"Jordu" is a jazz standard written by Irving "Duke" Jordan in 1953. This song was first made popular by Clifford Brown and Max Roach, but many other jazz musicians have performed or recorded renditions of it, including Stan Getz, Chet Baker, and Charlie Byrd.
It has a traditional AABA jazz form. The A section is composed of two measure patterns, the first being a non-chordal pick-up measure in which the lead player starts a phrase on the "and" of beat 1 and leads right into the second half of the two measure phrase in which the rhythm players and the lead players both hit on 1, 3, and the "and" of 4. The B section is a circle of fourths pattern built on dominant seventh chords. The ending of the song contains a vamp on the last two bars of the A section followed by an alteration of the initial pickup measure ending on a minor-major seventh chord.
Floyd Cramer performed the song on the organ on his 1962 album "Floyd Cramer Gets Organized" in which one half of the album was piano and the other half organ.
Lyrics for this song were written by Karrin Allyson with the title "Life is a groove". She recorded it on her 2006 Footprints CD as a duet with Nancy King.
An earlier vocal version was recorded by Ann Richards with the title "Where Did You Go?" which she released in 1960 on her album "The Many Moods of Ann Richards". The song was also included on her The Many Moods of Ann Richards/Two Much 2004 compilation.
Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".
Roy Owen Haynes is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s.
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions.
Russell Donald Freeman was a bebop and cool jazz pianist and composer.
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy Ride 'Em Cowboy, being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia.
Irving Sidney "Duke" Jordan was an American jazz pianist.
Teddy Kotick was an American jazz bassist, who appeared as a sideman with many of the leading figures of the 1940s and 1950s, including Charlie Parker, Buddy Rich, Artie Shaw, Horace Silver, Phil Woods and Bill Evans.
"How Deep Is the Ocean?" is a popular song written by Irving Berlin in 1932. The song was developed from an earlier Berlin song "To My Mammy" which was sung by Al Jolson in his film Mammy (1930). In the earlier song, the lyrics include the questions "How deep is the ocean? / How high is the sky?" and this was the genesis of "How Deep Is the Ocean?".
James Pasco Gourley, Jr. was an American jazz guitarist who spent most of his life in Paris.
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for Roberta, a musical based on the novel Gowns by Roberta by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra.
Henri Renaud was a French jazz pianist, record producer, and record company executive.
Criss Cross Jazz is a Dutch record company and label specializing in jazz.
The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
"Everything Happens to Me" (1940) is a pop standard written by Tom Adair (lyrics) and Matt Dennis (music). It was first recorded by the Tommy Dorsey Orchestra featuring Frank Sinatra. Unusually, the song focused on Sinatra's vocal, with no trombone solo by Dorsey. Years later, Sinatra rerecorded the song with the Hollywood String Quartet; this version was featured on his 1957 album Close to You.
This article contains the discography of the American jazz trumpeter and singer Chet Baker. His most productive period was arguably for Pacific Records during the 1950s, which included his first vocal recordings.
This is the complete discography of the main 12-inch (8000) series of LPs issued by Verve Records, a label founded in 1956 by producer Norman Granz in Los Angeles, California. Alongside new sessions Granz re-released many of the recordings of his earlier labels Clef and Norgran on Verve.
Stan Meets Chet is an album by saxophonist Stan Getz with trumpeter Chet Baker, released in 1958 on the Verve label.
Stan Getz Plays is an album by jazz saxophonist Stan Getz, recorded in 1952 released on the Norgran label in 1955. The album features tracks that were previously released on two 10-inch LPs on Clef Records.