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The Yamaha AN1x is a DSP-based analog modeling synthesizer, produced by Yamaha Corporation from 1997 to 1998, and was marketed as an "analog physical modelling control synthesizer".
The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until the 1990s. Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. It was also innovative in its integration of computer technology. The samplers were discontinued in 2002.
The Roland MC-505 is a groovebox conceived in 1998 as a combination of a MIDI controller, a music sequencer , a drum machine, and a desktop synthesizer with many synthesis features: arpeggiator, oscillators, and voltage-controlled filter, control of attack, decay, sustain and release, different envelopes and 2 Lfo. It was released as the successor to the Roland MC-303 and is a compact version of the Roland JX-305 Groovesynth without the full set of 61 keys. It is also the predecessor to the Roland D2, Roland MC-307, Roland MC-909 and the Roland MC-808.
The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage.
The Alesis Andromeda A6 is a 16-voice, 16-channel multitimbral analog synthesizer by Alesis which was released in 2000 and discontinued in 2010. The Andromeda has analog oscillators and filters combined with modern digital control. It can be considered a hybrid of older and newer technologies, but its entire signal path is purely analog. The VCOs have a very practical pitch correction function, a feature missing on other old polysynths. The VCOs have FM and ring modulation and sub-oscillators. These features makes it possible to create a much wider sonic palette than usual on analog polysynths.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
The Roland MC-808 was a groovebox, announced at the Winter NAMM in 2006. It is the successor to the late Roland MC-303, Roland MC-307, Roland MC-505 and Roland MC-909.
The Akai S3000XL is a sampler with 32 polyphonic voices, and 2 MB of built-in RAM.
The Roland JD-800 is a digital synthesizer that was manufactured between 1991 and 1996. It features many knobs and sliders for patch editing and performance control — features that some manufacturers, including Roland, had been omitting in the name of streamlining since the inception of the Yamaha DX7. The JD-800 thus became very popular with musicians who wished to take a hands-on approach to patch programming. The introduction in the manual states that Roland's intention with the JD-800 was to "return to the roots of synthesis".
The Yamaha CS1x is a sample-based synthesizer released by the Yamaha Corporation in 1996.
The Yamaha CS2x is a sample-based synthesizer released by the Yamaha Corporation in 1999. The CS2x is designed for maximum real-time control, according to Yamaha. It is the successor of the very successful Yamaha CS1x. Enhancements include 64-note polyphony, a bigger sample ROM and a 24 dB/oct LPF/HPF filter. The CS acronym stands for Control Synthesizer.
The Roland XP-50 is a music workstation that combines the synthesizer engine of Roland's JV-1080 sound module with the sequencing capabilities of their MRC-Pro sequencer and a 61-note keyboard. First released in 1995, the XP-50 and the Roland XP-10 were the first two Roland XP-series products, later joined by the XP-80 and XP-30.
Yamaha SY77 is a 16 voice multitimbral music workstation first produced by Yamaha Corporation in 1989. The SY77 is a synthesizer whose architecture combines AFM synthesis, AWM2 for ROM-borne sample-based synthesis, and the combination of these two methods christened Realtime Convolution and Modulation Synthesis (RCM). The same technology was also packaged in a rack-mounted module released simultaneously, the TG77.
The Roland JD-990 Super JD is a module version of Roland JD-800 synthesizer with expanded capabilities, which was released in 1993. JD-990 is a multitimbral synthesizer utilizing 'wave-table' sample-based synthesis technology. It is equipped with 6 MB of ROM containing sampled PCM waveforms, four sets of stereo outputs that are assignable to individual, internal, instruments, and standard MIDI in/out/through ports. JD-990 has a large LCD display and programming takes place through a keypad on the front panel of the unit. The unit can generate multi-timbral sounds reminiscent of the vintage analogue synthesizers but is also capable of generation of modern digital textures. There are several expansion boards available for JD-990 that can be installed in the provided expansion slot in the chassis of the unit.
The Yamaha SY99 is a synthesiser combining frequency modulation synthesis and sample-based synthesis and the direct successor to Yamaha's SY77/TG77. Compared to the SY77, it has a larger keyboard at 76 keys instead of 61, a larger ROM with more in-built AWM samples, the ability to load user-specified AWM samples into on-board RAM, an upgraded effects processor, and several other enhanced features.
The Alesis Quadrasynth is a 76-key, 64-note polyphonic PCM sample-based digital subtractive synthesizer first introduced in 1993. It was Alesis's first major foray into synthesizer production.
The Roland JX-305 Groovesynth synthesizer was produced in 1998 by Roland. It is very similar to a Roland MC-505 with an additional set of 61 keys. The keyboard is sensitive to velocity and has channel aftertouch. This keyboard was aimed at producers of dance and trance music and was during the late 90s also popular for live performances.
The SY22 is a combined FM synthesis/sample-based synthesiser introduced by Yamaha in 1990, building on the vector synthesis technology developed by Sequential Circuits prior to their demise and takeover by Yamaha in 1987.
The Yamaha EX5 is a synthesizer/workstation produced by Yamaha from 1998 to 2000. The EX5 combines several methods of sound generation. The later released EX7 was a cheaper version of the EX5 with fewer keys, polyphony, sounds and functions. The Yamaha EX music synthesizers, along with the early Yamaha S series, were the predecessors of the Motif workstation series.
The Yamaha PTX8 is a digital sample-based percussion tone generator built by Yamaha, in late 1986. It was included in the Yamaha D8 electronic drum kit.
References
- ↑ "Yamaha SY85". Vintage Synth. Retrieved 15 June 2018.
- ↑ "Gary Barlow: Recording, Production & Songwriting". Sound On Sound. November 1998. Archived from the original on 16 September 2014.
- ↑ "Paul Gomersall: Recording George Michael's "Older"". Sound On Sound. July 1996. Archived from the original on 9 June 2015.
