"Until the Night" | ||||
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Single by Billy Joel | ||||
from the album 52nd Street | ||||
B-side | "Root Beer Rag" | |||
Released | March 1979 | |||
Recorded | 1978 | |||
Genre | ||||
Length | 6:35 (album version) 5:00 (single version) | |||
Label | Columbia | |||
Songwriter(s) | Billy Joel | |||
Producer(s) | Phil Ramone | |||
Billy Joel UKsingles chronology | ||||
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"Until the Night" is a song written by Billy Joel for his 1978 album, 52nd Street . Although passed over for single release in the US, "Until the Night" was issued as the second single from 52nd Street in the UK - following "My Life" - in March 1979 and reached #50 on the UK Singles Chart. [1] [2]
Various versions of the single are in existence for different countries, with different B-sides including "Root Beer Rag", "Big Shot", and "Just the Way You Are" (all on CBS label). [3] "Until the Night" is also included on the 2005 Billy Joel four-CD and one-DVD compilation entitled My Lives (in reference to the song "My Life").
Music lecturer Ken Bielen described "Until the Night" as a "big ballad in the Righteous Brothers tradition. [4] Joel biographer Mark Bego described it as a "dramatic sweeping ballad that sounds as if it is straight out of the Phil Spector songbook. [2] According to Bego, the song was written as a tribute to the Righteous Brothers. [2] The arrangement features many instruments, including strings, horns and castanets, that give it a sound reminiscent of the Righteous Brothers' 1960s hits. [4] Richie Cannata contributes a jazzy saxophone solo in the middle of the song. [2] Joel sings parts of the song in a higher voice and other parts in a deeper voice, and sometimes these two voices are double tracked, which also produces a sound reminiscent of the Righteous Brothers. [4]
The lyrics describe a romance where the couple has to separate each morning so each can go to work. [4] They are insecure about the relationship, but when they get back together in the evening everything is okay. [4]
Ultimate Classic Rock critic Dave Lifton rated "Until the Night" as Joel's 6th best love song, describing it as "an homage to the sweeping urban romanticism of Phil Spector's work with the Righteous Brothers." [5] Pop culture historian Andrew Ross described "Until the Night" as a "schlock masterpiece." [6] Rolling Stone critic Stephen Holden described "Until the Night" as "the formal piece de resistance of an album that, though far from great, boasts much of the color and excitement of a really good New York street fair." [2] Billboard critic Melinda Newman called it an example of Joel "at his most tender and romantic." [7] Allmusic critic Stephen Thomas Erlewine said that "Until the Night" is among Joel's best songs. [8]
"Until the Night" was recorded by Czech singer Helena Vondráčková as "In der Nacht" [9] for her 1979 album Doch in der Nacht, which comprised German-language renderings of Billy Joel songs. This version was issued as the album's single with "Ein Engel, der weiß, was er will" (originally "She's Always a Woman") as the B-side. Bill Medley of the Righteous Brothers recorded "Until the Night" for his 1980 album Sweet Thunder. [10] Charlie McCoy covered the song with Laney Smallwood in 1981. [11] The single reached #92 on the Billboard Hot Country Songs chart. [12]
Chart (1979) | Peak position |
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UK Singles Chart [1] | 50 |
Glass Houses is the seventh studio album by American singer-songwriter Billy Joel, released on March 12, 1980. The record was a commercial success, topping the Billboard 200 chart for six consecutive weeks. It features Joel's first single to peak at No. 1 on Billboard's Hot 100 chart, "It's Still Rock and Roll to Me". It was ranked No. 4 on Billboard's 1980 year-end chart. The album is the 41st best-selling album of the 1980s, with sales of 7.1 million copies in the US alone. In 1981, Joel won a Grammy Award for Best Male Rock Vocal Performance for his work on Glass Houses. According to music critic Stephen Thomas Erlewine, the album featured "a harder-edged sound" compared to Joel's other work, in response to the punk and new wave movements. This was also the final studio album to feature the original incarnation of the Billy Joel Band, augmented by new lead guitarist David Brown. Multi-instrumentalist Cannata left the band just before the sessions began for Joel's next studio album, 1982's The Nylon Curtain.
52nd Street is the sixth studio album by American singer-songwriter Billy Joel, released on October 11, 1978, by Columbia Records. Presenting itself as the follow-up to his breakthrough studio album, The Stranger, Joel tried to give the new album a fresh sound, hiring various jazz musicians to differentiate it from his previous studio albums.
"My Life" is a song by Billy Joel that first appeared on his 1978 album 52nd Street. A single version was released in the fall of 1978 and reached No. 2 on the U.S. adult contemporary chart. Early the next year, it peaked at No. 3 on the Billboard Hot 100.
