Munki | ||||
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Studio album by | ||||
Released | 2 June 1998 | |||
Genre | Alternative rock | |||
Length | 69:28 | |||
Label | Creation (UK), Sub Pop (US) | |||
Producer | Jim Reid, William Reid | |||
The Jesus and Mary Chain chronology | ||||
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Singles from Munki | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Alternative Press | [2] |
Drowned in Sound | 7/10 [3] |
Entertainment Weekly | B+ [4] |
Los Angeles Times | [5] |
NME | 6/10 [6] |
Pitchfork Media | 7.1/10 [7] |
Rolling Stone | [8] |
Uncut | [9] |
Wall of Sound | 85/100 [10] |
Munki is the sixth studio album released by Scottish rock band The Jesus and Mary Chain. After leaving Blanco y Negro, the Reid brothers signed to Sub Pop in the U.S. and Creation, who had released their debut single "Upside Down" in 1984, in the UK. Munki peaked at No. 47 in the UK album charts, [11] the band's first studio album not to make the Top 40. [12] It would also be the band's last album for 19 years, as they would release their next studio album Damage and Joy in 2017. [13]
The album features an appearance from Hope Sandoval of Mazzy Star, who had previously duetted with the band on the single "Sometimes Always", and includes the singles "I Hate Rock 'n' Roll" (released in 1995), "Cracking Up" and "I Love Rock 'n' Roll".
The origin of the album title, according to Ben Lurie in an interview with Spin magazine, was that they "wanted an un-Mary Chain-like title...It doesn't mean anything. It's just a word. Misspelled on purpose." In an interview with The Herald, Jim said that their sister Linda suggested it. This was the band's final studio album before their 8-year breakup from October 1999 to June 2007.
The band returned to their original record company, Creation, due to parting with Warner Records, however the band were surprised to see how much their label had changed since they had left the label, Jim Reid said. "The first time we were on Creation we spent days folding the paper covers inside plastic sleeves for 'Upside Down' in Alan McGee's back bedroom in Tottenham. Alan still held down a day job back then, so to go back 15 years later to do Munki it was like they'd become a proper record company!" [14]
The album is often thought of as sounding "divided" due to the Reids' crumbling relationship, as Jim Reid recalled: "Me and William weren't really getting along at all. That last year we barely even spoke. Munki is one of my favorite albums, but it was really divided. William would go into the studio with the rest of the band and record while I wasn't there, and then I'd go in with them when William wasn't there."
According to an interview in Alternative Press magazine, Jim said that "I Hate Rock 'n' Roll" was written by his brother "out of sheer frustration with the kind of crap we have to deal with in the music business." To counterbalance these sentiments, Jim wrote "I Love Rock 'n' Roll" because "I thought it left [Munki] kind of negative - I felt it was only half the story." [2] In the same issue of Alt Press, Munki was rated a perfect 5 out 5. [2]
Most other reviews, like those from AllMusic and Rolling Stone, were less enthusiastic.
Jason Ankeny of Allmusic gave the album a three star review, saying "Munki, is schizophrenic and impassioned, a record that both summarizes the band's career to date and cleans the slate for their future. Virtually each of the 17 tracks here echoes a prior moment in the Chain's existence, moving at breakneck pace from the volcanic noise of their earliest material to the bleak grace of Darklands, through to the sleek, supercharged pop of Automatic -- even Mazzy Star's Hope Sandoval makes a cameo, as she did on Stoned & Dethroned. In a sense, it's an ideal primer to the Reid brothers' mercurial world, flirting with both brilliance and mediocrity; even after well over a decade, the Jesus and Mary Chain continue to thrill, irritate, and confound -- they're a true love/hate obsession." [15]
of Drowned in Sound praised the album saying retrospectively, "Looking back at Munki now, it's one of those records that in hindsight serves as a document of a band that's falling apart. The likes of 'Commercial' and 'Never Understood' have a tragicomic edge to them not previously displayed by the Mary Chain." and noted "It's also worth remembering that Munki initially came out amidst a sea of all things Britpop yet still managed to achieve a longevity and relevance many other records released that year (1998) haven't succeeded in doing so." [16]
Entertainment Weekly praised the album, giving it a B+ "After a four-year exile, Jim and William Reid still have the gall to pen ”school-fool-cool” rhymes, filch classic melodies (Buddy Holly’s ”It’s So Easy”), wallow in guitar noise, and fret over their ”darkened souls.” Thank God. They almost discover trip-hop on ”Perfume,” a keyboard-spiked seance with Hope Sandoval. Otherwise it’s rock minimalism as usual — less glacial, maybe, but still able to sink ships." [17]
Disc one – Side A
Disc one – Side B
Disc two – Side A
Disc two – Side B
The Jesus and Mary Chain are a Scottish alternative rock band formed in East Kilbride in 1983. The band revolves around the songwriting partnership of brothers Jim and William Reid, who are the two founders and only consistent members of the band since its formation. They are recognized as key figures in the development of the shoegaze and noise pop subgenres. The band have had twelve top 40 entries and two top 10 hits in the UK Singles Chart in the course of their career.
21 Singles is a compilation album by Scottish alternative rock band The Jesus and Mary Chain, released in the United Kingdom on 27 May 2002 by Warner Strategic Marketing, and in the United States on 2 July 2002 by Rhino Records. As the title proclaims, it contains 21 of the band's singles in chronological order from their 15-year career.
