Trapeze (band)

Last updated

Trapeze
Origin Cannock, England
Genres
Years active
  • 1969–1982
  • 1991–1992
  • 1993–1994
Labels
Associated acts
Past members Mel Galley
Dave Holland
Glenn Hughes
Terry Rowley
John Jones
Pete Wright
Rob Kendrick
Peter Goalby
Steve Bray
Mervyn Spence
Richard Bailey
Kex Gorin
Geoff Downes
Craig Erickson

Trapeze were an English rock band from Cannock, Staffordshire. Formed in 1969, the band originally featured former The Montanas members John Jones (trumpet, vocals) and Terry Rowley (keyboards), and former Finders Keepers members Glenn Hughes (bass, vocals, piano), Mel Galley (guitar, vocals) and Dave Holland (drums). Jones and Rowley left the band following the release of their self-titled debut album in 1970, with the lineup of Hughes, Galley and Holland continuing as a trio. After the release of Medusa later in 1970 and You Are the Music... We're Just the Band in 1972, Hughes left Trapeze in 1973 to join Deep Purple.

Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew heavily on the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly on a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical styles. Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass, drums, and one or more singers. Usually, rock is song-based music usually with a 4/4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.

Cannock town in Staffordshire, England

Cannock is a market town and the administrative centre of the Cannock Chase District, as of the 2011 census, it has a population of 29,018, and is one the most populous towns in the district of Cannock Chase in the county of Staffordshire in the West Midlands region of England.

Staffordshire County of England

Staffordshire is a landlocked county in the West Midlands of England. It borders with Cheshire to the northwest, Derbyshire and Leicestershire to the east, Warwickshire to the southeast, West Midlands and Worcestershire to the south, and Shropshire to the west.

Contents

Galley and Holland resurfaced with Trapeze a year later, adding second guitarist Rob Kendrick and bassist Pete Wright to the band. Hot Wire was released in late 1974 and a second self-titled album followed in 1975, after which the classic trio briefly reunited for a tour in 1976 when Hughes returned following Deep Purple's breakup. After Hughes left again, Trapeze returned in 1978 with new frontman Peter Goalby, who performed on the band's final album Hold On . Several more lineup changes occurred in the following years, including Holland joining Judas Priest in 1979, before the band broke up in 1982 as Galley joined Whitesnake.

Rob Kendrick is an English rock guitarist, best known as guitarist for the English band, Trapeze. Trapeze had major musical success in the 1970s and early 1980s with their single, "Black Cloud". Trapeze, broke up in the 1980s. Glenn Hughes, the original bass player left the band to join Deep Purple, and shortly afterwards, Dave Holland, drummer, left the line-up to join Judas Priest. Mel Galley, the original guitarist, left the band shortly after and joined Whitesnake. Kendrick continued touring the United States, supporting a new Trapeze, including Texas musicians Mike Mikeska on drums and Buck Judkins on bass guitar.

<i>Hot Wire</i> (Trapeze album) 1974 studio album by Trapeze

Hot Wire is the fourth studio album by English hard rock band Trapeze. Recorded with producer Neil Slaven at Island Studios, London and Lee Sound Studios, Birmingham, it was released in 1974 by Warner Bros. Records.

<i>Trapeze</i> (1975 album) 1975 studio album by Trapeze

Trapeze is the fifth studio album by English hard rock band Trapeze. Recorded with producer Steve Smith at Island Studios, London, it was released in 1975 by Warner Bros. Records. The album was preceded by the release of one single, a cover version of "On the Sunny Side of the Street", originally recorded by Frank Sinatra.

In 1991, Hughes, Galley and Holland reunited Trapeze for a string of tour dates the following year, adding Asia keyboardist Geoff Downes for the shows. The tour resulted in a live album, Welcome to the Real World: Live at the Borderline , which was released in 1998. The trio revived Trapeze again in 1994 with second guitarist Craig Erickson, completing a brief tour early in the year before permanently disbanding. Following the band's breakup, both Galley and Holland remained relatively inactive, while Hughes continued with his solo career and collaborations with various artists. Galley later died of oesophageal cancer on 1 July 2008 and Holland died on 16 January 2018, leaving Hughes the sole surviving member of the classic line-up.

Asia (band) rock band from England

Asia are an English progressive rock band formed in London in 1981. The most commercially successful line-up was its original, which was a supergroup of four members of different progressive rock bands of the 1970s: lead vocalist and bassist John Wetton of King Crimson and U.K., guitarist Steve Howe of Yes, keyboardist Geoff Downes of Yes and the Buggles, and drummer Carl Palmer of Emerson, Lake & Palmer. Their debut album, Asia, released in 1982, remains their best selling album and went to number one in several countries.

