Deep funk | |
---|---|
Stylistic origins | Funk |
Cultural origins | Late 1960s, United States |
Derivative forms | Hip hop, rare groove, Northern soul |
Other topics | |
List of funk musicians |
Deep funk is a subgenre of funk music which features a "hard, lean" sound and emphasis on groove, improvisation, and musicianship over traditional songwriting. [1] The term is also used to describe rare funk recordings sought out by collectors and DJs. [1] Artists such as James Brown and the Meters were basic reference points for the style. [1]
Deep funk later saw increased popularity due to hip hop producers seeking out new material to sample, as well as in the British rare groove and Northern soul scenes. [1] Though most deep funk was originally released on 45s, modern releases by labels such as Goldmine, BBE, and Stones Throw, as well as DJ Keb Darge's compilations of deep funk, have helped usher the style into the CD age. [1]
This section possibly contains original research .(January 2022) |
It got its name after DJ Keb Darge's "Legendary Deep Funk" DJ night, [2] held at Madame Jojo's nightclub in London's Soho district. The night started originally with Snowboy, Keb Darge and Greg Belson as the DJs for the club session.
The focus of the scene is collecting and DJing rare funk 45s of the deep funk genre, most usually released originally by local funk groups and artists in the USA throughout the 1960s and 1970s that usually stayed in their local home bases, only playing nearby clubs and other venues, and releasing their music on small local and regional record labels at the time in the form of 7" 45 rpm singles in quite small quantities (usually about 1000–5000 copies or fewer), hence their extreme rarity and high collectible value. Most of these records have quite high re-sale values due to their scarcity, with some selling for upwards of four to five figures.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Acid jazz is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan. Acts included The Brand New Heavies, Incognito, James Taylor Quartet, Us3, and Jamiroquai from the UK, and Guru, Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, acid jazz became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, or nu jazz.
Washington, D.C., has been home to many prominent musicians and is particularly known for the musical genres of Jazz, Rhythm & Blues, bluegrass, punk rock and its locally-developed descendants hardcore and emo, and a local funk genre called go-go. The first major musical figure from District of Columbia was John Philip Sousa, a military brass band composer. Later figures include jazz musicians, such as Duke Ellington, Charlie Rouse, Buck Hill, Ron Holloway, Davey Yarborough, Michael A. Thomas, Butch Warren, and DeAndrey Howard; soul musicians, including Billy Stewart, The Unifics, The Moments, Ray, Goodman & Brown, Van McCoy, The Presidents, The Choice Four, Vernon Burch, guitarist Charles Pitts, and Sir Joe Quarterman & Free Soul.
Northern soul is a music and dance movement that emerged in Northern England and the Midlands in the early 1970s. It developed from the British mod scene, based on a particular style of Black American soul music with a heavy beat and fast tempo.
Gilles Jérôme Moehrle MBE, better known as Gilles Peterson, is a French broadcaster, DJ, and record label owner. He founded the influential labels Acid Jazz and Talkin' Loud, and started his current label Brownswood Recordings in 2006. He was awarded an honorary MBE in 2004, the AIM Award for Indie Champion and the Mixmag Award for Outstanding Contribution To Dance Music in 2013, the PRS for Music Award for Outstanding Contribution to Music Radio in 2014, and The A&R Award from the Music Producers Guild in 2019.
Rare groove is music that is very hard to source or relatively obscure. Rare groove is primarily associated with funk, R&B and jazz funk, but is also connected to subgenres including jazz rock, reggae, Latin jazz, soul, rock music, northern soul, and disco. Vinyl records that fall into this category generally have high re-sale prices. Rare groove records have been sought by not only collectors and lovers of this type of music, but also by hip hop artists and producers.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.
Dimitri from Paris is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany's, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s.
Greg Wilson is an English DJ and producer, associated with both the early 1980s electro scene in Manchester and the current disco/re-edit movement. He is also a writer/commentator on dance music and popular culture.
The New Mastersounds are a British four-piece jazz fusion and blues/funk band from Leeds, England. Over the last 16 years, they have issued ten studio albums, two live dates, two remix collections, and a compilation album.
Funk carioca, also known as favela funk, in other parts of the world as baile funk and Brazilian funk, or even simply funk, is a hip hop-influenced music genre from Rio de Janeiro, blending the rap subgenres of Miami bass and gangsta rap. Despite its name, funk carioca has no musical correlation with the American funk by any means.
Barely Breaking Even (BBE) is a British record label started by two DJs, Peter Adarkwah and Ben Jolly. The name BBE comes from The Universal Robot Band's 1982 track "Barely Breaking Even". It has two sublabels: Deep Funk, and Urban Theory. BBE is also notable for its Beat Generation series of LPs.
Keb Darge is a Scottish DJ and music producer, in the genres of Northern soul, deep funk, garage punk, and rockabilly music. He is credited with inventing the term 'deep funk'.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.
King Britt is an American educator, DJ and record producer from Philadelphia.
Katalyst is an Australian DJ and producer. He won awards at the 2002 Australian Dance Music Awards for Best Album and Best Producer.
Steven Howlett, aka DJ Froggy, was an English DJ who worked as a 'beatmixer DJ' on the British club music scene in the 1970s, 1980s and 1990s. He was a member of the Soul Mafia group of DJs which included Robbie Vincent, Greg Edwards, Jeff Young and Chris Hill.
Eskimo Recordings are a Ghent-based record label that grew out of the eclectic parties that took place during the late nineties in the Eskimo Fabriek in Ghent. These underground parties got famous for mixing synthpop, new wave, acid house, funk and rock ‘n’ roll into a new and fresh sound, setting new standards for the Belgian club culture. International as well as local talented DJs such as Mo & Benoelie, TLP and The Flying Dewale Brothers were usual guests at the turntables. As the Eskimo Fabriek needed refurbishment at the turn of the century, the Eskimo parties moved on to the Culture Club, and the temporary Belmondo concept at the S.M.A.K museum.