billboard Hot Dance Music/Club Play chart, where it peaked at No. 28. [2] The other two singles were "Pretending to Be Drunk" and "Progress", which were extended, remixed and released as club promos.
All tracks are written by Ron Mael and Russell Mael.
No. | Title | Length |
---|---|---|
1. | "Pulling Rabbits Out of a Hat" | 4:07 |
2. | "Love Scenes" | 4:20 |
3. | "Pretending to Be Drunk" | 3:38 |
4. | "Progress" | 4:43 |
5. | "With All My Might" | 4:06 |
No. | Title | Length |
---|---|---|
6. | "Sparks in the Dark (Part One)" | 0:28 |
7. | "Everybody Move" | 2:58 |
8. | "A Song That Sings Itself" | 4:29 |
9. | "Sisters" | 3:53 |
10. | "Kiss Me Quick" | 4:07 |
11. | "Sparks in the Dark (Part Two)" | 2:58 |
Total length: | 39:47 |
No. | Title | Length |
---|---|---|
12. | "Sparks in the Dark" (Extended Club Mix) | 3:57 |
13. | "Pretending to Be Drunk" (Extended Version) | 5:39 |
14. | "Progress" (Extended Club Mix) | 6:15 |
15. | "With All My Might" (Extended Club Mix) | 6:40 |
16. | "Kiss Me Quick" (Extended Version) | 5:39 |
Credits are adapted from the Pulling Rabbits Out of a Hat liner notes. [3]
Sparks
Additional musicians
Production
Ronald David Mael is an American musician, songwriter, composer and record producer. He is the keyboard player and principal songwriter in the band Sparks which he founded with vocalist, occasional songwriter and younger brother Russell Mael in 1971. Mael is known for his quirky and idiosyncratic approach to songwriting, his intricate and rhythmic keyboard playing style and for his deadpan and low key, scowling demeanour onstage often remaining motionless over his keyboard in sharp contrast to Russell's animated and hyperactive frontman antics. Ron Mael is also noted for his conservative clothes and distinctive moustache. The Mael brothers are the founders of Lil' Beethoven Records.
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.
Kimono My House is the third studio album by American rock band Sparks, released on May 1, 1974, by Island Records. The album is considered to be their commercial breakthrough, and was met with widespread acclaim.
"The Remedy (I Won't Worry)" is the debut single of American singer-songwriter Jason Mraz from his debut album, Waiting for My Rocket to Come (2002). Written by Mraz and production team the Matrix (Lauren Christy, Scott Spock, and Graham Edwards), the song is about a good friend of Mraz's, Charlie Mingroni, being struck with cancer and how it changed Mraz's outlook on life. Occasionally, while performing this song during his shows, Mraz would include a singalong with the audience to Oasis's "Wonderwall".
Come Upstairs is the ninth studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records on June 16, 1980.
"This Town Ain't Big Enough for Both of Us" is a song by American pop band Sparks. Written by Ron Mael, it is the opening track on their third studio album Kimono My House (1974), and was the lead single from the album. Although it did not chart on the Billboard Hot 100, "This Town Ain't Big Enough for Both of Us" achieved major success in Europe, peaking within the top ten of the charts in the Netherlands, Switzerland and the United Kingdom. In the latter country, the song peaked at number two on the UK Singles Chart, where it remained for two consecutive weeks. The song has become the highest-charting for Sparks on the UK Singles Chart, held off from the top spot by The Rubettes' bubblegum pop song "Sugar Baby Love".
Nº 1 in Heaven is the eighth studio album by American rock band Sparks. Recorded with Italian disco producer Giorgio Moroder, the album marked a change of musical direction for the group and became influential on later synth-pop bands.
Whomp That Sucker is the tenth album by the American rock band Sparks, released in 1981.
Angst in My Pants is the eleventh studio album by American pop and rock band Sparks. The album was released in 1982 by Atlantic Records in both the US and UK, and this was the sixth overall label that the band was signed to in the US, and, for the first time since the mid-1970s, the band would be signed to the same label in both the US and UK for three consecutive studio albums.
In Outer Space is the twelfth studio album by American pop band Sparks, released in April 1983 by Atlantic Records. Brothers Ron and Russell Mael of Sparks self-produced the album.
Music That You Can Dance To is the fourteenth studio album by American pop band Sparks, released in September 1986 by MCA Records in the US and Consolidated Allied Records in the UK, two years after their previous studio album, Pulling Rabbits Out of a Hat (1984).
Interior Design is the fifteenth studio album by the American rock band Sparks, released in August 1988 by Fine Art Records.
Gratuitous Sax & Senseless Violins is the 16th album by American rock band Sparks. It was released in 1994, after an absence from the music industry of 6 years, and marked the duo's transition into a more techno/Eurobeat-influenced sound, which earned them popularity in Germany.
Plagiarism is the 17th album by American rock band Sparks. It is a tribute album of sorts featuring new alternate versions of some of their best known songs.
Barking at Airplanes is the ninth studio album by American singer-songwriter Kim Carnes, released on May 5, 1985, by EMI America Records.
"Cool Places" is a 1983 new wave song recorded by American pop band Sparks in collaboration with the Go-Go's rhythm guitarist and backing vocalist Jane Wiedlin. It was their second single to enter the Billboard Hot 100.
"Beat the Clock" is a 1979 song by the American pop and rock duo Sparks. Produced by famed disco producer Giorgio Moroder, it was released as the fourth single from the band's eighth studio album No. 1 in Heaven.
Don't Stop is the third solo album by Jeffrey Osborne, released on September 21, 1984.
"With All My Might" is a song by American pop and rock duo Sparks, which was released in 1984 as the lead single from their thirteenth studio album Pulling Rabbits Out of a Hat (1984). The song was written by Ron Mael and Russell Mael, and produced by Ian Little. "With All My Might" failed to enter the Billboard Hot 100 but reached No. 4 on the Bubbling Under the Hot 100 chart.
"Now That I Own the BBC" is a song by American pop and rock duo Sparks, which was released in Europe in 1995 and the UK in 1996 as the third and final single from their sixteenth studio album Gratuitous Sax & Senseless Violins (1994). The song was written and produced by Ron Mael and Russell Mael, with additional production by Linus Burdick.
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