Geoff Downes English keyboardist

Geoffrey Downes is an English keyboardist, songwriter, and record producer who gained fame as a member of the new wave group The Buggles with Trevor Horn, the progressive rock band Yes, and the supergroup Asia.

<i>Welcome to the Real World</i> (Trapeze album) 1998 live album by Trapeze

Welcome to the real world is an album by the band Trapeze released in 1998. This album is from the reunion tour of 1992 of the original line-up of Trapeze of Mel Galley, Glenn Hughes & Dave Holland with the addition of Asia and Yes keyboard player, Geoff Downes.

History

1969–1973: Formation and early releases

Trapeze formed in March 1969, with the original lineup featuring former The Montanas members John Jones (trumpet, vocals) and Terry Rowley (keyboards, guitar, flute), along with former Finders Keepers members Glenn Hughes (bass, vocals, piano) Mel Galley (guitar, vocals) and Dave Holland (drums). [1] One of the band's early performances was filmed for an appearance on the BBC2 show Colour Me Pop , recorded on 5 July 1969 at Club Lafayette in Wolverhampton, at which they performed the song "Send Me No More Letters". [2] Local promoter Tony Perry described the show as "one of the most outstanding nights at the [venue]", praising the band's performance as "fantastic". [3] Later in the year, Trapeze signed as the first act on Threshold Records, a record label founded by The Moody Blues and distributed in the United States by London Records and elsewhere by Decca Records. [4] The band reportedly declined an offer to join Apple Records, the label founded by The Beatles, as they believed that they would have more creative freedom with Threshold. [5]

The Montanas were an English 1960s and 1970s pop rock band from Wolverhampton, England. Though they never found significant success in their home country, they had one moderate hit in the United States.

Finders Keepers were an English band, featuring then future Trapeze members Glenn Hughes, Mel Galley, and Dave Holland.

Glenn Hughes British singer-songwriter

Glenn Hughes is an English rock bassist and vocalist, best known for playing bass and performing vocals for funk rock pioneers Trapeze, the Mk. III and IV line-ups of Deep Purple, as well as briefly fronting Black Sabbath in the mid-1980s.

The Moody Blues bassist John Lodge produced the first two albums by Trapeze, 1970's Trapeze and Medusa. JohnLodge.jpg
The Moody Blues bassist John Lodge produced the first two albums by Trapeze, 1970's Trapeze and Medusa .

Working with The Moody Blues bassist John Lodge as producer, Trapeze recorded their self-titled debut album at London's Morgan Studios and Decca Studios. [6] Despite Jones being the band's official lead singer, Hughes performed all vocals on the release. [7] Hughes has revealed that he was asked to sing on the album by the group's management, who deemed him to be the better of the two vocalists. [8] Before the end of the year, the Rowley composition "Send Me No More Letters" was released as the band's first single, backed with "Another Day" (written by Galley, Hughes and Jones). [9] Trapeze was released in May 1970. [10] The album was generally well-received by critics – Billboard magazine described it as featuring "a strong rock personality" and dubbed it "a candidate for big chart action", [11] while journalist Nigel Williamson hailed it as "a classic period example of English prog, mixing pastoral whimsy, swirling psychedelia, rock guitars and pop harmonies". [9] It also received significant airplay on BBC Radio 1 from DJs such as Bob Harris and Pete Drummond, [9] and was played in full by the station. [12] Trapeze was promoted on a string of shows in the UK between January and July. [13]

John Lodge (musician) British musician; bass guitarist, vocalist, and songwriter of The Moody Blues

John Charles Lodge is an English musician, best known as bass guitarist, vocalist, and songwriter of the longstanding rock group the Moody Blues. He has also worked as a record producer and has collaborated with other musicians outside the band. In 2018, Lodge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues.

