Psychocandy | ||||
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Studio album by | ||||
Released | 18 November 1985 | |||
Recorded | March–April 1985 | |||
Studio | Southern Studios, Wood Green, London | |||
Genre | ||||
Length | 38:55 | |||
Label | Blanco y Negro | |||
Producer | The Jesus and Mary Chain | |||
The Jesus and Mary Chain chronology | ||||
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Singles from Psychocandy | ||||
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Psychocandy is the debut studio album by Scottish rock band the Jesus and Mary Chain. It was released in November 1985 on Blanco y Negro Records. The album is considered a landmark recording: its combination of guitar feedback and noise with traditional pop melody and structure proved influential on the forthcoming shoegaze genre and alternative rock in general.
The album reached No. 31 on the UK Albums Chart and was preceded by three charting 1985 singles: "Never Understand", "You Trip Me Up", and "Just Like Honey". The band moved away from its abrasive sound with their follow-up album, 1987's Darklands .
After quitting their jobs in 1980, brothers Jim and William Reid formed The Jesus and Mary Chain with bass player Douglas Hart. Taking inspiration from German industrial band Einstürzende Neubauten, girl group the Shangri-Las and The Velvet Underground & Nico , they bought a Portastudio in 1983 when their father lost his job in a local factory and gave the brothers £300 from his redundancy money. The band recorded a demo tape containing the songs "Upside Down" and "Never Understand" which was heard by Glaswegian musician Bobby Gillespie, who in turn passed it on to his friend Alan McGee of Creation Records. [6] McGee was impressed with the tape and invited the band to play at a Creation Records showcase event in London, becoming the band's manager shortly afterwards. [7]
Following more London concerts, the Jesus and Mary Chain entered Alaska Studios in Waterloo, South London and recorded their debut single, "Upside Down". Released by Creation Records in November 1984 and featuring a B-side produced by Slaughter Joe, "Upside Down" sold out its initial pressing and ended the year by being placed at number 37 in John Peel's Festive Fifty. [7] After recruiting Gillespie as their drummer in late 1984, the Jesus and Mary Chain signed to the WEA subsidiary label Blanco y Negro, which had been established by Rough Trade founder Geoff Travis. [6] The band entered Island Studios to record with engineer Stephen Street but the sessions proved to be fruitless and the band returned to Alaska Studios for the recording of their second single, "Never Understand". The single was released by Blanco y Negro in February 1985, and in March that year they began recording their debut album with engineer John Loder at Southern Studios in Wood Green, North London. [7] Psychocandy was recorded in six weeks [6] and totalled £17,000 in recording and production costs. [7]
Psychocandy contains fourteen tracks with a total running time of thirty-nine minutes. The music has been described as "bubblegum pop drowned in feedback", [8] that fused "melody with obnoxious bursts of white noise." [9] Critics have noted the influence of classic '60s pop groups [10] [7] [11] such as the Beach Boys [12] [10] [13] and the Rolling Stones [13] alongside the work of rock bands the Velvet Underground, [12] [10] [7] the Stooges [10] [11] and Suicide [11] on the album.
Lead vocals are handled by Jim Reid on this album, with the exception of "It's So Hard", sung by William Reid.
The album includes the singles "Never Understand", "You Trip Me Up" and "Just Like Honey". Following reissue on CD in August 1986, the bonus track "Some Candy Talking", which was originally released on the namesake EP, was included on the album, only on the UK Blanco y Negro CDs released in 1986 and 1997; in the US, it was released on CD by Reprise in 1986 and American Recordings in 1993 without the bonus track. In 2006, the album was remastered and released in DualDisc format without "Some Candy Talking" to conform with the original playlist. In 2011, it was re-released (along with the other five studio albums) by Edsel in collaboration with Rhino as a two-CD set with extra tracks (singles, B-sides, demos and John Peel Sessions) and a DVD (NTSC, all-region).
