The Complete Riverside Recordings | |
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Box set by | |
Released | 1992 |
Recorded | October 5, 1959 – November 27, 1963 |
Genre | Jazz |
Length | 805:05 |
Label | Riverside |
Producer | Orrin Keepnews |
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. [1] Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
The collection covers Montgomery's recordings from 1959 until late 1963 before he moved to the Verve label. The recordings made during this period are considered by fans and jazz historians to be his best and most influential. [2] It includes recordings with his siblings Monk and Buddy, Tommy Flanagan, Nat and Cannonball Adderley, Milt Jackson, George Shearing, Johnny Griffin and many others.
Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz Recordings | [3] |
In his Allmusic review, critic Scott Yanow stated, "All in all, there is a tremendous amount of rewarding performances included in this essential set, most of which show why Wes Montgomery is still considered one of the all-time great jazz guitarists." [1]
Writing for the Los Angeles Times , Zan Stewart praised the box-set, writing "Time has done little to diminish the elegant charm that Montgomery offered in his ardently swinging improvisations. On a ballad such as "Born to be Blue," he could be relaxed and luxuriant. For a blues, he was straightforward and melodic, never opting for funk cliches, while on the up tempos he displayed a rippling muscularity... a must-have for the jazz guitar enthusiast." [4]
Production notes:
John Leslie "Wes" Montgomery was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb and for his extensive use of octaves, which gave him a distinctive sound.
Explorations is an album by jazz pianist Bill Evans that was originally released by Riverside Records in 1961. It was the second and final studio album Evans recorded with his classic trio featuring Scott LaFaro on bass and Paul Motian on drums.
Bags Meets Wes! is an album by Milt Jackson and Wes Montgomery, released in 1962 by Riverside. It was reissued in 1999 by the Original Jazz Classics label, with additional takes, and again in 2006.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
A Portrait of Thelonious is a studio album by jazz pianist Bud Powell, released on Columbia in 1965, featuring a session recorded at Studio Charlot in Paris on December 17, 1961, with Pierre Michelot on bass and Kenny Clarke on drums. The session was the second of two produced by Cannonball Adderley with Powell, following the A Tribute to Cannonball session recorded two days earlier.
Kelly Blue is an album by American jazz pianist Wynton Kelly, released in 1959.
Cannonball Adderley and the Poll-Winners is an album by jazz saxophonist Julian "Cannonball" Adderley released on the Riverside label, featuring performances by Adderley with Wes Montgomery, Ray Brown, Victor Feldman, and Louis Hayes.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Inside Straight is a live album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1973 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest percussionist King Errisson.
So Much Guitar! is an album by American jazz guitarist Wes Montgomery, released by Riverside Records in 1961. It was reissued by Fantasy Records as a part of the Original Jazz Classics series.
Fusion!: Wes Montgomery with Strings is an album by the American jazz guitarist Wes Montgomery, released in 1963.
George Shearing and the Montgomery Brothers is an album by Anglo-American jazz pianist George Shearing and jazz trio The Montgomery Brothers, released in 1961.
Goin' Out of My Head is an album by American jazz guitarist Wes Montgomery that was released in 1966. It reached No. 7 on the Billboard magazine R&B chart. At the 9th Grammy Awards Goin' Out of My Head won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
A Day in the Life is an album by the jazz guitarist Wes Montgomery, released in 1967. It reached number one on the Billboard Jazz album chart and number 2 on the R&B chart. It also reached number 13 on the Billboard 200. The single "Windy" became his biggest Hot 100 hit, peaking at number forty-four.
From the Bottom is an album by American jazz pianist Bobby Timmons recorded in 1964 and released in 1970 on the Riverside label. The album features Timmons on piano, vibraphone, and his only recording on organ.
Duke with a Difference is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.