<i>Trapeze</i> (1970 album) 1970 studio album by Trapeze

Trapeze is the self-titled debut studio album by British hard rock band Trapeze. Recorded in 1969 at Morgan Studios and Decca Studios, it was produced by The Moody Blues bassist John Lodge and released in May 1970 as the second album on Threshold Records, a record label founded by Lodge's band. Trapeze is the band's only album to feature founding member John Jones ; both he and Terry Rowley left shortly after its release

Morgan Studios, also known as Morgan Sound Studios, were recording studios at 169-171 High Road, Willesden, north west London. The studios were notable for many recordings of the 1960s and 1970s by some of the most important British bands and artists such as Ten Years After, Arrows, Yes, The Kinks, Donovan, Vivian Stanshall, Paul Simon, Led Zeppelin, Pink Floyd, Greenslade, Joan Armatrading, Cat Stevens, Paul McCartney, Jethro Tull, Rod Stewart, Black Sabbath, UFO and The Cure. The studio was also notable for having the first 24-track tape machine in England made by Ampex.

In August 1970, Jones and Rowley left Trapeze, [13] returning to The Montanas. [5] Rather than replacing the departed members, Hughes, Galley and Holland continued as a power trio, adopting a style more akin to hard rock and funk rock. [1] [9] On 13 November 1970, the band released their second album Medusa in the UK, [14] which was issued in the US in March 1971. [15] Produced again by Lodge, the album has since been highlighted by multiple critics as the band's best release, as well as one of the decade's most underrated hard rock albums. [16] [17] Writing in the booklet for a 1994 reissue of the album, author John Tracy claimed that Medusa was "greeted with instant, and seemingly universal, acclaim". [14] Ultimate Classic Rock writer Eduardo Rivadavia credited the album for contributing to the early development of the heavy metal genre in 1970. [18] "Black Cloud", written by Galley with brother Tom, was issued in the US as the only single from the album backed with "Your Love Is Alright", written by the three band members. [14]

Power trio

A power trio is a rock and roll band format having a lineup of electric guitar, bass guitar and drum kit, leaving out the second rhythm guitar or keyboard instrument that are used in other rock music bands that are quartets and quintets. Larger rock bands use one or more additional rhythm section to fill out the sound with chords and harmony parts.

Hard rock is a loosely defined subgenre of rock music that began in the mid-1960s, with the garage, psychedelic and blues rock movements. It is typified by a heavy use of aggressive vocals, distorted electric guitars, bass guitar, drums, and often accompanied with keyboards.

Funk rock music genre that fuses funk and rock elements

Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk."

Trapeze toured extensively in promotion of Medusa, primarily in the US, including a stint in December 1970 supporting The Moody Blues and numerous headline tours throughout 1971, [13] before releasing their third album You Are the Music... We're Just the Band on 1 December 1972. [19] The album was primarily written by Hughes (three tracks were written by the Galley brothers), produced by Neil Slaven, and featured a number of guest contributors including Rod Argent on piano and B. J. Cole on steel guitar. [19] The album marked an increase in softer, more melodic songs since Medusa, which were praised as highlights of the collection by multiple reviewers. [20] [21] Billboard dubbed the album a "fine set", [20] while Tracy described it as "a masterpiece". [19] You Are the Music... We're Just the Band was the first Trapeze album to chart, peaking at number 9 on the US Billboard Bubbling Under chart, which acts as an extension to the Billboard 200. [22] The band toured throughout late 1972 and early 1973 in promotion of the album, including dates in the US and the UK. [13] Prior to a show at the Village East in December 1972, the band's equipment was stolen and they were forced to play using "hastily rented equipment". [23] [24]

1973–1976: Hughes's departure and return

Glenn Hughes left the band in 1973 to join Deep Purple, although briefly returned for a tour in 1976. Glenn hughes.jpg
Glenn Hughes left the band in 1973 to join Deep Purple, although briefly returned for a tour in 1976.

In April 1973, Deep Purple members Ritchie Blackmore, Jon Lord and Ian Paice attended a Trapeze show at the Whisky a Go Go in Los Angeles, California, with a view to asking Hughes to replace bassist Roger Glover in the band. When approached at another show the following month, Hughes declined the invitation in favour of remaining with Trapeze, claiming that he was "in a very, very different frame of mind as a musician" at the time and dubbing Deep Purple "too basic rock for me". [25] However, due to the high-profile status of the group at the time, combined with the prospect of working with former Free frontman Paul Rodgers, who had been approached to replace vocalist Ian Gillan, Hughes reconsidered and agreed to join the band as bassist and second vocalist. [26] The lineup change was officially announced in the music magazine Melody Maker on 14 July 1973. [27] Rodgers ultimately passed on the opportunity to join, focusing instead on the formation of Bad Company. [25] David Coverdale was brought in as Gillan's replacement later, after contacting the group in response to the Melody Maker article, which mentioned that they were still looking for a new singer. [28] Hughes has since described the choice to leave Trapeze as a "horrible" one to make, dubbing the band his "family" and claiming in multiple interviews that to some extent he regrets leaving. [29] [30]