Psychocandy is the debut studio album by Scottish rock band the Jesus and Mary Chain. It was released in November 1985 on Blanco y Negro Records. The album is considered a landmark recording: its combination of guitar feedback and noise with traditional pop melody and structure proved influential on the forthcoming shoegaze genre and alternative rock in general.
Hope Sandoval is an American singer-songwriter of Mexican descent, known as the lead singer of Mazzy Star and Hope Sandoval & the Warm Inventions. Sandoval has toured and collaborated with other artists, including Massive Attack, for whom she sang "Paradise Circus" on the 2010 album Heligoland and the 2016 single "The Spoils".
Honey's Dead is the fourth studio album by the Scottish alternative rock band The Jesus and Mary Chain, released in 1992 on Blanco y Negro Records. It marked a return to a more abrasive sound for the group, as well as incorporating elements of alternative dance. The title refers to one of the band's early hits, "Just Like Honey", and is intended to demonstrate a complete departure from their earlier musical style. The album peaked at No.14 on the UK Charts.
Darklands is the second studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 31 August 1987 by Blanco y Negro Records. The album is the band's first to use drum machines, replacing live drummer Bobby Gillespie, who had left to pursue a career as the frontman of Scottish rock band Primal Scream. Lead vocals are performed by Jim Reid, with the exception of "Darklands", "Nine Million Rainy Days" and "On the Wall", which are sung by William Reid.
Automatic is the third studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 9 October 1989 by Blanco y Negro Records. The group on this record consists of the core duo of brothers William and Jim Reid, with a drum machine providing percussion and synthesised bass. The only other credited musician was Richard Thomas, who joined the touring version of the Jesus and Mary Chain as a drummer. Thomas drummed on "Gimme Hell" and was a former member of Dif Juz. He also made appearances on Cocteau Twins' 1986 album Victorialand and This Mortal Coil's 1986 album Filigree & Shadow.
"Head On" is a song written by Jim Reid and William Reid of the Scottish alternative rock band the Jesus and Mary Chain. It was originally recorded for the group's 1989 album Automatic and was released as a single in November 1989.
Stoned & Dethroned is the fifth studio album by the Scottish alternative rock band The Jesus and Mary Chain. After spending most of 1992 touring, including a slot on that year's Lollapalooza tour, the band went into the studio during January 1993 with the notion of recording an acoustic album. For the first time since Psychocandy, JAMC recorded with a full band with Steve Monti from Curve playing drums and touring bassist Ben Lurie. The recording took longer than planned, lasting the better part of a year. The album also features lead vocals from guests Shane MacGowan from The Pogues on "God Help Me" and Mazzy Star's Hope Sandoval, singing a duet with Jim Reid on "Sometimes Always", which was the album's first single.
Hate Rock 'n' Roll is the third compilation of B-sides and rare tracks by Scottish alternative rock band The Jesus and Mary Chain.
"Just Like Honey" is a song by the Scottish alternative rock band The Jesus and Mary Chain from their 1985 debut album Psychocandy. The track was released as the third and final single from the album through Blanco y Negro Records in September 1985. An important milestone in the development of the alternative rock subgenre of noise pop, the song was written by band members William Reid and Jim Reid. Drummer Bobby Gillespie quotes Hal Blaine's opening drum riff from The Ronettes' "Be My Baby" in the song's intro.
The Power of Negative Thinking: B-Sides & Rarities is a box set compilation album by the noise pop band The Jesus and Mary Chain, released in 2008. It consists of material from the Barbed Wire Kisses, The Sound of Speed and The Jesus And Mary Chain Hate Rock 'n' Roll compilations, alongside unreleased tracks and rarities from throughout their career; including early performances, unheard demos, re-mixes, alternate versions of some songs and bootleg recordings.
"Sometimes Always" is a song by the Scottish alternative rock group the Jesus and Mary Chain and the first single from the group's album Stoned & Dethroned. Written by William Reid, the song is a duet between Jim Reid and Mazzy Star's Hope Sandoval. The song was a moderate commercial hit in the UK while also making some noise on the alternative circuit in the US. It has since seen critical acclaim as one of the best songs from the Stoned & Dethroned album.
"I Hate Rock 'n' Roll" is a song by the Scottish alternative rock group the Jesus and Mary Chain. It was released as a single on CD and 10-inch vinyl in June 1995 and reached number 61 on the UK Singles Chart. The 10-inch format was numbered and limited to 5,000 copies, although additional copies are rumored to exist. This single was the band's last release on Blanco y Negro Records, for whom they had recorded since 1985.
"I Love Rock 'n' Roll" is a song by the Scottish alternative rock group The Jesus and Mary Chain and the second single from the group's album Munki. It was the band's last single before they split up. It was released by Creation Records in May 1998 and reached #38 in the UK single charts.
Live in Concert is a live album by the noise pop band The Jesus and Mary Chain, released in 2003. It contains recordings from two concerts from 1992 and 1995.
The Complete Vinyl Collection is a box set release by Scottish alternative rock band, The Jesus and Mary Chain. It was released on 12 December 2013 via Demon Music Group, marking the band's 30th anniversary.
Linda Reid, better known by her stage name Sister Vanilla, is a Scottish singer-songwriter. She is the younger sister of The Jesus and Mary Chain core members, Jim and William Reid.
Damage and Joy is the seventh studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 24 March 2017 by Artificial Plastic Records. It is the group's first album in 19 years, and marks their first collaboration with producer Youth.
Glasgow Eyes is the eighth studio album by Scottish alternative rock band The Jesus and Mary Chain. It was released on 22 March 2024 through Fuzz Club, and marks their first studio release in seven years, following Damage and Joy (2017).
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