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Mojo | [14] |
Pitchfork | 9.6/10 [13] |
Q | [15] |
Record Collector | [16] |
Rolling Stone | [17] |
The Rolling Stone Album Guide | [18] |
Select | 5/5 [19] |
Spin Alternative Record Guide | 9/10 [20] |
The Village Voice | A− [21] |
On release Psychocandy received favourable reviews. Writing for NME , Andy Gill described the album as "a great searing citadel of beauty whose wall of noise, once scaled, offers access to endless vistas of melody and emotion", [22] while William Shaw of Smash Hits called it "a wonderful LP which should bring the Scottish brats the success they've missed out on so far". [23] Tim Holmes of Rolling Stone praised the band as "a perfect recombinant of every Edge City outlaw ethic ever espoused in rock." [24] In the end of year-roundups, the album placed at number two in NME's list of best albums of 1985, [25] [26] number 3 in The Face , [27] and number 5 in Melody Maker . [28]
Subsequently, the album has frequently appeared in "best ever" album lists, such as Q magazine's "100 Greatest British Albums Ever", where it placed at number 88 in 2000. [29] In 2006, Q magazine placed the album at number 23 in its "40 Best Albums of the '80s" list. [30] In 2003, the album was ranked number 268 on Rolling Stone magazine's "The 500 Greatest Albums of All Time" list, [31] and 269 in a 2012 revised list. [32] The magazine also ranked the album number 45 on its list of the 100 Best Debut Albums of All Time. [8] AllMusic described the album as one that "created a movement without meaning to." [12]
In 2002 Pitchfork listed Psychocandy as the 23rd best album of the 1980s. [11] In their 2018 update of the list, the album was listed at number 40. [33] Slant Magazine listed the album at number 38 in its "Best Albums of the 1980s" list, saying, "Shaping fuzz into a potent, tactile instrument, The Jesus and Mary Chain helped establish the style of distortion-laden fogginess that would eventually become the foundation for shoegaze." [34] The album was also included in the book 1001 Albums You Must Hear Before You Die . [35] PopMatters included Psychocandy in their list of the "12 Essential 1980s Alternative Rock Albums" saying, "it may still be the only noise pop LP anyone ever really needs to own". [1]
All tracks are written by Jim Reid and William Reid, except where noted
No. | Title | Length |
---|---|---|
1. | "Just Like Honey" | 3:03 |
2. | "The Living End" | 2:16 |
3. | "Taste the Floor" | 2:56 |
4. | "The Hardest Walk" | 2:40 |
5. | "Cut Dead" | 2:47 |
6. | "In a Hole" | 3:02 |
7. | "Taste of Cindy" | 1:42 |
No. | Title | Length |
---|---|---|
1. | "Never Understand" | 2:57 |
2. | "Inside Me" | 3:09 |
3. | "Sowing Seeds" | 2:50 |
4. | "My Little Underground" | 2:31 |
5. | "You Trip Me Up" | 2:26 |
6. | "Something's Wrong" | 4:01 |
7. | "It's So Hard" | 2:37 |
Note: the 1986 CD release contains the extra track "Some Candy Talking", between "Taste of Cindy" and "Never Understand".
No. | Title | Writer(s) | Length |
---|---|---|---|
15. | "Suck" | 2:08 | |
16. | "Ambition" | Vic Godard | 3:31 |
17. | "Just Out of Reach" | 2:09 | |
18. | "Boyfriend's Dead" | 1:43 | |
19. | "Head" | 3:53 | |
20. | "Cracked" | 3:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Upside Down" | 3:00 | |
2. | "Vegetable Man" | Syd Barrett | 3:35 |
3. | "In a Hole" (John Peel radio session, 23 October 1984) | 2:41 | |
4. | "You Trip Me Up" (John Peel radio session, 23 October 1984) | 2:07 | |
5. | "Never Understand" (John Peel radio session, 23 October 1984) | 3:08 | |
6. | "Taste the Floor" (John Peel radio session, 23 October 1984) | 3:08 | |
7. | "The Living End" (John Peel radio session, 3 February 1985) | 2:15 | |
8. | "Inside Me" (John Peel radio session, 3 February 1985) | 3:01 | |
9. | "Just Like Honey" (John Peel radio session, 3 February 1985) | 2:49 | |
10. | "Some Candy Talking" (John Peel radio session, 29 October 1985) | 3:13 | |
11. | "Psychocandy" (John Peel radio session, 29 October 1985) | 2:01 | |
12. | "You Trip Me Up" (John Peel radio session, 29 October 1985) | 2:41 | |
13. | "Cut Dead" (John Peel radio session, 29 October 1985) | 2:47 | |
14. | "Up Too High" (Portastudio demo, 1984/85) | 3:44 | |