After a brief hiatus, Trapeze returned in 1974 with Galley on lead vocals, adding second guitarist Rob Kendrick and bassist Pete Wright to their lineup. [1] In July it was announced that the band had signed with Warner Bros. Records, with a new album slated for release later in the year. [31] Threshold issued the band's first compilation album The Final Swing in October, [32] which featured tracks from their first three albums as well as the previously unreleased "Good Love" and "Dats It". [19] The album was the band's first to chart, entering the US Billboard 200 at number 184 and peaking at number 172. [33] December saw the release of the band's fourth studio album Hot Wire , [34] which peaked at number 146 on the Billboard 200, [35] number 153 on the Cash Box albums chart, [36] and number 161 on the Record World albums chart in early 1975. [37] Former keyboardist Terry Rowley was also featured as a guest contributor on the album, performing synthesizers, organ, electric piano and backing vocals. [38] Rowley remained in the touring lineup of the band for the Hot Wire cycle and featured on the album Live at the Boat Club 1975 , although again not credited as a group member. [39]

Later in 1975, Trapeze released a second self-titled album, on which Hughes returned to perform vocals on two tracks. [40] Billboard praised Trapeze as an example of "tight, cooking, soul-tinged hard rock", [41] although AllMusic's Dave Thompson criticised it as "a dour little disc, desperately missing the funk infusions of Glenn Hughes and, for the most part, overshadowed even by its disappointing predecessor". [42] Galley and Holland briefly took a break from Trapeze in November to complete a British concert tour with Justin Hayward and John Lodge, in promotion of their collaboration album Blue Jays , released earlier in the year. [43] The following year, after Deep Purple broke up, Hughes temporarily reunited the classic trio of Trapeze for The Appreciation Tour, which was scheduled to visit the US in August and the UK in September. [44] After a short run of US dates, Hughes left again due to off-stage problems caused by drug abuse, particularly cocaine. [29] [45] Speaking about the brief reunion in 2007, Galley recalled that Hughes "wasn't in a good state of mind at the time", suggesting that "if we could have carried the electricity of those shows on, we could have known no bounds". [46] Similarly, the band's manager Tony Perry has recalled that Hughes "[had] major problems at the time and was very difficult to deal with", adding that he and the other members of the band had discussed the possibility of firing and replacing him during the tour. [29] During their reunion, the trio also recorded a number of new songs, including "L.A. Cut Off" and "Space High", both of which were later released on Hughes's debut solo album Play Me Out in 1977. [12]

1978–1982: Later years and disbandment

After Hughes left the band for a second time, Trapeze returned in 1978 with new frontman Peter Goalby and Wright returning on bass. [1] Signing a deal with newly-formed label Aura Records, [47] the band released their final studio album Hold On in late 1979, produced by Jimmy Miller. [48] The album, initially released in Germany in 1978 under the title Running with a different track listing, [49] was hailed by Sounds magazine's Graham Neale as the culmination of the band's "obvious regenerated enthusiasm" following recent challenges, while Galley presented it as an evolution in the band's sound and style of songwriting. [48] The album received a positive review from Billboard magazine, which described it as "a noticeably strong ... LP that takes its strength from the tight vocal harmonies and solid original material", suggesting that "Several of the songs included here could become AOR staples". [50] AllMusic's Steve Huey hailed Hold On as "quite possibly [Trapeze]'s best" album, while his colleague Joe Viglione praised it for its songwriting and production qualities. [51]

Trapeze broke up in 1982, when Mel Galley - by then, the only remaining original member - joined Whitesnake. Whitesnake1983.jpg
Trapeze broke up in 1982, when Mel Galley – by then, the only remaining original member – joined Whitesnake.

