Media type | Optical disc |
---|---|
Released | 2004 |
Discontinued | 2009 |
The DualDisc is a type of double-sided optical disc product developed by a group of record companies including MJJ Productions Inc., EMI Music, Universal Music Group, Sony BMG Music Entertainment, Warner Music Group, and 5.1 Entertainment Group [1] and later under the aegis of the Recording Industry Association of America (RIAA). It featured an audio layer intended to be compatible with CD players (but too thin to meet Red Book CD specifications) on one side and a standard DVD layer on the other. In this respect it was similar to, but distinct from, the DVDplus developed in Europe by Dieter Dierks and covered by European patents.
DualDiscs first appeared in the United States in March 2004 as part of a marketing test conducted by the same five record companies who developed the product. The test involved 13 titles being released to a limited number of retailers in the Boston, Massachusetts, and Seattle, Washington, markets. The test marketing was seen as a success after 82% of respondents to a survey (which was included with the test titles) said that DualDiscs met or exceeded their expectations. In addition, 90% of respondents said that they would recommend DualDisc to a friend. [2] However, sales plummeted over the next three years, particularly in competition with rival formats like SACD and DVD-A discs.
DualDisc titles received a mass rollout to retailers throughout the United States in February 2005, though some titles were available as early as November 2004. The recording industry had nearly 200 DualDisc titles available by the end of 2005 and over 2,000,000 units had been sold by the middle of that year. [3]
DualDiscs were based on double-sided DVD technology such as DVD-10, DVD-14 and DVD-18 except that DualDisc technology replaced one of the DVD sides with a CD. The discs were made by fusing together a standard 0.6 mm-thick DVD layer (4.7-gigabyte storage capacity) to a 0.9 mm-thick CD layer (60-minute or 525-megabyte storage capacity), resulting in a 1.5 mm-thick double-sided hybrid disc which contained CD content on one side and DVD content on the other.
The challenge for the designers of DualDisc was to produce a dual-sided disc which was not too thick to play reliably in slot-loading drives, while the CD side was not too thin to be tracked easily by the laser. DVDplus, though conceptually similar, used a thicker CD layer and thus is more likely to get stuck in a slot-loading player (although this appears to be almost unknown); DualDisc took the other course by thinning the CD layer.
Because the 0.9 mm thickness of the DualDisc CD layer did not conform to Red Book CD specifications, which called for a layer no less than 1.1 mm thick, some CD players could not play the CD side of a DualDisc due to a phenomenon called spherical aberration. As a result, the laser reading the CD side might get a "blurry" picture of the data on the disc — the equivalent of a human reading a book with glasses of the wrong strength. Engineers tried to get around this by making the pits in the CD layer larger than on a conventional CD. This makes the CD side easier for the laser to read — equivalent to a book using bigger print to make it easier to see, even if the person's glasses are of the wrong strength. The downside to this, however, is that the playing time for the CD layer of some early DualDiscs decreased from the standard 74 minutes of a conventional CD to around 60 minutes, although this early limitation was later overcome.
Because the DualDisc CD layer did not conform to Red Book specifications, Philips and Sony refused to allow DualDisc titles to carry the CD logo and most DualDiscs contain one of two warnings:
The DVD side of a DualDisc completely conformed to the specifications set forth by the DVD Forum and DualDiscs have been cleared to use the DVD logo.
Record companies had two main hopes for DualDiscs; the first being that they would eventually replace CDs as the preferred media for purchase at music retailers, [4] and the second that the inclusion of bonus DVD content at a price similar to a conventional CD would help to slow down online music piracy by giving consumers more incentive to buy their music through retailers. [5] [6] Some titles such as Devils & Dust by Bruce Springsteen and Straight Outta Lynwood by "Weird Al" Yankovic have been released in the United States exclusively as DualDiscs.
