Guitar on the Go | ||||
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Studio album by | ||||
Released | October 1966 [1] | |||
Recorded | 1959–1963 | |||
Studio | Plaza Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 42:21(Reissue) | |||
Label | Riverside | |||
Producer | Orrin Keepnews | |||
Wes Montgomery chronology | ||||
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Guitar on the Go is an album by American jazz guitarist Wes Montgomery that released in 1966. It includes tracks recorded in 1959 and October and November 1963. The album was Montgomery's last for Riverside before signing with Verve. [2]
Guitar on the Go was reissued in the Original Jazz Classics series with an additional take of "The Way You Look Tonight" and the bonus track "Unidentified Solo Guitar". [3]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Jazz critic Scott Yanow called the release "a worthy if not essential addition to Wes Montgomery's discography" and, due to his later change of style to a more pop-oriented approach, "the end of an era." [2]
Production notes:
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Sonny Rollins and the Contemporary Leaders is a 1958 album by jazz saxophonist Sonny Rollins, recorded for the Contemporary label, featuring performances by Rollins with Hampton Hawes, Barney Kessel, Leroy Vinnegar, and Shelly Manne with Victor Feldman added on one track. It was the last studio record Rollins made in the 1950s. Following the recording of "Sonny Rollins and the Contemporary Leaders", Rollins toured Europe in the spring of 1959, then took a hiatus from recording and performing in public that ended in 1962 with his LP The Bridge.
California Dreaming is an album by the jazz guitarist Wes Montgomery, released in 1967. It reached No. 1 on the Billboard magazine jazz album chart and No. 4 on the R&B chart. It was reissued on CD in 2007 with an alternate take of "Sunny".
So Much Guitar! is an album by American jazz guitarist Wes Montgomery, released by Riverside Records in 1961. It was reissued by Fantasy Records as a part of the Original Jazz Classics series.
Movin' Along is an album by American jazz guitarist Wes Montgomery, released in 1960. It was reissued in the Original Jazz Classics series with two alternate takes. All the tracks are available in the Wes Montgomery compilation CD-set The Complete Riverside Recordings.
Boss Guitar is an album by American jazz guitarist Wes Montgomery, released in 1963 by Riverside. It was reissued on the Original Jazz Classics label with alternate takes. All the tracks are available on Wes Montgomery: The Complete Riverside Recordings.
Fusion!: Wes Montgomery with Strings is an album by the American jazz guitarist Wes Montgomery, released in 1963.
Portrait of Wes is an album by the American jazz guitarist Wes Montgomery, released in 1966.
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Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
The Alternative Wes Montgomery is a compilation album by the American jazz guitarist Wes Montgomery, released in 1982. It contains alternate takes from previous albums for Riverside. All the tracks are available on Wes Montgomery: The Complete Riverside Recordings.
Goin' Out of My Head is an album by American jazz guitarist Wes Montgomery that was released in 1966. It reached No. 7 on the Billboard magazine R&B chart. At the 9th Grammy Awards Goin' Out of My Head won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
Midnight Special is an album by the American jazz organist Jimmy Smith, recorded in 1960 and released on the Blue Note label. The album was recorded at the same session that produced Back at the Chicken Shack (1960).
Jug is an album by saxophonist Gene Ammons recorded in 1961 and released on the Prestige label.
Jug & Dodo is a 1972 double album featuring pianist Dodo Marmarosa and saxophonist Gene Ammons. It was recorded in 1962, but was not released until ten years later, on the Prestige label.
Trio and Duet is an album by American jazz saxophonist Anthony Braxton recorded in 1974 and released on the Canadian Sackville label. The album features a trio performance of one of Braxton's compositions and three duets on jazz standards. It was reissued in 2015 by Delmark Records, which purchased the catalog of the Sackville label, with two bonus tracks.
Two of a Mind is an album recorded by American jazz saxophonists Paul Desmond and Gerry Mulligan featuring performances recorded in 1962 which were released on the RCA Victor label. The album is the second of two albums Mulligan and Desmond recorded in a pianoless quartet setting. The first, recorded in 1957, was Blues in Time.
Tête-à-Tête is a duet album by saxophonist Art Pepper and pianist George Cables recorded in 1982 and released on the Galaxy label.
Eric Dolphy in Europe, Volumes 1, 2, and 3, is a trio of live albums by jazz multi-instrumentalist Eric Dolphy. The albums were recorded on September 6 and 8, 1961, in Copenhagen, Denmark, and were released on the Prestige label in 1964 and 1965. On the recordings, Dolphy is joined by three Danish musicians: pianist Bent Axen, bassist Erik Moseholm, and drummer Jorn Elniff. Bassist Chuck Israels, who was in Copenhagen with the Jerome Robbins ballet company, also appears on one track.