In August 1979, Holland left Trapeze to join heavy metal band Judas Priest. [5] He was replaced later by Steve Bray as the band continued to tour in support of Hold On, including dates with Humble Pie and a stint supporting Scottish band Nazareth alongside Swiss group Krokus. [12] [52] [53] The band released their first live album Live in Texas: Dead Armadillos in 1981, which was recorded on the resulting tour in May 1981. [54] By the time the album was released, Goalby had left Trapeze to join Uriah Heep. [55] Mervyn Spence (bass, lead vocals) and Richard Bailey (keyboards) joined the band later in the year, and in 1982 Bray was replaced by Kex Gorin. [12] Trapeze officially came to an end in late 1982, when Galley joined a new lineup of Whitesnake in time for the Saints & Sinners Tour, which commenced in October. [56] The final lineup of Trapeze had begun recording material for a potential new album before Galley left, with the material later adapted for Whitesnake and Phenomena, a project started by Tom Galley. [12]

1991–1994: Reunions and live releases

Hughes, Galley and Holland revived Trapeze in 1991 for a concert tour featuring keyboardist Geoff Downes. [1] On 20 March 1992 they supported Fish at Hammersmith Apollo. In May 1992, the band recorded the live album Welcome to the Real World: Live at the Borderline , which was released in 1998. [57] Another live album, Live: Way Back to the Bone, was released the same year, featuring recordings from earlier in the band's career. [58] The trio reunited again in 1993, recording a number of demos for a planned future release. [19] On 9 February 1994, the band performed at the Irving Plaza in New York City as part of a concert dedicated to vocalist Ray Gillen, who had died on 1 December 1993. [59] This was followed later in the year by a short string of shows in the US and the UK, which Hughes described as a "wonderful run" and a "great experience". [29] The trio were joined for the shows by second guitarist Craig Erickson. [12] Live at the Boat Club 1975 was released in 2006, [60] before Galley died on 1 July 2008, ending any future chance of the band returning again. [61] Nearly a decade later, Holland died on 16 January 2018, which now leaves Hughes the sole surviving member of the trio.

Band members

Discography

Related Research Articles

<i>Crash! Boom! Bang!</i> 1994 studio album by Roxette

Crash! Boom! Bang! is the fifth studio album by Swedish pop duo Roxette, released on 9 April 1994 by EMI. The album was an immediate commercial success, peaking within the top 10 in over 20 national charts throughout Europe, Australasia and South America. Despite this, the full-length album was never released in the United States, where a shortened version of the record titled Favorites from Crash! Boom! Bang! was sold for a limited time through outlets of the McDonald's restaurant chain. This edition sold over a million copies there. Japanese editions included "Almost Unreal" as a bonus track.

<i>Medusa</i> (Trapeze album) 1970 studio album by Trapeze

Medusa is the second studio album by English hard rock band Trapeze. Recorded in 1970 at Morgan Studios, it was produced by The Moody Blues bassist John Lodge and released in November 1970 by Threshold Records. The album was preceded by the release of the single "Black Cloud" in 1970.

<i>With Sympathy</i> 1983 studio album by Ministry

With Sympathy is the debut studio album by American rock band Ministry, released on February 10, 1983 by Arista Records. The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup.

David Holland was an English heavy metal drummer born in Northampton, England, best remembered for his stints with Trapeze from 1969 to 1979 and Judas Priest from 1979 to 1989.

<i>L.A. Guns</i> (album) 1988 studio album by L.A. Guns

L.A. Guns is the self-titled debut studio album by American hard rock band L.A. Guns. Recorded at The Village Recorder in West Los Angeles, it was produced by Jim Faraci and released on January 4, 1988 by Vertigo Records. The album is the only L.A. Guns release to feature drummer Nickey "Beat" Alexander, who was replaced by Steve Riley before it was released. "One More Reason", "Sex Action" and "Electric Gypsy" were released as the three singles from the album.

<i>You Are the Music... Were Just the Band</i> 1972 studio album by Trapeze

You Are the Music...We're Just the Band is the third studio album by English hard rock band Trapeze. Recorded with producer Neil Slaven, it was released in 1972 by Threshold Records. The album was preceded by the release of the single "Coast to Coast" in 1972.

<i>The Final Swing</i> 1974 compilation album by Trapeze

The Final Swing is a compilation album by English hard rock band Trapeze. Released in 1974 by Threshold Records, it features tracks from the band's first three albums, Trapeze, Medusa and You Are the Music...We're Just the Band, as well as two new tracks produced by Gerry Hoff.

Way Back to the Bone is an album by the band Trapeze of previously released material from 1970-1972. It features songs from the original line-up of Mel Galley, Glenn Hughes & Dave Holland.

<i>High Flyers: The Best of Trapeze</i> 1996 greatest hits album by Trapeze

High Flyers is a compilation album by the band Trapeze with the original line up of Galley, Holland, and Hughes.

Leader of Men single

"Leader of Men" is a song by Canadian rock band Nickelback. Written by band members Chad Kroeger and Ryan Peake, it was featured on the band's second studio album The State in 1998. Upon the album's reissue after the band signed with Roadrunner Records, "Leader of Men" was released as the first single from The State on March 4, 2000, reaching number 11 on the Canadian Top Rock Songs, number 8 on the US Billboard Mainstream Rock chart and number 21 on the Alternative Songs chart.