In the United States, the cost of a DualDisc at retail versus that of a conventional CD varied depending on the title but, on average, a DualDisc cost about $1.50 to $2.50 USD more than the same title on CD. [7] Some DualDisc titles such as Mr. A-Z by Jason Mraz and In Your Honor by the Foo Fighters had enhanced packaging which increased the retail cost of the DualDisc version of the albums over their CD counterparts more than the average. There were also other factors which go into the additional costs such as production, marketing etc.
What one finds on the DVD side of a DualDisc title will vary. Common content includes:
The CD side of a DualDisc contained standard 16-bit LPCM audio sampled at 44.1 kHz. On the DVD side, most record companies (with the notable exception of Sony Music: see below) provided the album's music in both high-resolution, 24-bit DVD-Audio (typically at a sample rate of 96 or 192 kHz for stereo and 48 or 96 kHz for surround sound) and lower-resolution, 16-bit Dolby Digital sound (typically sampled at 48 kHz). This was done to allow consumers with DVD-Audio players access to very high-resolution stereophonic and/or surround sound versions of the album, while also providing the lower-resolution Dolby Digital stereophonic and/or surround sound which is compatible with any DVD player.
Because Sony had an existing high-resolution audio format, SACD, in the marketplace which directly competes with DVD-Audio (see next section), Sony Music, as a general rule, only provided 16-bit, 48 kHz sampled LPCM stereophonic (and sometimes Dolby Digital Surround) sound on the DVD side of their DualDiscs. The sound was compatible with any DVD player; however, it does not provide the higher fidelity and resolution of 24-bit, high sample-rate DVD-Audio.
In addition, several SonyBMG titles whose regular editions include copy protection programs (such as XCP and SunnComm) did not feature the software on the DualDisc versions.
The biggest competition to DualDisc was the hybrid Super Audio CD (SACD), which was developed by Sony and Philips Electronics, the same companies that created the standard CD. DualDiscs and hybrid SACDs were competing solutions to the problem of providing higher-resolution audio on a disc that can still be played on conventional CD players.
DualDiscs took the approach of using a double-sided disc to provide the necessary backwards compatibility; hybrid SACDs are a one-sided solution that instead use two layers: a conventional CD layer and a high-resolution layer.
Hybrid SACDs claim a higher compatibility rate with conventional CD players than DualDisc, because hybrid SACDs conform to Red Book standards. However, a SACD or SACD-capable DVD player is required to take advantage of the enhanced SACD layer. With a DualDisc, consumers could use their existing DVD player to hear surround mixes. (DVD-Audio capable players are required for higher-resolution audio, if present.) In 2005, it was estimated that 75% of households in the United States have at least one DVD player. [8]
A number of electronics companies such as Lexicon, [9] Marantz, [10] Mark Levinson, [11] Onkyo, [12] Panasonic, [13] Pioneer, [14] and Sony (both its Computer Entertainment and Electronics divisions) [15] [16] issued statements warning consumers about possible problems with playing DualDisc titles on their equipment.
There was some controversy surrounding the DualDisc format, as Dieter Dierks, the inventor of the DVDplus specification, claimed that DualDisc technology is in violation of his European patents. [17] [18]
The compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. It uses the Compact Disc Digital Audio format which typically provides 74 minutes of audio on a disc. In later years, the compact disc was adapted for non-audio computer data storage purposes as CD-ROM and its derivatives. First released in Japan in October 1982, the CD was the second optical disc technology to be invented, after the much larger LaserDisc (LD). By 2007, 200 billion CDs had been sold worldwide.
An optical disc is a flat, usually disc-shaped object that stores information in the form of physical variations on its surface that can be read with the aid of a beam of light. Optical discs can be reflective, where the light source and detector are on the same side of the disc, or transmissive, where light shines through the disc to be detected on the other side.
Super Audio CD (SACD) is an optical disc format for audio storage introduced in 1999. It was developed jointly by Sony and Philips Electronics and intended to be the successor to the compact disc (CD) format.
DVD-Audio is a digital format for delivering high-fidelity audio content on a DVD. DVD-Audio uses most of the storage on the disc for high-quality audio and is not intended to be a video delivery format.