15. | "Upside Down" (Portastudio demo, 1984/85) | 3:10 | |
16. | "Never Understand" (Portastudio demo, 1984/85) | 3:18 | |
17. | "Taste the Floor" (Portastudio demo, 1984/85) | 3:06 | |
18. | "In a Hole" (Portastudio demo, 1984/85) | 2:42 | |
19. | "Something's Wrong" (Portastudio demo, 1984/85) | 3:27 | |
20. | "Just Like Honey" (Alaska Studios demo, June 1985) | 2:58 | |
21. | "The Living End" (Alaska Studios demo, June 1985) | 2:16 | |
22. | "My Little Underground" (Alaska Studios demo, June 1985) | 2:33 | |
23. | "Never Understand" (alternate version) | 3:25 | |
24. | "Jesus Fuck" | 2:30 |
No. | Title | Length |
---|---|---|
1. | "Never Understand" (music video) | 3:02 |
2. | "You Trip Me Up" (music video) | 2:27 |
3. | "Just Like Honey" (music video) | 3:02 |
4. | "In a Hole" ( The Old Grey Whistle Test , 12 March 1985) | 3:40 |
5. | "Riot at North London Polytechnic – interview and live clips" ( The NewMusic , 15 March 1985) | 6:46 |
6. | "Interview" (VRT, Belgium, 17 March 1985) | 2:29 |
7. | "Never Understand" (VRT, Belgium, 17 March 1985) | 2:54 |
8. | "Just Like Honey" ( The Tube , 11 November 1985) | 3:08 |
9. | "Inside Me" (The Tube, 11 November 1985) | 2:44 |
10. | " Upside Down: The Creation Records Story " (film trailer) | 2:21 |
All personnel credits adapted from Psychocandy's liner notes. [36]
The Jesus and Mary Chain
Additional musicians
Technical
Design
Chart (1985–1986) | Peak position |
---|---|
Australian Albums (Kent Music Report) [38] | 87 |
Canada Top Albums/CDs ( RPM ) [39] | 92 |
Dutch Albums (Album Top 100) [40] | 47 |
European Albums ( Music & Media ) [41] | 81 |
New Zealand Albums (RMNZ) [42] | 35 |
UK Albums (OCC) [43] | 31 |
US Billboard 200 [44] | 188 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [45] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
The Jesus and Mary Chain are a Scottish alternative rock band formed in East Kilbride in 1983. The band revolves around the songwriting partnership of brothers Jim and William Reid, who are the two founders and only consistent members of the band since its formation. They are recognized as key figures in the development of the shoegaze and noise pop subgenres. The band have had twelve top 40 entries and two top 10 hits in the UK Singles Chart in the course of their career.
21 Singles is a compilation album by Scottish alternative rock band The Jesus and Mary Chain, released in the United Kingdom on 27 May 2002 by Warner Strategic Marketing, and in the United States on 2 July 2002 by Rhino Records. As the title proclaims, it contains 21 of the band's singles in chronological order from their 15-year career.
Barbed Wire Kisses is a compilation album by Scottish alternative rock band The Jesus and Mary Chain. It was released on 18 April 1988 by Blanco y Negro Records. The album contains singles, B-sides and rare tracks. Throughout the 1980s the band was known for their prodigious output in these formats, often in limited editions which quickly went out of print. This album collects many of those releases spanning the band's career up to that point.
Honey's Dead is the fourth studio album by the Scottish alternative rock band The Jesus and Mary Chain, released in 1992 on Blanco y Negro Records. It marked a return to a more abrasive sound for the group, as well as incorporating elements of alternative dance.
Munki is the sixth studio album released by Scottish rock band The Jesus and Mary Chain. After leaving Blanco y Negro, the Reid brothers signed to Sub Pop in the U.S. and Creation, who had released their debut single "Upside Down" in 1984, in the UK. Munki peaked at No. 47 in the UK album charts, the band's first studio album not to make the Top 40. It would also be the band's last album for 19 years, as they would release their next studio album Damage and Joy in 2017.
Darklands is the second studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 31 August 1987 by Blanco y Negro Records. The album is the band's first to use drum machines, replacing live drummer Bobby Gillespie, who had left to pursue a career as the frontman of Scottish rock band Primal Scream. Lead vocals are performed by Jim Reid, with the exception of "Darklands", "Nine Million Rainy Days" and "On the Wall", which are sung by William Reid.