New Jersey Syndicate Tour

The New Jersey Syndicate Tour was a concert tour by American band Bon Jovi that ran from 1988 to 1990. The massive, highly successful world tour was put on in support of the band's 1988 album New Jersey.

<i>Play Me Out</i> (Glenn Hughes album) 1977 studio album by Glenn Hughes

Play Me Out is the first solo record by former Deep Purple and Trapeze bassist/ vocalist Glenn Hughes. It was first released in July 1977. The album marked a definite change in style to Hughes’ hard rock albums with Deep Purple, moving into a funk and soul inspired direction. The album was reissued in 2010 as a special on-demand release, with the audio remastered from the original quarter inch tapes.

<i>Addiction</i> (Glenn Hughes album) 1996 studio album by Glenn Hughes

Addiction is a studio album by former Deep Purple, Black Sabbath and Trapeze vocalist/bassist Glenn Hughes. It was released in 1996 on Zero Corporation, SPV and Shrapnel records and was Hughes’ fifth solo studio album.

Blink-182 in Concert

Blink-182 in Concert was the tenth concert tour by American pop punk band blink-182 and was the band's first tour since 2004. Bassist/singer Mark Hoppus jokingly referred to the tour as One Way Ticket to Boneville, a name they got from a fan on a KROQ interview. In 2009, it ranked 32nd on Pollstar's "Top 50 Tours in North America", earning over $25 million.

Stoneground rock band

Stoneground was a rock band formed in 1970 in Concord, California. Originally a trio, Stoneground expanded to a 10-piece band by the time of their eponymous 1971 debut album. The group appeared in two films, Medicine Ball Caravan (1971) and Dracula A.D. 1972 (1972), and released three albums before singer Sal Valentino quit in 1973. Three other band members—Cory Lerios, Steve Price and David Jenkins—left to form pop group Pablo Cruise. Stoneground continued as an act through 1982, with only Tim Barnes and Annie Sampson remaining from the early incarnation of the band. Barnes and Price led a reformed Stoneground in 2003 and released a studio album the following year.

L.A. Guns discography

The discography of L.A. Guns, an American hard rock band, consists of fourteen studio releases, nine live albums, 13 compilation albums, four extended plays, 27 singles, six video albums and 25 music videos. After some early lineup changes, the group – consisting of vocalist Phil Lewis, lead guitarist Tracii Guns, rhythm guitarist Mick Cripps, bassist Kelly Nickels and drummer Nickey Alexander – signed with PolyGram and released its self-titled debut album in 1988. It reached number 50 on the US Billboard 200 and was certified gold by the Recording Industry Association of America (RIAA). Alexander was replaced by Steve Riley, and the 1989 follow-up Cocked & Loaded reached number 38 on the Billboard 200. The single "The Ballad of Jayne" gave L.A. Guns its debut on the Hot 100, reaching number 33.