Direct Stream Digital (DSD) is a trademark used by Sony and Philips for their system for digitally encoding audio signals for the Super Audio CD (SACD).
In digital recording, an audio or video signal is converted into a stream of discrete numbers representing the changes over time in air pressure for audio, or chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog audio or video forms so that they can be heard or seen.
High Definition Compatible Digital (HDCD) is a proprietary audio encode-decode process that claims to provide increased dynamic range over that of standard Compact Disc Digital Audio, while retaining backward compatibility with existing compact disc players.
DVD recordable and DVD rewritable are a collection of optical disc formats that can be written to by a DVD recorder and by computers using a DVD writer. The "recordable" discs are write-once read-many (WORM) media, where as "rewritable" discs are able to be erased and rewritten. Data is written ('burned') to the disc by a laser, rather than the data being 'pressed' onto the disc during manufacture, like a DVD-ROM. Pressing is used in mass production, primarily for the distribution of home video.
A gold compact disc is one in which gold is utilized in place of the high-purity aluminium or silver commonly used as the reflective coating on ordinary CDs and CD-Rs respectively. Gold disks are available as both CDs and CD-Rs as well, and are compatable with standard players and recorders.
The DVD is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kind of digital data and has been widely used to store video programs, software and other computer files. DVDs offer significantly higher storage capacity than compact discs (CD) while having the same dimensions. A standard single-layer DVD can store up to 4.7 GB of data, a dual-layer DVD up to 8.5 GB. Variants can store up to a maximum of 17.08 GB.
Blu-ray is a digital optical disc data storage format designed to supersede the DVD format. It was invented and developed in 2005 and released worldwide on June 20, 2006, capable of storing several hours of high-definition video. The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs.
HD DVD is an obsolete high-density optical disc format for storing data and playback of high-definition video. Supported principally by Toshiba, HD DVD was envisioned to be the successor to the standard DVD format, but lost to Blu-ray, supported by Sony and others.
In computer science, a double-sided disk is a disk of which both sides are used to store data.
Sony Digital Audio Disc Corporation is a manufacturer of CDs, DVDs, UMDs, and Blu-ray Discs. The company has many plants worldwide. Although it primarily services Sony Music Entertainment-owned record labels, Sony Pictures Home Entertainment, and Sony Interactive Entertainment, it also manufactures discs for other labels, home entertainment distributors, and video game publishers.
The DVDplus is a dual-sided disc similar to the DualDisc. It is an optical disc storage technology that combines the technology of DVD and CD in one disc. A DVD and a CD-compatible layer are bonded together to provide a multi-format hybrid disc. DVDplus, like DualDisc, is not a new format as such: it combines two existing formats, DVD and CD, to produce a new product.
Super Video CD is a digital format for storing video on standard compact discs. SVCD was intended as a successor to Video CD and an alternative to DVD-Video, and falls somewhere between both in terms of technical capability and picture quality.
The Warner Premium Sound series is series of 2011 hybrid multichannel-stereo Super Audio CD/CD releases, which an important development in the format war between Super Audio CDs (SACDs) and DVD-Audio discs. It marks the first time that the Warner Music Group has released titles in the SACD format; previously they had endorsed the DVD-Audio format. In a parallel development in the United States, four albums by the Doors, titles strongly associated with the Warner Music Group, are also to be released on hybrid multichannel-stereo SACDs by Analogue Productions. Also Mobile Fidelity have been issuing and continue to be issuing SACDs of the Warner catalogue, but in the past these have been stereo-only discs, and for their new releases they do not specify whether a given disc might have multichannel contents also.
High Fidelity Pure Audio, occasionally abbreviated as HFPA, is a marketing initiative, spearheaded by Sony Music Universal Music Group, for audio-only Blu-ray optical discs. Launched in 2013 as a potential successor to the compact disc (CD), it has been compared with DVD-Audio and SACD, which had similar aims.
High-resolution audio is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD Audio.