Terry Edwards | |
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 Edwards performing in 2010 | |
| Background information | |
| Born | 10 August 1960 Hornchurch, Essex, England |
| Origin | London, England |
| Genres | |
| Occupation | Musician |
| Instruments |
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| Years active | 1981–present |
| Labels |
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| Member of |
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| Website | terryedwards |
Terry Edwards (born 10 August 1960) [1] is an English musician who plays trumpet, flugelhorn, saxophones, guitar and keyboards.
Edwards gained a degree in music from the University of East Anglia in 1982, [2] where he was also a founding member of The Higsons. He produced and played on the debut album by Yeah Jazz called Six Lane Ends. He has subsequently[ when? ] performed and released records both as a solo artist and with his band The Scapegoats. He has played as a session musician and as a collaborator with Derek Raymond (on the Dora Suarez album), [3] Madness, Mark Bedford, Tindersticks, Spiritualized, Siouxsie, The Creatures, Nick Cave, The Jesus and Mary Chain, Department S, Lydia Lunch, Faust, Snuff, Tom Waits, Jack, The Blockheads, [4] Hot Chip, [5] and Robyn Hitchcock.
Edwards joined Gallon Drunk in 1993, staying with the band through the recording of three albums. [6] Also in 1993 he made a guest live appearance with PJ Harvey, later in 1997, he was a guest studio musician for the band.
He collaborated with Lydia Lunch and other members of Gallon Drunk in Big Sexy Noise, and performed live with Lunch outside the band. [7] [8] More recently he has performed with the David Bowie supergroup, Holy Holy.[ when? ]
Since around 2015, Edwards has performed with PJ Harvey and appeared on the group's 2016 album The Hope Six Demolition Project . [9] [10]
He is also a member of The Near Jazz Experience with Madness bassist Mark Bedford & former Higsons drummer Simon Charterton. [11]
Rahsaan Roland Kirk, known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
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