References

  1. 1 2 3 4 5 Ankeny, Jason. "Trapeze: Biography & History". AllMusic . All Media Network . Retrieved 20 September 2017.
  2. "Trapeze (5-piece), prior to their July 5th, 1969 appearance on the BBC-2 TV show, Colour Me Pop recorded at the Lafayette (The Laf) in Wolverhampton". Glenn Hughes . Retrieved 20 September 2017.
  3. "'N Between Times". University of Wolverhampton. Archived from the original on 6 May 2010. Retrieved 20 September 2017.
  4. "Moody Blues Launch Label" (Scan). Billboard . Vol. 81 no. 49. New York City, New York: Billboard Publications. 6 December 1969. p. 13. Retrieved 20 September 2017.
  5. 1 2 3 Daniels, Neil (7 April 2010). The Story of Judas Priest: Defenders of the Faith. London, England: Omnibus Press. p. 107. ISBN   978-0857122391 . Retrieved 20 September 2017.
  6. Eder, Bruce. "Trapeze - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  7. Trapeze (Media notes). Trapeze. Threshold Records. 1970. Retrieved 20 September 2017.CS1 maint: others (link)
  8. Fret 12 (27 September 2016). Glenn Hughes: The Sound and The Story (Short). YouTube . Retrieved 20 September 2017.
  9. 1 2 3 4 Williamson, Nigel (2004). Trapeze (Media notes). Trapeze. Lemon Recordings. Retrieved 20 September 2017.
  10. "New Album Releases for June" (Scan). Billboard . Vol. 82 no. 23. New York City, New York: Billboard Publications. 6 June 1970. p. 23. ISSN   0006-2510 . Retrieved 20 September 2017.
  11. "Album Reviews: Special Merit Picks: Trapeze" (Scan). Billboard . Vol. 82 no. 19. New York City, New York: Billboard Publications. 9 May 1970. p. 46. ISSN   0006-2510 . Retrieved 20 September 2017.
  12. 1 2 3 4 5 6 "Trapeze - A Brief History (1969-1994)". Glenn Hughes . Retrieved 20 September 2017.
  13. 1 2 3 4 "Glenn Hughes Tourography". Glenn Hughes . Retrieved 20 September 2017.
  14. 1 2 3 Tracy, John (1994). Medusa (Media notes). Trapeze. Threshold Records . Retrieved 20 September 2017.
  15. "A Giant New LP by Trapeze" (Scan). Billboard . Vol. 83 no. 13. New York City, New York: Billboard Publications. 27 March 1971. p. 77. ISSN   0006-2510 . Retrieved 20 September 2017.
  16. Anderson, Jason. "Medusa - Trapeze: Songs, Reviews, Credits". AllMusic . Retrieved 20 September 2017.
  17. manosg (1 November 2013). "Review: Trapeze - Medusa". Sputnikmusic . Retrieved 20 September 2017.
  18. "1970: The Year Heavy Metal Was Born". Ultimate Classic Rock. Loudwire Network. 29 September 2015. Retrieved 20 September 2017.
  19. 1 2 3 4 5 Tracy, John (1994). You Are the Music... We're Just the Band (Media notes). Trapeze. Threshold Records . Retrieved 20 September 2017.
  20. 1 2 "Special Merit Picks" (Scan). Billboard . Vol. 84 no. 50. New York City, New York: Billboard Publications. 9 December 1972. p. 44. ISSN   0006-2510 . Retrieved 20 September 2017.
  21. Foss, Richard. "You Are the Music... We're Just the Band - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  22. "Bubbling Under the Top LP's" (Scan). Billboard . Vol. 85 no. 3. New York City, New York: Billboard Publications. 20 January 1973. p. 51. ISSN   0006-2510 . Retrieved 20 September 2017.
  23. "Thieves Rob Trapeze Gear" (Scan). Cash Box . Vol. 34 no. 28. New York City, New York: Cash Box Publishing. 30 December 1972. p. 28. Retrieved 20 September 2017.
  24. "From the Music Capitals of the World: New York" (Scan). Billboard . Vol. 85 no. 2. New York City, New York: Billboard Publications. 13 January 1973. p. 16. ISSN   0006-2510 . Retrieved 20 September 2017.
  25. 1 2 Barton, Geoff (2 November 2015). "Deep Purple: "Paul Rodgers would have fitted in until the first fight"". TeamRock. Retrieved 20 September 2017.
  26. Hartmann, Graham (27 April 2016). "Deep Purple Legend Glenn Hughes Plays 'Wikipedia: Fact or Fiction?'". Loudwire . Retrieved 20 September 2017.
  27. Priddy, Neil (4 October 2014). Purple Records: 1971–1978. London, England: RareRecordCollector.net. p. 119. ISBN   978-1291942682 . Retrieved 20 September 2017.
  28. "Tees features: around Teesside and the Tees Valley: David Coverdale". BBC . Retrieved 20 September 2017.
  29. 1 2 3 4 Glenn Hughes - Live At The Robin 2 (2009) - Interview Trapeze Manager Tony Perry. YouTube. 26 January 2017. Retrieved 20 September 2017.
  30. Glenn Hughes 1993 Sweden TV Interview. YouTube. 24 August 2017. Retrieved 20 September 2017.
