A music workstation is an electronic musical instrument providing the facilities of:
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.
The Roland D-50 is a synthesizer produced by Roland and released in April of 1987. Its features include digital sample-based subtractive synthesis, on-board effects, a joystick for data manipulation, and an analog synthesis-styled layout design. The external Roland PG-1000 (1987) programmer could also be attached to the D-50 for more complex manipulation of its sounds. It was also produced in a rack-mount variant design, the D-550, with almost 450 user-adjustable parameters.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's "HI Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM Show in 2007, Korg announced the Korg M3 as its successor.
The Yamaha AN1x is a DSP-based analog modeling synthesizer, produced by Yamaha Corporation from 1997 to 1998, and was marketed as an "analog physical modelling control synthesizer".
The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI², an improved version of the AI Synthesis technology found in the M1. The success of the AI² architecture ensured it was used in the majority of subsequent Korg synths of the 1990s.
The discontinued Roland MC-909 Sampling Groovebox combines the features of a synthesizer, sequencer, and sampler, with extensive hands-on control of both the sound engine and the sequencing flow. It was intended primarily for live performance of pre-programmed patterns consisting of up to 16 tracks of MIDI data. It was released by Roland Corporation on October 8, 2002. This product was announced at the AES Fall Convention in 2002. It is the direct successor to the Roland MC-505 and is the predecessor to the Roland MC-808. Which eventually ended the "Groovebox by year 2010" line of products by Roland which began in the year 1996 with the Original Roland MC-303 groovebox. The Roland Groovebox began again resurgence in the year 2019 with a two new modern & redesign Roland MC-707 GROOVEBOX/Roland MC-101 GROOVEBOX. The Roland MC-909 was developed from the blueprint of Roland's own "Roland Fantom-S Workstation & Roland Fantom-X Workstation" and uses the same structure and operating system, with some differences regarding the Patterns section, not implemented in the Roland Fantom S/X6/X7/X8 Workstation.
The Fantom-X (Xa/X6/X7/X8/XR) is a music workstation/synthesizer produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
The Ensoniq TS-10 was a synthesizer and music workstation introduced by Ensoniq in 1993. It provided synthesis, user sample playback, sequencer, effect units and performance facilities in a 61-key package.
The MC-808 is a groovebox introduced by Roland in 2006. It is the successor to the late Roland MC-303, Roland MC-307, Roland MC-505 and Roland MC-909.
The Yamaha SY85 is a digital music workstation introduced in 1992. Unlike other Yamaha synthesizers of the time the SY85 does not use FM synthesis. Instead, its sounds are based on samples, which can be layered and modified to create new sounds.
Roland Juno-G is a music workstation/synth introduced in 2006 by Roland Corporation. It is based on the Fantom-X series, having a vintage design that resembles the first Juno synthesizers, such as the Juno-106. The Juno-G's main competitors in the approximate price range, with similar features, when first released, were the Korg Triton Le/TR and Yamaha MO6 workstation synthesizers.
Yamaha SY77 is a 16 voice multitimbral music workstation first produced by Yamaha Corporation in 1989. The SY77 is a synthesizer whose architecture combines AFM synthesis, AWM2 for ROM-borne sample-based synthesis, and the combination of these two methods christened Realtime Convolution and Modulation Synthesis (RCM). The same technology was also packaged in a rack-mounted module released simultaneously, the TG77.
The Yamaha MO6/MO8 is a music production synthesizer that comes in two sizes. The MO6 is the 61-key while the MO8 is the 88 weighted key version. The two versions use Yamaha's AWM2 tone generator also used in the Motif and the Motif ES series of synths and comes with 175MB of waveform memory, 64 voices of polyphony, 512 preset programs with 256 User voice and 129 GM voice, over 1700 arpeggio programs, and over 18 different filter types navigated through the 240x64 LCD display.
The Sirius is a keyboard "groove-synth," featuring a subtractive hybrid-tone-generation synthesizer referred to as DTE synthesis introduced in 1997 by Quasimidi. The unit featured both real-time and step sequencers with pattern- and song-modes, capable of acting basic drum machine, groove-box, or sound-module.
The CZ series is a family of low-cost phase distortion synthesizers produced by Casio in the mid-1980s. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets from the CZ line. The CZ synthesizers' price at the time of their introduction made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 (1985) and Yamaha DX100, in light of the CZ series' success.
The Yamaha YS200 is an FM synthesiser and workstation produced by Yamaha, introduced in 1988. It combines a sequencer, rhythm machine, an FM synthesis soundchip and a MIDI keyboard. It was called the EOS YS200 in Japan and was also released as a more home-oriented keyboard in the form of the Yamaha EOS B200, which also featured built-in stereo speakers. The YS200 is the keyboard equivalent of the Yamaha TQ5 module. The forerunner of the YS200 was the almost-identical Yamaha YS100.
The Yamaha EX5 is a synthesizer/workstation produced by Yamaha from 1998 to 2000. The EX5 combines several methods of sound generation. The later released EX7 was a cheaper version of the EX5 with fewer keys, polyphony, sounds and functions. The Yamaha EX music synthesizers, along with the early Yamaha S series, were the predecessors of the Motif workstation series.
The Roland MKS-20 is a digital piano-type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano. The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000. Both the RD-1000 and MKS-20 feature eight keyboard sounds, including grand piano, electric piano, harpsichord, vibraphone, and clavinet. Both have three effects units built in: stereo chorus, stereo tremolo, and a three-band equalizer with a sweepable mid-range.