Richie Cannata is an American music producer, saxophonist, keyboardist and studio owner. He is most notable for playing saxophone in Billy Joel's band alongside Liberty DeVitto, Russell Javors, and Doug Stegmeyer. After leaving the band in 1981, he opened Cove City Sound Studios in Glen Cove, New York. Artists including Celine Dion, Billy Joel, Jennifer Lopez and Marc Anthony have recorded in Cannata's studio. Cannata also worked with The Beach Boys for most of the 1990s, touring and occasionally recording with them during this period.
"Los Angelenos" is a song written by Billy Joel that was first released on his 1974 album Streetlife Serenade. A live version was released on the 1981 album Songs in the Attic.
"All My Life" is a song by Billy Joel, his first new song of original material with lyrics he had written since 1993's River of Dreams. The song, produced by Phil Ramone, tells of Joel's experience of finding love in his later years after previous failed relationships. It was written for his then-wife Katie Lee as an anniversary gift, and released as a promotional single on February 14, 2007.
"Honesty" is a song by American singer-songwriter Billy Joel, released by Columbia Records as the third US single from his sixth studio album 52nd Street (1978) in 1979. "Honesty" was solely written by Joel, while production was handled by Phil Ramone. The song appears on the Dutch and Japanese editions of Greatest Hits Volume 2, replacing "Don't Ask Me Why" (1980).
"She's Got a Way" is a song by American singer-songwriter Billy Joel, originally released on his first studio album, Cold Spring Harbor (1971) as the opening track of it and as a single from that album in some countries. It was also featured as a single from the 1981 live album Songs in the Attic, peaking at number 23 on the Billboard Hot 100 chart in early 1982.
"It's Still Rock and Roll to Me" is a song written and performed by Billy Joel, from the hit album Glass Houses. Released in 1980, the song peaked at number 1 on the Billboard Hot 100 for two weeks, from July 19 through August 1, 1980, making it Joel's first number 1 hit single in the United States. The song spent 11 weeks in the top 10 and was the 7th biggest hit of 1980 according to American Top 40.
"Everybody Loves You Now" is a song written by Billy Joel. It was first released on his 1971 debut album Cold Spring Harbor and was also released as a b-side to his singles "She's Got a Way" and "Tomorrow Is Today." Live versions were included on the albums Songs in the Attic, 12 Gardens Live and Live at Shea Stadium: The Concert.
"Sometimes a Fantasy" is a song by Billy Joel, released in 1980 as the last single from his seventh studio album Glass Houses. The single peaked at No. 36 on the US Billboard Hot 100. The song is a "melodic, fast paced rocker" and starts with Joel dialing a number on a telephone.
"Root Beer Rag" is a composition from Billy Joel's 1974 album Streetlife Serenade. An instrumental track in a very fast ragtime style, it was later released as the B-side of several singles from Joel's 52nd Street album, including "Big Shot" in the US, "Until the Night" in the UK, and "Honesty" in Japan and some European countries. A live version was included with the DVD that was part of the 30th anniversary re-release of The Stranger.
"Say Goodbye to Hollywood" is a song written and performed by Billy Joel, first released in 1976 on his album Turnstiles as its opening track. It was originally released in the United States as the B-side to "I've Loved These Days" before being released as A-side in various countries like the UK, Germany and Australia in November 1976, with "Stop in Nevada" as the B-side. However, the song achieved greater recognition in 1981 when a live version from Songs in the Attic was released as a US single, with the live version of "Summer, Highland Falls" as a B-side. Joel wrote the song after moving back to New York City in 1975; he had previously relocated to Los Angeles in 1972 in an attempt to get out of an onerous record deal. The man who represents this song on the Turnstiles album is the man wearing sunglasses and holding a suitcase.
"Travelin' Prayer" is a song written and performed by singer Billy Joel, and released as the third US single from his 1973 album Piano Man as its opening track. The song is "urgent" and "banjo-fueled". It reached number No. 77 on the Billboard Hot 100 and No. 34 on the Adult Contemporary chart in 1974. It was a slightly bigger hit in Canada, where it reached No. 61.
"Worse Comes to Worst" is a song by singer Billy Joel released as the second single from his 1973 album Piano Man. It reached #80 on the Billboard Hot 100.
"Zanzibar" is a song written by Billy Joel and recorded for his 1978 album 52nd Street. It has also appeared on several live albums.
The Lords of 52nd Street is an American rock band that primarily comprises members of the line-up which backed singer-songwriter Billy Joel from 1976 to 1981, the period during which Joel initiated a run of albums that reached the top ten on the Billboard charts.
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