A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis.
Digital music technology encompasses the use of digital instruments to produce, perform or record music. These instruments vary, including computers, electronic effects units, software, and digital audio equipment. Digital music technology is used in performance, playback, recording, composition, mixing, analysis and editing of music, by professions in all parts of the music industry.
A music workstation is an electronic musical instrument providing the facilities of:
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's "HI Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM Show in 2007, Korg announced the Korg M3 as its successor.
The Yamaha QY10 is a hand-held music workstation produced by the Yamaha Corporation in the early 1990s. Possessing a MIDI sequencer, a tone generator and a tiny single-octave keyboard, the portable and battery-powered QY10 enables a musician to compose music while traveling.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.
The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI², an improved version of the AI Synthesis technology found in the M1. The success of the AI² architecture ensured it was used in the majority of subsequent Korg synths of the 1990s.
The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage, released in 2016, followed up by the Yamaha Montage M in 2023.
The Korg Trinity is a synthesizer and music workstation released by Korg in 1995. It was Korg's first modern workstation and marked a significant evolution from its predecessors by offering features such as built-in digital audio recording, 32-note polyphony, an extensive internal sound library, assignable effects, and a large touchscreen for advanced control and editing functions, a feature not previously seen on any musical instrument. It also offered modular expansion for not only sounds, but also studio-grade features such as ADAT, various sound engine processors, audio recording capability, and more.
The Korg Poly-61(PS-61) is an analog synthesizer manufactured by Korg between 1982 and 1986. It was the first affordable synthesizer to feature two oscillators per voice, and was Korg's first synthesizer to feature digitally-controlled analog oscillators (DCOs). The Poly-61 marked a significant departure in design philosophy from previous Korg synthesizers by replacing the traditional array of dedicated control knobs on the front panel with a digital interface that required users to select parameters individually for adjustment.
The Fantom-X (Xa/X6/X7/X8/XR) is a music workstation/synthesizer produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
Roland Juno-G is a music workstation/synth introduced in 2006 by Roland Corporation. It is based on the Fantom-X series, having a vintage design that resembles the first Juno synthesizers, such as the Juno-106. The Juno-G's main competitors in the approximate price range, with similar features, when first released, were the Korg Triton Le/TR and Yamaha MO6 workstation synthesizers.
The Korg DSS-1 is a polyphonic sampling synthesizer released by Korg in 1986. As Korg's initial entry into the sampling market, the DSS-1 combines sampling, additive synthesis, and waveform drawing with an analog signal path. The DSS-1 was released a time when major synthesizer manufacturers like Yamaha and Casio were beginning to explore sampling, an area of sound design dominated by companies like Fairlight, E-mu, and Ensoniq. Korg did not stay long in the sampling arena; the DSS-1 was the company's only sampler until 1998 when Korg introduced sampling options on their Triton and Trinity series of workstations.
The Sirius is a keyboard "groove-synth," featuring a subtractive hybrid-tone-generation synthesizer referred to as DTE synthesis introduced in 1997 by Quasimidi. The unit featured both real-time and step sequencers with pattern- and song-modes, capable of acting basic drum machine, groove-box, or sound-module.
The Kronos is a music workstation manufactured by Korg that combines nine different synthesizer sound engines with a sequencer, digital recorder, effects, a color touchscreen display and a keyboard. Korg's latest flagship synthesizer series at the time of its announcement, the Kronos series was announced at the winter NAMM Show in Anaheim, California in January 2011.
The Nautilus is a music workstation manufactured by Korg, a successor to Kronos 2, which comes with Kronos' nine different synthesizer sound engines and other similar features. It was announced in November 2020 with availability in January 2021.