Automatic is the third studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 9 October 1989 by Blanco y Negro Records. The group on this record consists of the core duo of brothers William and Jim Reid, with a drum machine providing percussion and synthesised bass. The only other credited musician was Richard Thomas, who joined the touring version of the Jesus and Mary Chain as a drummer. Thomas drummed on "Gimme Hell" and was a former member of Dif Juz. He also made appearances on Cocteau Twins' 1986 album Victorialand and This Mortal Coil's 1986 album Filigree & Shadow.
Stoned & Dethroned is the fifth studio album by the Scottish alternative rock band The Jesus and Mary Chain. After spending most of 1992 touring, including a slot on that year's Lollapalooza tour, the band went into the studio during January 1993 with the notion of recording an acoustic album. For the first time since Psychocandy, JAMC recorded with a full band with Steve Monti from Curve playing drums and touring bassist Ben Lurie. The recording took longer than planned, lasting the better part of a year. The album also features lead vocals from guests Shane MacGowan from The Pogues on "God Help Me" and Mazzy Star's Hope Sandoval, singing a duet with Jim Reid on "Sometimes Always", which was the album's first single.
The Complete John Peel Sessions is an album released by Scottish alternative band The Jesus and Mary Chain.
Distortion is the eighth studio album by American indie pop band The Magnetic Fields. It was released on January 15, 2008 on Nonesuch Records.
"Just Like Honey" is a song by the Scottish alternative rock band The Jesus and Mary Chain from their 1985 debut album Psychocandy. The track was released as the third and final single from the album through Blanco y Negro Records in September 1985. An important milestone in the development of the alternative rock subgenre of noise pop, the song was written by band members William Reid and Jim Reid. Drummer Bobby Gillespie quotes Hal Blaine's opening drum riff from The Ronettes' "Be My Baby" in the song's intro.
Scottish alternative rock band The Jesus and Mary Chain have released eight studio albums, two live albums, eight compilation albums, two video albums, six extended plays and 21 singles.
Some Candy Talking is an extended play (EP) by Scottish rock band the Jesus and Mary Chain, released on 14 July 1986 by Blanco y Negro Records. The EP includes an acoustic version of "Taste of Cindy", originally taken from the band's debut studio album, Psychocandy, and a song titled "Psychocandy", which did not appear on that album. The titular song did not appear on the original pressing of Psychocandy, but was featured when the album was released on CD in 1986.
"Darklands" is a song by Scottish rock band the Jesus & Mary Chain and the third single from their album of the same name. The single was released in October 1987 by Blanco y Negro Records on 7-inch vinyl, 10-inch vinyl, 12-inch vinyl and as a CD single. The 10-inch and the CD were entitled Darklands E.P.
"Never Understand" is the first single from the Scottish alternative rock band The Jesus and Mary Chain's debut album Psychocandy. It was the band's first release on Blanco y Negro Records and was released through them in February 1985. The song was written by William Reid and Jim Reid, and was produced by The Jesus and Mary Chain. It is considered influential for its use of guitar feedback.
"You Trip Me Up" is a song by the Scottish alternative rock band The Jesus and Mary Chain from their 1985 debut album Psychocandy. The track was released as the second single from the record through Blanco y Negro Records in May 1985. The song was written by band members William Reid and Jim Reid.
"Sometimes Always" is a song by the Scottish alternative rock group the Jesus and Mary Chain and the first single from the group's album Stoned & Dethroned. Written by William Reid, the song is a duet between Jim Reid and Mazzy Star's Hope Sandoval. The song was a moderate commercial hit in the UK while also making some noise on the alternative circuit in the US. It has since seen critical acclaim as one of the best songs from the Stoned & Dethroned album.
"April Skies" is a song by Scottish alternative rock group the Jesus and Mary Chain and the first single from the group's second studio album, Darklands (1987). The song was released by Blanco y Negro Records in April 1987, reaching No. 8 on the UK Singles Chart, No. 6 in Ireland, and No. 16 in New Zealand, making it the band's highest-charting single in all three countries.
"Happy When It Rains" is a song by Scottish alternative rock group the Jesus and Mary Chain, released as the second single from their second studio album, Darklands (1987). It was issued through Blanco y Negro Records on 3 August 1987 and reached number 25 on the UK Singles Chart. It was released across three different formats; the 10-inch single is labelled as an extended play (EP).
The Complete Vinyl Collection is a box set release by Scottish alternative rock band, The Jesus and Mary Chain. It was released on 12 December 2013 via Demon Music Group, marking the band's 30th anniversary.
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