  31. "Signings" (Scan). Billboard . Vol. 86 no. 29. New York City, New York: Billboard Publications. 20 July 1974. p. 18. ISSN   0006-2510 . Retrieved 20 September 2017.
  32. "Pop Power" (Scan). Billboard . Vol. 86 no. 40. New York City, New York: Billboard Publications. 5 October 1974. p. 91. Retrieved 20 September 2017.
  33. "Top LPs & Tape" (Scan). Billboard . Vol. 86 no. 49. New York City, New York: Billboard Publications. 9 November 1974. p. 84. ISSN   0006-2510 . Retrieved 20 September 2017.
  34. "New LP/Tape Releases" (Scan). Billboard . Vol. 86 no. 50. New York City, New York: Billboard Publications. 14 December 1974. p. 60. ISSN   0006-2510 . Retrieved 20 September 2017.
  35. "Top LPs & Tape" (Scan). Billboard . Vol. 87 no. 6. New York City, New York: Billboard Publications. 8 February 1975. p. 96. ISSN   0006-2510 . Retrieved 20 September 2017.
  36. "Cash Box Top 100 Albums Cont'd (101 to 175)" (Scan). Cash Box . Vol. 36 no. 37. New York City, New York: Cash Box Publishing. 1 February 1975. p. 50. Retrieved 20 September 2017.
  37. "151-200 Album Chart" (Scan). Record World . Vol. 30 no. 1439. New York City, New York: Record World Publishing. 18 January 1975. p. 29. Retrieved 20 September 2017.[ permanent dead link ]
  38. Hot Wire (Media notes). Trapeze. Warner Bros. Records. 1974. Retrieved 20 September 2017.CS1 maint: others (link)
  39. "Live at the Boat Club 1975 - Trapeze: Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  40. Trapeze (Media notes). Trapeze. Rock Candy. 2015. Retrieved 20 September 2017.CS1 maint: others (link)
  41. "Billboard's Recommended LPs" (Scan). Billboard . Vol. 88 no. 38. New York City, New York: Billboard Publications. 18 September 1976. p. 58. ISSN   0006-2510 . Retrieved 20 September 2017.
  42. Thompson, Dave. "Trapeze (1975) - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  43. "Record World International: England" (Scan). Record World . Vol. 31 no. 1477. New York City, New York: Record World Publishing. 11 October 1975. p. 52. Retrieved 20 September 2017.
  44. "Glenn re-forms Trapeze". Glenn Hughes . Retrieved 20 September 2017.
  45. DiVita, Joe (18 August 2016). "Glenn Hughes Discusses Deep Purple's Mid-'70s Breakup". Loudwire . Retrieved 20 September 2017.
  46. "Chat with Mel Galley Transcript - January 21st, 2007". Glenn Hughes. 21 January 2007. Retrieved 20 September 2017.
  47. "Record World International: England" (Scan). Record World . Vol. 36 no. 1684. New York City, New York: Record World Publishing. 27 October 1979. p. 71. Retrieved 20 September 2017.
  48. 1 2 Massey, Fraser (1998). Hold On (Media notes). Trapeze. Purple Pyramid. Retrieved 20 September 2017.
  49. "Trapeze - Running (Vinyl, LP)". Discogs . Retrieved 20 September 2017.
  50. "First Time Around" (Scan). Billboard . Vol. 93 no. 8. New York City, New York: Billboard Publications. 28 February 1981. p. 58. ISSN   0006-2510 . Retrieved 20 September 2017.
  51. Viglione, Joe. "Hold On - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  52. "Top Boxoffice" (Scan). Billboard . Vol. 93 no. 18. New York City, New York: Billboard Publications. 9 May 1981. p. 33. ISSN   0006-2510 . Retrieved 20 September 2017.
  53. "Top Boxoffice" (Scan). Billboard . Vol. 39 no. 20. New York City, New York: Billboard Publications. 23 May 1981. p. 31. ISSN   0006-2510 . Retrieved 20 September 2017.
  54. Live in Texas: Dead Armadillos (Media notes). Trapeze. Aura Records. 1981. Retrieved 20 September 2017.CS1 maint: others (link)
  55. "Uriah Heep: The Story (April 1981 - January 1982)". Uriah Heep . Retrieved 20 September 2017.
  56. Barton, Geoff (23 November 2015). "Whitesnake: "The Coverdale I recall was a vain, preposterous oaf"". TeamRock. Retrieved 20 September 2017.
  57. Unterberger, Richie. "Welcome to the Real World--Live 1992 - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  58. Prato, Greg. "Live: Way Back to the Bone - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  59. "That's Sho-Biz: Sho-Talk" (Scan). Gavin Report . No. 1991. San Francisco, California: United Newspapers. 11 February 1994. p. 9. Retrieved 20 September 2017.
  60. Prato, Greg. "Live at the Boat Club 1975 - Trapeze: Songs, Reviews, Credits". AllMusic . All Media Network . Retrieved 20 September 2017.
  61. Daniels, Neil (4 July 2008). "Obituary: Mel Galley". The Guardian . Retrieved 20 September 2017.